University of Surrey

Test tubes in the lab Research in the ATI Dance Research

Items where Academic/Research unit is "Faculty of Arts and Social Sciences > Guildford School of Acting"

Up a level
Export as [feed] RSS 1.0 [feed] RSS 2.0
Group by: Authors | Item Type | No Grouping
Jump to: A | B | C | D | E | G | H | J | K | L | O | P | R | S | T | V | W
Number of items at this level: 212.

A

Alston, A and Welton, M (2017) Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Methuen Drama Engage . Bloomsbury, London. ISBN 9781474251181

Alston, Adam (2013) Audience Participation and Neoliberal Value: Risk, Agency and Responsibility in Immersive Theatre. Performance Research, 18 (2). pp. 128-138.

Alston, Adam (2016) Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation. Palgrave Macmillan, Basingstoke.

Alston, Adam (2012) Damocles and the Plucked: Audience Participation and Risk in Half Cut. Contemporary Theatre Review, 22 (3). pp. 344-354.

Alston, Adam (2012) Funding, Product Placement and Drunkenness in Punchdrunk's The Black Diamond. Studies in Theatre and Performance, 32 (2). pp. 193-208.

Alston, Adam (2019) Holstein's hair: The Politics of Decadence in The Famous Lauren Barri Holstein's Splat! In: The Routledge Companion to Theatre and Politics. Routledge.

Alston, Adam (2017) Immersive theatre and the aesthetics of decadence: On the ruined worlds of Punchdrunk, SHUNT and Hammer Film Productions. Theatre and Performance Design, 3 (4). pp. 199-217.

Alston, Adam (2019) Immersive theatre in austerity Britain: Les Enfants Terribles' riot in the Saatchi Gallery and the liquidation of differencEngine. Contemporary Theatre Review.

Alston, Adam (2016) Making mistakes in immersive theatre: Spectatorship and errant immersion. Journal of Contemporary Drama in English, 4 (1). pp. 61-73.

Alston, Adam (2017) Melting into air: Dining in the dark, reification and the aesthetics of darkness. In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Methuen Drama Engage (2). Bloomsbury Academic, London, pp. 64-87. ISBN 9781474251198

Alston, Adam (2015) Performing Labour in Look Left Look Right’s Above and Beyond. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (1). pp. 50-61.

Alston, Adam (2013) Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl's Rotating in a Room of Images. In: Affective Performance and Cognitive Science: Body, Brain and Being. Methuen, London, pp. 217-228. ISBN 9781408183984

Alston, Adam (2016) The Promise of Experience: Immersive Theatre in the Experience Economy. In: Framing Immersive Theatre and Performance. Palgrave Macmillan, Basingstoke.

Alston, Adam (2012) Reflections on Intimacy and Narcissism in Ontroerend Goed's Personal Trilogy. Performing Ethos, 3 (2).

Alston, Adam (2016) 'Tell no-one': Secret Cinema and the Paradox of Secrecy. In: Performance and Participation: Practices, Audiences, Politics. Palgrave Macmillan, Basingstoke.

Alston, Adam and Daker, R (2012) Contemporary Theatre "Philanthropy" and the Purchase of Participatory Privilege. Contemporary Theatre Review, 22 (3). pp. 433-439.

Alston, Adam and Welton, M (2017) Introduction: The dark draws in. In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Methuen Drama Engage (Introd). Bloomsbury Academic, London, pp. 1-34. ISBN 9781474251198

Andrews, S (2009) Building Brockhole (again): (Re-)Living Landscape in the Lakes In: Living Landscapes, 2009-06-18 - 2009-06-21, Aberystwyth. (Unpublished)

Andrews, S (2007) A Performance Cosmology: Testimony from the future, evidence of the past Studies in Theatre and Performance, 27 (3). pp. 307-308.

Andrews, S (2010) Performance and the City Theatre Research International, 35 (3). pp. 312-313.

Andrews, S (2016) Placemaking demystified International Arts Manager, 12 (2). pp. 12-13.

