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Test tubes in the lab Research in the ATI Dance Research

Items where Academic/Research unit is "Faculty of Arts and Social Sciences > School of Arts"

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Number of items at this level: 90.

A

Al-Azzawi, A, , Frohlich, DM and Wilson, M, (2010) Stability of user experience: Changes in constructs as users transition from anticipated to actualised interaction. In: iHCI-2010 Conference, 2010-09-02 - 2010-09-03, Dublin, Ireland.

Alston, Adam (2017) Immersive theatre and the aesthetics of decadence: On the ruined worlds of Punchdrunk, SHUNT and Hammer Film Productions Theatre and Performance Design, 3 (4). pp. 199-217.

Alston, Adam (2012) Reflections on Intimacy and Narcissism in Ontroerend Goed's Personal Trilogy Performing Ethos, 3 (2).

Andrews, Stuart (2017) The Possibilities of Loneliness in a Changing World: Performing Place in 'Withdrawn' In: Narratives of Loneliness: Multidisciplinary Perspectives of the 21st Century. Explorations in Mental Health . Routledge. ISBN 9781138183827

Andrews, Stuart and Duggan, Patrick (2019) Situation Rooms: Performing City Resilience in New Orleans Liminalities: a journal of performance studies.

Armstrong, Thomas (2017) Distant Beauties. Music composition for flute and viola composed for a re-working of the Prologue to Tchaikovsky’s ballet, The Sleeping Beauty. [Composition]

Armstrong, Thomas (2016) JPR. Musical composition for baroque flute, viola da gamba and harpsichord. [Composition]

Armstrong, Thomas (2018) An experimental turn: A composer's perspective on a changing practice In: Music and Sonic Art: Practices and Theories. Cambridge Scholars Press.

Armstrong, Thomas, Trio Aporia, and Lightwork, (2016) Lines of Flight: Multimedia composition for baroque flute, viola da gamba, harpsichord and video projection [Composition]

B

Bessell, JE (2012) Letter from the chalk face: directing A Midsummer Night's Dream at the Staunton Blackfriars Shakespeare Survey, 65. pp. 181-193.

Bessell, JE (2013) Romeu e Julieta (Reprise): Grupo Galpao st the Globe, again In: Shakespeare Beyond English. Cambridge University Press. ISBN 0415877598

Bessell, Jacquelyn and Riddell, P (2016) Embodiment and Performance Changing English: Studies in Culture and Education, 23 (4). pp. 326-334.

Blythe, M, Robinson, J and Frohlich, DM (2008) Interaction design and the critics: What to make of the "weegie" In: 5th NordiCHI: Building bridges, 2008-10-18 - 2009-10-22, Lund, Sweden.

C

Coleman, Philip, Franck, A, Francombe, Jon, Liu, Qingju, de Campos, Teofilo, Hughes, R, Menzies, D, Simon Galvez,, M, Tang, Y, Woodcock, J, Jackson, Philip, Melchior, F, Pike, C, Fazi, F, Cox, T and Hilton, Adrian (2018) An Audio-Visual System for Object-Based Audio: From Recording to Listening IEEE Transactions on Multimedia, 20 (8). pp. 1919-1931.

Cull, LK (2014) Deleuze’s bodies, philosophical diseases and the thought of illness In: Wissen wir, was ein Körper vermag? Rhizomatische Körper in Religion, Kunst, Philosophie. transcript Verlag, Germany, pp. 185-198. ISBN 978-3-8376-2477-9

Cull, Laura (2017) Equalizing Theatre and Philosophy: Laruelle, Badiou, and gestures of authority in the philosophy of theatre Performance Philosophy, 3 (3). pp. 730-750.

Cull, Laura (2018) From the philosophy of theatre to performance philosophy: Laruelle, Badiou and the equality of thought Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics. Heretical Challenges and Orthodoxy (Part 2): A Special Issue on the Occasion of the 80th Birthday of François Laruelle, 19 (2). pp. 102-120.

Cull, Laura (2018) "Notes Toward The Philosophy of Theatre" in David Kornhaber and Martin Middeke (eds.), 'Drama, Theatre, and Philosophy'. Special issue. Anglia. Journal of English Philology, 136 (1).

