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Items where Academic/Research unit is "Faculty of Arts and Social Sciences > Guildford School of Acting"

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Number of items: 22.

A

Alston, Adam (2012) Damocles and the Plucked: Audience Participation and Risk in Half Cut. Contemporary Theatre Review, 22 (3). pp. 344-354.

Alston, Adam (2012) Funding, Product Placement and Drunkenness in Punchdrunk's The Black Diamond. Studies in Theatre and Performance, 32 (2). pp. 193-208.

Alston, Adam (2012) Reflections on Intimacy and Narcissism in Ontroerend Goed's Personal Trilogy. Performing Ethos, 3 (2).

Alston, Adam and Daker, R (2012) Contemporary Theatre "Philanthropy" and the Purchase of Participatory Privilege. Contemporary Theatre Review, 22 (3). pp. 433-439.

B

Bessell, JE (2012) The Actors' Renaissance Season at the Blackfriars Playhouse In: Performing Early Modern Drama Today. Cambridge University Press, pp. 85-103. ISBN 978-0521193351

Bessell, JE (2012) International Shakespeare Conference 2012 In: International Shakespeare Conference 2012, 2012-08-06 - 2012-08-10, Shakespeare Institute, Stratford upon Avon.

Bessell, JE (2012) Letter from the chalk face: directing A Midsummer Night's Dream at the Staunton Blackfriars Shakespeare Survey, 65. pp. 181-193.

C

Cull, LK (2012) Affect in Deleuze, Hijikata, and Coates: The Politics of Becoming-Animal in Performance Journal of Dramatic Theory and Criticism, 26 (2). pp. 189-203.

Cull, LK (2012) Each one is already several… Collaboration in the context of the differential self. Notes on Goat Island & Deleuze & Guattari In: On Collaboration, 2012-05-04 - 2012-05-04, Middlesex University.

Cull, LK (2012) Performance as Philosophy: Responding to the Problem of ‘Application’ Theatre Research International, 37 (1). pp. 20-27.

Cull, LK (2012) Performance-Philosophy: A ‘philosophical turn’ in Performance Studies (and a non-philosophical turn in Philosophy) In: Performing Research: Creative Exchanges, 2012-01-19 - 2012-01-20, Central School of Speech and Drama. (Unpublished)

Cull, LK (2012) Theatres of Immanence: Deleuze and the Ethics of Performance Palgrave Macmillan. ISBN 0230319521

Cull, Laura (2012) Schizo-theatre: Guattari, Deleuze, performance and “madness” In: Situating and Interpreting States of Mind, 2012-06-14 - ?, Northumbria University.

D

Duggan, P (2012) Trauma-Tragedy: Symptoms of contemporary performance Manchester University Press, Manchester. ISBN 978-0-7190-8542-0

E

Ehrenberg, S (2012) A Contemporary Dancer's Kinaesthetic Experiences with Dancing Self-images In: Dance Spaces: Practices of Movement. University Press of Southern Denmark, pp. 193-213. ISBN 9788776746896

H

Hann, R (2012) Blurred Architecture: Duration and Performance in the work of Diller Scofidio + Renfro Performance Research: a journal of the performing arts, 17 (5). pp. 9-18.

Hann, R (2012) Dwelling in Light and Sound: An Intermedial Site for Digital Opera International Journal of Digital Media and Performance Arts, 8 (1). pp. 61-78.

Hann, Rachel (2012) Theatre has Left the Building: Theatre and Performance Architecture in the 21st Century Australasian Drama Studies (61). pp. 159-161.

Hunter, V (2012) Moving Sites’: Transformation and Re-location in Site-specific Dance Performance Contemporary Theatre Review, 22 (2). pp. 259-266.

J

Jola, C, Ehrenberg, S and Reynolds, D (2012) The experience of watching dance: phenomenological-neuroscience duets Phenomenology and the Cognitive Sciences, 11 (1). pp. 17-37.

L

Lavender, AM (2012) Viewing and Acting (and points in between): the trouble with spectating after Rancière Contemporary Theatre Review, 22 (3). pp. 307-326.

W

Wagner, MD (2012) In This Good Time: Cardenio and the Temporal Character of Shakespearean Drama In: The Quest for Cardenio. Oxford University Press, Oxford. ISBN 978-0-19-964181-9

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