Andrews, S (2011) Return to Isla Blanca: Embodied thinking in family ciné film In: Performance Studies international conference #17. Camillo 2.0: Technology, Memory, Experience, 2011-05-25 - 2011-05-29, Utrecht. (Unpublished)

Andrews, S (2015) Surge, Sway and Yaw: Mooring Performances in The Boat Project and A Room for London Contemporary Theatre Review.

Andrews, S and Bannon, F (2008) Walking between: Through place and practice In: Collision: Interarts practice and research. Cambridge Scholars Press, Newcastle upon Tyne, pp. 163-178. ISBN 1-4438-0031-7

Andrews, S, Edwards, A, Newell, C and Gibson, I Call Centre [Performance]

Andrews, S, Edwards, A, Newell, C and Gibson, I Please wait with me [Performance]

Andrews, S, Lawrence, K and Hughes, H Particles in Space [Performance] (Unpublished)

Andrews, S, Lopes, A, MacDermott, J and Newell, C TIDE (IDE Art) [Performance]

Andrews, Stuart (2017) At Home with Doors: Practising architectural elements in Yes, These Eyes are the Windows and Between 13 and 15 Steps Contemporary Theatre Review, 27 (4). pp. 462-480.

Andrews, Stuart (2017) The Possibilities of Loneliness in a Changing World: Performing Place in 'Withdrawn' In: Narratives of Loneliness: Multidisciplinary Perspectives of the 21st Century. Explorations in Mental Health . Routledge. ISBN 9781138183827

Andrews, Stuart (2013) Surge, Sway and Yaw: Performative moorings in The Boat Project and A Room for London In: RE-ROUTING PERFORMANCE / RE-CAMINANT L’ESCENA (FIRT/IFTR), 2013-07-22 - 2013-07-26, Barcelona, Spain.

Andrews, Stuart and Duggan, Patrick (2019) Situation Rooms: Performing City Resilience in New Orleans Liminalities: a journal of performance studies.

B

Bessell, JE (2012) The Actors' Renaissance Season at the Blackfriars Playhouse In: Performing Early Modern Drama Today. Cambridge University Press, pp. 85-103. ISBN 978-0521193351

Bessell, JE Antony and Cleopatra: a cut and a case for two actors and a piano [Performance]

Bessell, JE (2010) The Early Modern Physical Theater In: Speaking Pictures: The Visual/Verbal Nexus of Dramatic Performance. Fairleigh Dickinson University Press, pp. 181-201. ISBN 978-0838641828

Bessell, JE (2010) International Shakespeare Conference In: International Shakespeare Conference, 2010-08-09 - 2010-08-12.

Bessell, JE (2012) International Shakespeare Conference 2012 In: International Shakespeare Conference 2012, 2012-08-06 - 2012-08-10, Shakespeare Institute, Stratford upon Avon.

Bessell, JE (2012) Letter from the chalk face: directing A Midsummer Night's Dream at the Staunton Blackfriars Shakespeare Survey, 65. pp. 181-193.

Bessell, JE (2013) MACBETH for 5 actors [Performance]

Bessell, JE A Midsummer Night's Dream [Performance]

Bessell, JE (2015) Pan-European actor training methodologies and bilingual Shakespearean performance in Night Horses (2014) In: European Shakespeare Research Association Workshop, 2015-06-29 - 2015-07-02, University of Worcester. (Unpublished)

Bessell, JE (2015) Perchei sei tu?: Lindsay Kemp's "gift of memory" In: Shakespeare, Romeo and Juliet, and Civic Life The Boundaries of Civic Space. Routledge Studies in Shakespeare (13). Routledge, pp. 260-277. ISBN 1138839981

Bessell, JE (2015) The Performance Research Group’s Antony and Cleopatra (2010) In: Campus Shakespeare. Cambridge University Press.