Cull, Laura (2018) Opening the Circle: Performance philosophy as an animal movement Performance Research; On Reflection – Turning 100, 23 (4-5). pp. 419-421.

D

Duggan, Patrick (2018) On Ignoring Risk Performance Research, 23 (4-5). pp. 458-461.

Duggan, Patrick (2017) On the Radical Political Potential of Performance:  witnessing, implication and ethics in representations of the Northern Irish Dirty Protests and Hunger Strikes (1976 - 1981) Contemporary Theatre Review, 27 (4). pp. 445-461.

Durrant, A, Frohlich, DM, Sellen, A and Lyons, E (2009) Home Curation versus Teenage Photography: Photo Displays in the Family Home International Journal of Human-Computer Studies, 67 (12). pp. 1005-1023.

Durrant, AC, Taylor, AS, Taylor, S, Molloy, M, Sellen, A, Frohlich, DM and Swan, L (2008) Speculative devices for photo display In: 26th CHI Conference on Human Factors in Computing Systems, 2008-04-05 - 2008-04-10, Florence, Italy.

E

Ely, P, Frohlich, David and Green, NC (2011) Uncertainty, upheavals and upgrades: digital-DIY during life change In: New media technologies and user empowerment. Participation in Broadband Society, 6 . Peter Lang, Oxford, pp. 163-180. ISBN 9783631600313

England, D, Spence, JC, Latulipe, CE, Edmonds, EA, Candy, L, Schiphorst, T, Bryan-Kinns, N and Woolford, K (2014) Art and Interaction SIG: Cataloging the Digital Arts In: CHI 2014, 2014-04-26 - 2014-05-01, Toronto, CA.

F

Francombe, J, Brookes, T and Mason, RD (2015) Perceptual evaluation of spatial quality: where next? In: 22nd International Congress on Sound and Vibration, 2015-07-12 - 2015-07-16, Florence.

Francombe, J, Brookes, TS, Mason, R and Melchior, F (2015) Loudness matching multichannel audio programme material with listeners and predictive models In: 139th International AES Convention, 2015-10-29 - 2015-11-01, New York, USA.

Frohlich, DM (2016) Ageing and the Digital Life Course, edited by David Prendergast and Chiara Garattini Journal of Population Ageing.

Frohlich, DM, Armstrong, T, Calic, J, Yuan, H, Knights, T and Desbrulais, S (2015) Com-Note: Designing a composer's notebook for collaborative music composition In: Digital Research in the Humanities and Arts DRHA 2014, 2014-08-31 - 2014-09-03, University of Greenwich.

Frohlich, DM, Bhat, R, Jones, M, Lalmas, M, Frank, M, Rachovides, D, Tucker, R and Riga, K (2009) Democracy, design and development in community content creation: lessons from the StoryBank project Information Technologies and International Development, 5 (4). pp. 19-35.

Frohlich, DM, Eglinton, K, Robinson, S, Jones, M and Vartiainen, E (2012) Creative cameraphone use in rural developing regions In: 14th International Conference on Human-computer interaction with mobile devices and services, 2012-09-21 - 2012-09-24, San Francisco, CA, USA.

Frohlich, DM and Jones, M (2008) Audiophoto narratives for semi-literate communities Interaction Magazine, 15 (6). pp. 61-64.

Frohlich, DM, Rachovides, D, Riga, K, Bhat, R, Frank, M, Edirisinghe, E, Wickramanayaka, D, Jones, M and Harwood, W (2009) StoryBank: Mobile Digital Storytelling in a Development Context In: 27th Annual CHI Conference on Human Factors in Computing Systems, 2009-04-04 - 2009-04-09, Boston, MA.

Frohlich, DM and Sarvas, R (2011) HCI and innovation In: CHI 2011 - Session: Innovation & Design, 2011-05-07 - 2011-05-12, Vancouver, BC, Canada.

Frohlich, David, Wall, S and Kiddle, G (2013) Re-discovery of forgotten images in domestic photo collections Personal and Ubiquitous Computing, 17 (4). pp. 729-740.

