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Moore, A and Dockwray, R (2008) The establishment of the virtual performance space in rock twentieth-century music, 5 (2). pp. 219-241.

Downes, S (2005) Hans Werne Henze as Post-Mahler: Anachronism, Freedom and Erotics of Intertextuality twentieth-century music, 1 (2). pp. 179-207.

Moore, A and Mark, C (2004) Editorial twentieth-century music, 1 (1). pp. 3-4.

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