Bessell, JE (2013) Romeu e Julieta (Reprise): Grupo Galpao st the Globe, again In: Shakespeare Beyond English. Cambridge University Press. ISBN 0415877598

Bessell, JE (2015) Shakespeare in Practice Arden Shakespeare.

Bessell, JE (2014) The Uses of Poetry in Actor Training In: The Uses of Poetry in Actor Training, 2014-06-06 - 2014-06-06, Guildford School of Acting.

Bessell, JE and Crowley Smith, P (2015) Night Horses Arrêt sur scène / Scene Focus (4).

Bessell, JE, Shakespeare, and Marlowe, Night Horses [Performance]

Bessell, JE, Shakespeare, and Walker, F (2015) Macbeth [Performance]

Bessell, JE, Vaughan, VM and Cioni, F (2010) Speaking Pictures: The Visual/Verbal Nexus of Dramatic Performance UNSPECIFIED. ISBN 978-0-8386-4182-8

Bessell, Jacquelyn and Riddell, P (2016) Embodiment and Performance Changing English: Studies in Culture and Education, 23 (4). pp. 326-334.

C

Calvo-Merino, B, Ehrenberg, Shantel, Leung, D and Haggard, P (2010) Experts see it all: configural effects in action observation Psychological Research: an international journal of perception, attention, memory and action, 74 (4). pp. 400-406.

Cull, L (2015) Performance Philosophy Open Access / OASPA, UK.

Cull, LK (2012) Affect in Deleuze, Hijikata, and Coates: The Politics of Becoming-Animal in Performance Journal of Dramatic Theory and Criticism, 26 (2). pp. 189-203.

Cull, LK (2011) Attention-training: Immanence and ontological participation in Kaprow, Deleuze & Bergson Performance Research: a journal of the performing arts, 16 (4). pp. 80-91.

Cull, LK (2013) Collective Creation as a Theatre of Immanence: Deleuze and The Living Theatre In: A History of Collective Creation. Palgrave Macmillan, pp. 129-144. ISBN 1137331305

Cull, LK (2009) Deleuze and Performance Deleuze Connections . Edinburgh University Press, Edinburgh. ISBN 0748635041

Cull, LK (2014) Deleuze’s bodies, philosophical diseases and the thought of illness In: Wissen wir, was ein Körper vermag? Rhizomatische Körper in Religion, Kunst, Philosophie. transcript Verlag, Germany, pp. 185-198. ISBN 978-3-8376-2477-9

Cull, LK (2015) ‘Doing Performance Philosophy: attention, collaboration and the missing “&”’ In: Performing Interdisciplinarity, 2015-03-20 - ?, University of Malta.

Cull, LK (2012) Each one is already several… Collaboration in the context of the differential self. Notes on Goat Island & Deleuze & Guattari In: On Collaboration, 2012-05-04 - 2012-05-04, Middlesex University.

Cull, LK (2014) From Homo Performans to Interspecies Collaboration: Expanding the concept of performance to include animals In: Performing Animality: Animals in Performance Practice. Palgrave Macmillan, Basingstoke / New York.

Cull, LK (2013) Guattari, Deleuze, performance et « folie » Chimères (80), 6.

Cull, LK (2009) How Do You Make Yourself a Theatre without Organs? Deleuze, Artaud and the Concept of Differential Presence Theatre Research International, 34 (3). pp. 243-255.

Cull, LK (2013) (One Less) Manifesto for a Theatre of Immanence In: Manifesto Now! Instructions for Performance, Philosophy, Politics. Intellect, Bristol, pp. 145-158. ISBN 1783200057

Cull, LK (2014) Performance Philosophy: Staging a New Field New Arts - Journal of the National Academy of Art, 34 (6). (Submitted)

Cull, LK (2014) Performance Philosophy: Staging a New Field In: Encounters in Performance Philosophy. Performance Philosophy (1). Palgrave Macmillan, London and New York, pp. 15-38. ISBN 9781137462718

Cull, LK (2013) ‘Performance Philosophy: The “Mind the Gap” and/or “Performance as Philosophy” debate’ In: London Theatre Seminar, 2013-05-07 - ?, Senate House, London.