G

Golsteijn, C, Golsteijn, C, Golsteijn, C, Van Den Hoven, E, Van Den Hoven, E, Frohlich, D and Sellen, A (2014) Reflections on craft research for and through design Proceedings of the NordiCHI 2014: The 8th Nordic Conference on Human-Computer Interaction: Fun, Fast, Foundational. pp. 421-430.

Golsteijn, C, Van Den Hoven, E, Frohlich, DM and Sellen, A (2012) Towards a more cherishable digital object In: Designing Interactive Systems Conference 2012, 2012-06-11 - 2012-06-15, Newcastle, UK.

H

Hann, Rachel (2018) Beyond Scenography Routledge. ISBN 9781138785052

Hermes, K, Brookes, TS and Hummersone, C (2015) The influence of dumping bias on timbral clarity ratings In: 139th International AES Convention, 2015-10-29 - 2015-11-01, New York, USA.

Hesselberth, P and Poulaki, Maria (2016) Compact Cinematics ; Spring 2016 'Small data' NECSUS, Spr 16.

Hummersone, C (2010) A Localisation- and Precedence-based Binaural Separation Algorithm .

J

Jackson, Philip, Plumbley, Mark D, Wang, Wenwu, Brookes, Tim, Coleman, Philip, Mason, Russell, Frohlich, David, Bonina, Carla and Plans, David (2017) Signal Processing, Psychoacoustic Engineering and Digital Worlds: Interdisciplinary Audio Research at the University of Surrey In: Speech and Audio in the North East (SANE 2017), 19 October 2017, New York.

Jansen, M, van den Hoven, E and Frohlich, DM (2014) Pearl: living media enabled by interactive photo projection Personal and Ubiquitous Computing, 18 (5). pp. 1259-1275.

Jones, M and Frohlich, DM (2008) Mobile ethics ITNOW, 50 (3).

Jones, M, Thom, E, Bainbridge, D and Frohlich, DM (2009) Mobility, digital libraries and a rural Indian village In: The 9th ACM/IEEE-CS Joint Conference on Digital libraries, 2009-06-14 - 2009-06-19, Austin, Texas.

L

Lalmas, M, Bhat, R, Frank, M, Frohlich, DM and Jones, M (2007) Bridging the digital divide: understanding information access practices in an indian village community. SIGIR. pp. 741-742.

Land, V, Lumkin, M and Frohlich, DM (2008) Conveying availability and capability to communicate in naturalistic interaction. In: 22nd British HCI Group Annual Conference on HCI 2008, 2008-09-01 - 2008-09-05, Liverpool, UK.

Lavender, A (2014) Modal transpositions toward theatres of encounter, or, in Praise of "media intermultimodality" Theatre Journal, 66 (4). pp. 499-518.

Lavender, A (2016) Performance in the Twenty-First Century Theatres of Engagement Routledge. ISBN 113646719X

Lavender, AM (2015) ‘Capturer La Tempête? La pratique comme recherche (Practice-as-Research) pour une dramaturgie shakespearienne et des spectacles de théâtre multimedia’ Ligeia (dossiers sur l’Art) (No 137). pp. 184-194.

Lavender, AM (2017) Le jeu de scène inter-médias dans les environnements de performance hybride (Intermedial acting for hybrid performance environments) In: Corps en Scène: L’Acteur Face aux Écrans / Bodies on Stage: Acting Confronted by Technology, 2015-06-03 - 2015-06-05, La Sorbonne Nouvelle, Paris, France.

Lavender, AM, Henderson, J, Kerry, D, Martinez, M and Hulls, M (2016) Training and Craft Theatre, Dance and Performance Training, 7 (1). pp. 112-113.

N

Nee, C, Wainwright, L, White, M, Pascu, T, Barker, L and Woolford, K (2014) New methods for examining expertise in burglars in natural and simulated environments: preliminary findings Psychology, Crime and Law, 21 (5). pp. 507-513.

O

Oleksik, G, Frohlich, DM, Brown, LM and Sellen, A (2008) Sonic Interventions: Understanding and Extending the Domestic Soundscape In: 26th CHI Conference on Human Factors in Computing Systems, 2008-04-05 - 2008-04-10, Florence, Italy.

