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Andrews, S (2015) Surge, Sway and Yaw: Mooring Performances in The Boat Project and A Room for London Contemporary Theatre Review.
Alston, A and Daker, R (2012) Contemporary Theatre “Philanthropy” and the Purchase of Participatory Privilege Contemporary Theatre Review, 22 (3). pp. 433-439.
Alston, A (2012) Damocles and the Plucked: Audience Participation and Risk in Half Cut Contemporary Theatre Review, 22 (3). pp. 344-354.
Lavender, AM (2012) Viewing and Acting (and points in between): the trouble with spectating after Rancière Contemporary Theatre Review, 22 (3). pp. 307-326.
Hunter, V (2012) Moving Sites’: Transformation and Re-location in Site-specific Dance Performance Contemporary Theatre Review, 22 (2). pp. 259-266.
Orozco, L and Boenisch, PM (2010) Editorial: Border collisions - Contemporary Flemish theatre Contemporary Theatre Review, 20 (4). pp. 397-404.