Cull, LK (2014) ‘Performance Philosophy’ In: Performance Studies: Key Words, Concepts, and Theories. Palgrave Macmillan, pp. 91-100. ISBN 9780230247291 (Submitted)

Cull, LK (2013) Performance Studies In: The Routledge Companion to Music and Visual Culture. Routledge, London and New York, pp. 59-66. ISBN 041562925X

Cull, LK (2012) Performance as Philosophy: Responding to the Problem of ‘Application’ Theatre Research International, 37 (1). pp. 20-27.

Cull, LK (2012) Performance-Philosophy: A ‘philosophical turn’ in Performance Studies (and a non-philosophical turn in Philosophy) In: Performing Research: Creative Exchanges, 2012-01-19 - 2012-01-20, Central School of Speech and Drama. (Unpublished)

Cull, LK (2011) Performing presence, affirming difference: Deleuze and the minor theatre of Georges Lavaudant and Carmelo Bene In: Contemporary French Theatre and Performance. Palgrave Macmillan, pp. 99-110. ISBN 0230580513

Cull, LK (2013) Philosophy as Drama: Deleuze and dramatization in the context of Performance Philosophy Modern Drama: world drama from 1850 to the present, 56 (4). pp. 498-520.

Cull, LK (2013) ‘Philosophy as Drama: Deleuze and dramatization in the context of Performance Philosophy’ Modern Drama: world drama from 1850 to the present, 56 (4). pp. 498-520.

Cull, LK (2013) 'A Response to Martin Puchner’s Drama of Ideas', in Forum on Martin Puchner, "The drama of ideas", ed. by C. Rozzoni, with M. Puchner, D. Kornhaber, L. Cull, T. Stern, M. Harries Lebenswelt: Aesthetics and Philosophy of Experience (3). pp. 116-124.

Cull, LK (2015) Since Each of Us Was Several: Collaboration in the Context of the Differential Self In: Collaboration in Performance Practice: Premises, Workings and Failures. Palgrave Macmillan, London. ISBN 9781137462466 (Submitted)

Cull, LK (2012) Theatres of Immanence: Deleuze and the Ethics of Performance Palgrave Macmillan. ISBN 0230319521

Cull, LK (2011) While remaining on the shore: Ethics in Deleuze’s encounter with Antonin Artaud In: Deleuze and Ethics. Deleuze Connections . Edinburgh University Press, pp. 44-62. ISBN 0748641165

Cull, LK (2013) An education of attention: The perception of change in Bergson and performance In: How to Do Things with Pictures: Skill, Practice, Performance. Peter Lang, Frankfurt am Main, Berlin, Bern, Brussels, New York, Oxford and Vienna. ISBN 978-3-631-62972-7

Cull, LK and Daddario, W (2013) Analogue 0: Manifesto Now! (Again!) In: Manifesto Now! Instructions for Performance, Philosophy, Politics. Intellect, Bristol and Chicago, pp. 3-20. ISBN 1783200057

Cull, LK and Daddario, W (2013) Manifesto Now! Instructions for Performance, Philosophy, Politics Intellect. ISBN 1783200057

Cull, LK, Goulish, M and Hixson, L (2013) A Diluted Manifesto In: Performance, Identity and the Neo-Political Subject. Routledge, pp. 119-137. ISBN 113615485X

Cull, LK and Gritzner, K (2011) On Participation. Editorial to the Special Issue. Performance Research: a journal of the performing arts, 16 (4). pp. 1-6.

Cull, LK and Lagaay, A (2014) Encounters in Performance Philosophy Performance Philosophy . Palgrave Macmillan, London and New York. ISBN 9781137462718

Cull, Laura (2017) Equalizing Theatre and Philosophy: Laruelle, Badiou, and gestures of authority in the philosophy of theatre Performance Philosophy, 3 (3). pp. 730-750.

