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Number of items: 14.

Andrews, S (2017) At Home with Doors: Practising architectural elements in Yes, These Eyes are the Windows and Between 13 and 15 Steps Contemporary Theatre Review.

Duggan, P (2017) On the Radical Political Potential of Performance:  witnessing, implication and ethics in representations of the Northern Irish Dirty Protests and Hunger Strikes (1976 – 1981) Contemporary Theatre Review.

Andrews, S (2015) Surge, Sway and Yaw: Mooring Performances in The Boat Project and A Room for London Contemporary Theatre Review.

Alston, A and Daker, R (2012) Contemporary Theatre “Philanthropy” and the Purchase of Participatory Privilege Contemporary Theatre Review, 22 (3). pp. 433-439.

Alston, A (2012) Damocles and the Plucked: Audience Participation and Risk in Half Cut Contemporary Theatre Review, 22 (3). pp. 344-354.

Lavender, AM (2012) Viewing and Acting (and points in between): the trouble with spectating after Rancière Contemporary Theatre Review, 22 (3). pp. 307-326.

Hunter, V (2012) Moving Sites’: Transformation and Re-location in Site-specific Dance Performance Contemporary Theatre Review, 22 (2). pp. 259-266.

Orozco, L and Boenisch, PM (2010) Editorial: Border collisions - Contemporary Flemish theatre Contemporary Theatre Review, 20 (4). pp. 397-404.

Boenisch, PM (2010) Towards a theatre of encounter and experience: Reflexive dramaturgies and classic texts Contemporary Theatre Review, 20 (2).

Boenisch, PM (2008) Exposing the classics: Michael Thalheimer's Regie beyond the text Contemporary Theatre Review, 18 (1). pp. 30-43.

Boenisch, PM (2008) Other people live: Rimini protokoll and their 'theatre of experts' Contemporary Theatre Review, 18 (1). pp. 107-113.

Boenisch, PM (2007) Decreation Inc.: William forsythe's equations of 'bodies before the name' Contemporary Theatre Review, 17 (1). pp. 15-27.

Lavender, AM (2005) Review of Gabriella Giannachi, Virtual Theatres: an introduction (London and New York: Routledge, 2004) and John E. McGrath, Loving Big Brother: Performance, privacy and surveillance space (London and New York: Routledge 2004) Contemporary Theatre Review, 15.2. pp. 269-273.

Lavender, AM (2003) Pleasure, performance and the Big Brother experience Contemporary Theatre Review, 13.2.

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