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Number of items: 7.

Duggan, P (2017) On the Radical Political Potential of Performance:  witnessing, implication and ethics in representations of the Northern Irish Dirty Protests and Hunger Strikes (1976 – 1981) Contemporary Theatre Review.

Andrews, S (2015) Surge, Sway and Yaw: Mooring Performances in The Boat Project and A Room for London Contemporary Theatre Review.

Alston, A and Daker, R (2012) Contemporary Theatre “Philanthropy” and the Purchase of Participatory Privilege Contemporary Theatre Review, 22 (3). pp. 433-439.

Alston, A (2012) Damocles and the Plucked: Audience Participation and Risk in Half Cut Contemporary Theatre Review, 22 (3). pp. 344-354.

Lavender, AM (2012) Viewing and Acting (and points in between): the trouble with spectating after Rancière Contemporary Theatre Review, 22 (3). pp. 307-326.

Hunter, V (2012) Moving Sites’: Transformation and Re-location in Site-specific Dance Performance Contemporary Theatre Review, 22 (2). pp. 259-266.

Orozco, L and Boenisch, PM (2010) Editorial: Border collisions - Contemporary Flemish theatre Contemporary Theatre Review, 20 (4). pp. 397-404.

This list was generated on Sat Oct 1 21:42:14 2016 IST.

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