Cull, Laura (2019) Fevered Sleep's "Sheep Pig Goat" Espace. Art Actuel. “Le point de vue animal” (121).

Cull, Laura (2015) From Homo Performans to Interspecies Collaboration: Broadening the Spectrum to include Nonhuman Performance In: Performing Animality: Animals in Performance Practices. Palgrave Macmillan, pp. 19-36. ISBN 978-1-137-37312-0

Cull, Laura (2018) From the philosophy of theatre to performance philosophy: Laruelle, Badiou and the equality of thought Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics. Heretical Challenges and Orthodoxy (Part 2): A Special Issue on the Occasion of the 80th Birthday of François Laruelle, 19 (2). pp. 102-120.

Cull, Laura (2018) An Interview with Brunskill and Grimes Puppet Notebook, The State of the Art Issue (28). pp. 8-12.

Cull, Laura (2018) "Notes Toward The Philosophy of Theatre" in David Kornhaber and Martin Middeke (eds.), 'Drama, Theatre, and Philosophy'. Special issue. Anglia. Journal of English Philology, 136 (1).

Cull, Laura (2019) Opening the Circle: Performance Philosophy &/as a radical equality of attention In: Performanssifilosofiaa [Performance philosophy]. University of the Arts, Helsinki, Helsinki.

Cull, Laura (2018) Opening the Circle: Performance philosophy as an animal movement Performance Research; On Reflection – Turning 100, 23 (4-5). pp. 419-421.

Cull, Laura (2012) Schizo-theatre: Guattari, Deleuze, performance and “madness” In: Situating and Interpreting States of Mind, 2012-06-14 - ?, Northumbria University.

Cull, Laura (2013) Schizo-theatre: Guattari, Deleuze, performance and “madness” In: Schizodrames. Erès, Paris. ISBN 2749238668

Cull, Laura (2013) What is Performance Philosophy? In: Conference Drama and Philosophy, 2013-01-17 - 2013-01-19, Institute of the Philosophy of Language, New University of Lisbon, Lisbon, Portugal.

Cull Ó Maoilearca, Laura (2019) Artistic Research and Performance In: Artistic Research: Charting a Field in Expansion. Artistic Research . Rowman & Littlefield International.

Cull Ó Maoilearca, Laura (2019) The Ethics of Interspecies Performance: Empathy beyond Analogy in Fevered Sleep's Sheep Pig Goat Theatre Journal, 71 (3).

Cull Ó Maoilearca, Laura (2019) Fevered Sleep’s Sheep Pig Goat. ESPACE art actuel (121). pp. 14-21.

D

Duggan, P (2016) 'Dis-ease' and the Performance of Radical Resistance in the Maze Prison In: Performing (for) Survival: Theatre, Crisis, Extremity. UNSPECIFIED.

Duggan, P (2013) Others, Spectatorship, and the Ethics of Verbatim Performance NTQ: New Theatre Quarterly, 29 (2).

Duggan, P (2011) Performance Research: On Trauma Taylor and Francis. ISBN 978-0-415-674423

Duggan, P (2016) Performing (for) Survival: Theatre, Crisis, Extremity Palgrave macmillan. ISBN 978-1-137-45427-0

Duggan, P (2014) Playtexts Intellect.

Duggan, P (2013) Political theatre 'without finger-wagging': On 'The Paper Birds' and integrative aesthetics In: Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms. UNSPECIFIED.

Duggan, P (2013) Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms UNSPECIFIED.

Duggan, P (2011) Staging the Impossible: Severance and separation in the National Theatre's adaptation of His Dark Materials In: Critical Perspectives on Philip Pullman's His Dark Materials: Essays on the Novels, the Film and the Stage Productions. UNSPECIFIED.

Duggan, P (2014) Theatre's immediacy: notes on performing 'with' Žižek In: Žižek and Performance. Performance Philosophy (13). Palgrave Macmillan. ISBN 9781137410900

Duggan, P (2009) The Touch and the Cut: An annotated dialogue with Kira O'Reilly Studies in Theatre and Performance, 29 (3).