P

Pelegrın-Garcıa, D, De Sena, Enzo, van Waterschoot, T, Rychtarikova, M and Glorieux, C (2018) Localization of a Virtual Wall by Means of Active Echolocation by Untrained Sighted Persons Applied Acoustics, 139. pp. 82-92.

Poulaki, M (2010) Japanese science fiction and conceptions of the (human) subject CLCWeb - Comparative Literature and Culture, 12 (3).

Poulaki, M (2014) Puzzled Hollywood and the Return of Complex Films In: Hollywood Puzzle Films. AFI Film Readers (2). Routledge, Taylor & Francis. ISBN 0415622468

Poulaki, M (2010) When Differences Become Unimportant: Casshern and the true social of cyberpunk In: Humanity in Cybernetic Environments. Critical Issues. Imaginative research in a changing world . Inter-disciplinary Press, Oxford, pp. 125-134. ISBN 978-1-904710-71-4

Poulaki, M (2018) The “good form” of film: The aesthetics of continuity from Gestalt psychology to cognitive film theory Gestalt Theory, 40 (1). pp. 29-43.

Poulaki, M and Hesselberth, P (2017) 'Introduction: Screen, Capture, Attention' In: Compact Cinematics: The Moving Image in the Age of Bit-Sized Media. Bloomsbury Academic. ISBN 9781501322266

Poulaki, Maria (2014) Network films and complex causality Screen (Oxford), 55 (3). pp. 379-395.

Powrie, PP (2017) L'Une chante, l'autre pas: music, movement and the utopian community In: Agnès Varda Unlimited: Image, Music, Media. Legenda, Cambridge. ISBN 978-1-909662-31-5

Powrie, Phil (2018) « Losing the plot » : le loser français et les masculinités à l’écran" In: La figure du loser dans le film et la littérature d'expression française. Presses universitaires de Limoges, Limoges, France, pp. 31-52.

Prabhu, G and Frohlich, D (2003) Contextual Invention, 2003 Kestone Research. ISBN 8190187201

S

Sansom, Matthew Landscape Quartet: strategies for ecological sound art In: Music and ecologies of sound. Theoretical and practical projects for a listening of the world. International Symposium, 27 - 29 May 2013, University of Paris 8, France..

Sarvas, R and Frohlich, DM (2011) From Snapshots to Social Media - The Changing Picture of Domestic Photography Computer Supported Cooperative Work . Springer. ISBN 0857292463

Shyldkrot, Yaron (2018) Mist opportunities: haze and the composition of atmosphere Studies in Theatre and Performance. pp. 1-18.

Sorgel, S (2017) The Global Politics of Faustin Linyekula’s Dance Theatre: From Congo to Berlin and Back Again via Brussels and Avignon In: Moving (Across) Borders. Transcript Verlag. ISBN 978-3-8376-3165-4

Spence, J, Andrews, S and Frohlich, DM (2012) Now, where was I? Negotiating time in digitally augmented autobiographical performance Journal of Media Practice, 13, 3. pp. 269-284.

Spence, J, Frohlich, D and Andrews, S (2015) Performance and critical design. In: 2015 British Human Computer Interaction Conference, 2015-07-13 - 2015-07-17, Lincoln, UK.

T

Taylor, N, Marshall, J, Blum-Ross, A, Mills, J, Rogers, J, Egglestone, P, Frohlich, David, Wright, P and Olivier, P (2012) Viewpoint: Empowering communities with situated voting devices In: Computer-Human Interaction (CHI 2012), 2012-05-05 - 2012-05-10, Austin Texas.

V

Vairetti, Giacomo, De Sena, Enzo, Catrysse, Michael, Jensen, Soren Holdt, Moonen, Marc and Van Waterschoot, Toon (2018) An Automatic Design Procedure for Low-order IIR Parametric Equalizers Journal of the Audio Engineering Society.

Van Erve, D, Vos, G-W, Van Den Hoven, E and Frohlich, DM (2011) Cueing the past: Designing embodied interaction for everyday remembering In: Second Conference on Creativity and Innovation in Design, 2011-10-19 - 2011-10-21, Eindhoven, the Netherlands.