Duggan, P (2011) Trauma and Performance: Maps, narratives and folds Performance Research: a journal of the performing arts, 16 (1).

Duggan, P (2012) Trauma-Tragedy: Symptoms of contemporary performance Manchester University Press, Manchester. ISBN 978-0-7190-8542-0

Duggan, Patrick (2018) On Ignoring Risk Performance Research, 23 (4-5). pp. 458-461.

Duggan, Patrick (2017) On the Radical Political Potential of Performance:  witnessing, implication and ethics in representations of the Northern Irish Dirty Protests and Hunger Strikes (1976 - 1981) Contemporary Theatre Review, 27 (4). pp. 445-461.

Duggan, Patrick (2017) Unsettling the Audience: Affective 'dis-ease' and the Politics of Fear and Anxiety in Contemporary Performance Key Words: A Journal of Cultural Materialism (15).

Duggan, Patrick and Spence, Jocelyn (2016) Performance and... The Year's Work in Critical and Cultural Theory, 24 (1). pp. 269-293.

E

Ehrenberg, S (2012) A Contemporary Dancer's Kinaesthetic Experiences with Dancing Self-images In: Dance Spaces: Practices of Movement. University Press of Southern Denmark, pp. 193-213. ISBN 9788776746896

Ehrenberg, S (2015) A Kinesthetic Mode of Attention in Contemporary Dance Practice Dance Research Journal, 47 (2). pp. 43-61.

Ehrenberg, S (2010) Reflections on reflections: mirror use in a university dance training environment Theatre, Dance and Performance Training, 1 (2). pp. 172-184.

Ehrenberg, S and Wood, K (2011) Kinaesthetic Empathy: Concepts and Contexts Dance Research Journal, 43 (2). pp. 113-118.

G

Goulish, M and Cull, LK (2009) sub specie durationis In: Deleuze and Performance. Edinburgh University Press, Edinburgh, pp. 126-146. ISBN 0748635041

H

Hann, R (2012) Blurred Architecture: Duration and Performance in the work of Diller Scofidio + Renfro Performance Research: a journal of the performing arts, 17 (5). pp. 9-18.

Hann, R (2016) Costume Politics In: SharedSpace: Music, Weather, Politics. Arts and Theatre Institute, Prague, pp. 112-131. ISBN 978-80-7008-365-9

Hann, R (2012) Dwelling in Light and Sound: An Intermedial Site for Digital Opera International Journal of Digital Media and Performance Arts, 8 (1). pp. 61-78.

Hann, R and Bech, S (2014) Critical Costume Scene, 2 (1). pp. 3-8.

Hann, Rachel (2018) Beyond Scenography Routledge. ISBN 9781138785052

Hann, Rachel (2010) Computer-based 3D Visualization for theatre research: Towards an understanding of unrealized Utopian theatre architecture from the 1920s and 1930s .

Hann, Rachel (2017) Debating critical costume: Negotiating ideologies of appearance, performance, and disciplinarity Studies in Theatre and Performance.

Hann, Rachel (2017) Edward Gordon Craig Digital Theatre+.

Hann, Rachel (2011) Hellerau Returned ERA21, 10 (2). pp. 50-51.

Hann, Rachel (2015) Practice Matters: Arguments for a ‘Second Wave’ of Practice Research Wordpress.com.

Hann, Rachel (2017) Scenography Digital Theatre+.

Hann, Rachel (2012) Theatre has Left the Building: Theatre and Performance Architecture in the 21st Century Australasian Drama Studies (61). pp. 159-161.

Hann, Rachel and de Guevara, Victor Ladron (2015) Addressing practice: introducing a new section for STP Studies in Theatre and Performance, 35 (1). pp. 3-6.

Houston, S (2005) Participation in Community Dance: the Road to Empowerment and Transformation? New Theatre Quarterly, 21 (2). pp. 166-177.

Hummersone, C (2010) A Localisation- and Precedence-based Binaural Separation Algorithm .

Hunter, V (2005) Embodying the Site: the Here and Now in Site-Specific Dance Performance NTQ: New Theatre Quarterly, 21 (4). pp. 367-381.

Hunter, V (2009) Experiencing Space: The Implications for Site-specific Choreography In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 399-415. ISBN 0415490863

Hunter, V (2012) Moving Sites’: Transformation and Re-location in Site-specific Dance Performance Contemporary Theatre Review, 22 (2). pp. 259-266.

Hunter, V (2011) Spatial Translation and ‘Present-ness’ in Site-Specific Dance Performance NTQ: New Theatre Quarterly, 27 (1). pp. 28-40.

Hunter, V and Gladstone, P (2009) Dance and Social Inclusion: Facilitating the Process, Developing Graduate Employability. The International Journal of the Arts in Society, 4 (2). pp. 149-160.

J

Jackson, J (2009) En Place: choreographic investigations of the dancer’s awareness of ballet form In: The World Dance Alliance Global Summit, 2008-07-13 - 2008-07-18, Brisbane, Australia.

Jackson, J Late Work [Performance]

Jackson, J (2005) My Dance and the Ideal Body: looking at ballet practice from the inside out Research in Dance Education, 6 (1-2). pp. 25-40.

Johnson Jones, E. Jean (2007) The Nama Stap Dance: an analysis of continuity and change Journal for the Anthropological Study of Human Movement. (Submitted)

Johnson-Jones, E (2011) The Nama Stap Dance; an analysis of continuity and change among Nama Women South African Dance Journal, 1 (1), 7. pp. 80-92.

Jola, C, Ehrenberg, S and Reynolds, D (2011) The experience of watching dance: phenomenological-neuroscience duets Phenomenology and the Cognitive Sciences. pp. 1-21.

Jola, C, Ehrenberg, S and Reynolds, D (2012) The experience of watching dance: phenomenological-neuroscience duets Phenomenology and the Cognitive Sciences, 11 (1). pp. 17-37.

K

Kane, Angela (2003) Through a Glass Darkly: The Many Sides of Paul Taylor's Choreography Dance Research, 21 (2). pp. 90-129.

Kattenbelt, C, Bay-Cheng, S, Lavender, A and Nelson, R (2010) Mapping Intermediality and Performance Media Matters, 4 . Amsterdam University Press, Amsterdam. ISBN 9089642552

Kinichin, KI, Alpay, , Curtis, K, Franklin, J, Rivers, CB and Winstone, (2016) Charting the elements of pedagogic frailty Educational Research.

L

Lansdale, Janet (2004) Ancestral and Authorial Voices in Lloyd Newson and DV8's 'Strange Fish' New Theatre Quarterly, 20 (2). pp. 117-126.

Lavender, A (2014) Modal transpositions toward theatres of encounter, or, in Praise of "media intermultimodality" Theatre Journal, 66 (4). pp. 499-518.

Lavender, A (2011) Performance Review of Zaia and The house of dancing water Theatre Journal, 63 (4). pp. 626-630.

Lavender, A (2016) Performance in the Twenty-First Century Theatres of Engagement Routledge. ISBN 113646719X

Lavender, A (2013) The living statue: Performer, poseur, posthuman Studies in Theatre and Performance, 33 (2). pp. 119-131.

Lavender, AM (2010) The Builders Association: Super Vision (2005): digital dataflow and the synthesis of everything In: Making Contemporary Theatre: International rehearsal processes. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, pp. 17-38. ISBN 0719074924

Lavender, AM (2015) ‘Capturer La Tempête? La pratique comme recherche (Practice-as-Research) pour une dramaturgie shakespearienne et des spectacles de théâtre multimedia’ Ligeia (dossiers sur l’Art) (No 137). pp. 184-194.