W

Wiley, C (2014) Divided by a Common Language? Evaluating Students’ Understanding of the Vocabulary of Assessment and Feedback at a Single UK Higher Education Institution The International Journal of Assessment and Evaluation, 20 (3). pp. 1-11.

Wiley, C (2017) The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners In: The Edinburgh Companion to Literature and Music. Edinburgh University Press, Edinburgh.

Wiley, Christopher (2018) Biography and Life-Writing In: The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. Oxford University Press, Oxford, UK.

Wiley, Christopher (2018) Ethel Smyth (1858–1944) – Mass in D (1891, rev. 1924) .

Wiley, Christopher (2018) Ethel Smyth (1858–1944) – The Wreckers – ‘On the Cliffs of Cornwall’ (Prelude to Act 2) (1902–4) .

Wiley, Christopher (2017) Ethel Smyth, Music, and the Suffragette Movement: Reconsidering The Boatswain’s Mate as Feminist Opera In: Combined Tenth Biennial International Conference on Music Since 1900 and Surrey Music Analysis Conference (ICMSN/SurreyMAC 2017), 11 - 14 September 2017, University of Surrey, Guildford, UK.

Wiley, Christopher (2018) Ethel Smyth, Suffrage, and Surrey: From Frimley Green to Hook Heath, Woking Women’s History: The Journal of the Women’s History Network. Special Issue: 1918-2018, 2 (11). pp. 11-18.

Wiley, Christopher (2018) A Fresh Start and Two (More) Portraits: Theatrical Shows on the Life and Work of Ethel Smyth for 2018 Women’s History: The Journal of the Women’s History Network. Special Issue: 1918-2018, 2 (11). pp. 39-40.

Wong, R, Poh, N, Kittler, J and Frohlich, DM (2010) Interactive quality-driven feedback for biometric systems In: BTAS 2010, 2010-09-27 - 2010-09-29, Washington DC, USA.

Wong, R, Poh, N, Kittler, J and Frohlich, DM (2010) Towards inclusive design in mobile biometry In: HSI 2010, 2010-05-13 - 2010-05-15, Rzeszów, Poland.

Woodcock, James, Franombe, Jon, Franck, Andreas, Coleman, Philip, Hughes, Richard, Kim, Hansung, Liu, Qingju, Menzies, Dylan, Simón Gálvez, Marcos F, Tang, Yan, Brookes, Tim, Davies, William J, Fazenda, Bruno M, Mason, Russell, Cox, Trevor J, Fazi, Filippo Maria, Jackson, Philip, Pike, Chris and Hilton, Adrian (2018) A Framework for Intelligent Metadata Adaptation in Object-Based Audio In: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science, 7 - 9 August 2018, Tokyo, Japan.

Woolford, KA (2014) Defining Accuracy in the use of Kinect v2 for Exercise Monitoring In: MOCO '15 - the 2nd International Workshop on Movement and Computing, 2014-08-14 - 2014-08-15, Vancouver, Canada.

Woolford, KA Moments in Place [Show/Exhibition]

Woolford, KA and Dunn, S (2013) Reconfiguring Experimental Archaeology Using 3D Movement Reconstruction In: Electronic Visualisation in Arts and Culture. Springer Series on Cultural Computing . Springer, pp. 277-291. ISBN 978-1-4471-5405-1

Woolford, KA and Dunn, S (2013) Reconfiguring Experimental Archaeology Using 3D Movement Reconstruction In: Electronic Visualisation in Arts and Culture. Springer Series on Cultural Computing, 5 . Springer, pp. 277-291. ISBN 978-1-4471-5405-1

Woolford, KA, Guedes, C, Burfin, JM, Lopes, F, Costa, G, Gomes, J, Rebelo, P, Penha, R and Dias, R CONCERTO X [Performance]

Z

Zargham, S, Calic, J and Frohlich, DM (2012) User experience study of multiple photo streams visualization. In: 26th Annual BCS Interaction Specialist Group Conference on People and Computers, 2012-09-12 - 2012-09-14, Birmingham, UK.

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