Lavender, AM (2013) Capturer La Tempête? L’intervention de la recherche dans les practiques et la production théâtrales multimedia avec l’exemple de la pièce de Shakespeare’ Confluent, 8. pp. 1-8.

Lavender, AM (2010) Digital Culture In: Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, pp. 125-134. ISBN 9089642552

Lavender, AM (2009) Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. By Steve Dixon with contributions by Barry Smith. Cambridge, MA and London: The MIT Press, 2007. Pp. xv + 809 + illus. Hb.MultiMedia: Video – Installation – Performance. By Nick Kaye. London and New York: Routledge, 2007. Pp. xxii + 249 + 20 illus. Theatre Research International, 34 (1). pp. 87-89.

Lavender, AM (2017) Le jeu de scène inter-médias dans les environnements de performance hybride (Intermedial acting for hybrid performance environments) In: Corps en Scène: L’Acteur Face aux Écrans / Bodies on Stage: Acting Confronted by Technology, 2015-06-03 - 2015-06-05, La Sorbonne Nouvelle, Paris, France.

Lavender, AM (2012) Viewing and Acting (and points in between): the trouble with spectating after Rancière Contemporary Theatre Review, 22 (3). pp. 307-326.

Lavender, AM, Henderson, J, Kerry, D, Martinez, M and Hulls, M (2016) Training and Craft Theatre, Dance and Performance Training, 7 (1). pp. 112-113.

O

O'Shea, Janet (2003) At Home in the World? The Bharata Natyam Dancer as Transnational Interpreter TDR/The Drama Review, 47 (1).

O'Shea, Janet (2000) Technique and Theory in the Work of Kapila Vatsyayan Dance Research Journal, 32 (1). pp. 82-86.

Orozco, L and Boenisch, PM (2010) Editorial: Border collisions - Contemporary Flemish theatre Contemporary Theatre Review, 20 (4). pp. 397-404.

P

Pelegrın-Garcıa, D, De Sena, Enzo, van Waterschoot, T, Rychtarikova, M and Glorieux, C (2018) Localization of a Virtual Wall by Means of Active Echolocation by Untrained Sighted Persons Applied Acoustics, 139. pp. 82-92.

R

Refskou, A (2015) Compassionate Perception and Touching Experiences in Shakespearean Drama Critical Survey, 27 (1). pp. 60-84.

Refskou, A and Thomasen, LS (2014) Handling the Theme of Hands in Early Modern Cross-over Contexts Early Modern Culture Online, 5. pp. 31-51.

Refskou, Anne-Sophie (2017) Whose castle is it anyway? Local/global negotiations of a Shakespearean location Multicultural Shakespeare, 15 (1). pp. 121-132.

S

Salazar Sutil, N (2009) Antonin Artaud's decisive transfusion: from theatre to mathematics Performance Research: a journal of the performing arts, 14 (4). pp. 119-124.

Salazar Sutil, N (2010) Body manifold: mathematics (mis)performed by Vitruvian and Acephalic Bodies Performance Research: a journal of the performing arts, 15 (2). pp. 17-22.

Salazar Sutil, N (2008) Maradona Inc: performance politics off the pitch International Journal of Cultural Studies, 11 (4).

Salazar Sutil, N (2013) Rudolf Laban and topological movement: a videographic analysis Space and Culture: the journal, 16 (2). pp. 173-193.

Sansom, Matthew Landscape Quartet: strategies for ecological sound art In: Music and ecologies of sound. Theoretical and practical projects for a listening of the world. International Symposium, 27 - 29 May 2013, University of Paris 8, France..

Shyldkrot, Yaron (2018) Mist opportunities: haze and the composition of atmosphere Studies in Theatre and Performance, 39 (2). pp. 147-164.

Sorgel, S (2009) 1968: Contextualizing Contemporary Dance and Dance Theatre. In: Politik mit dem Körper. transcript Verlag, Bielefeld, pp. 223-233. ISBN 3837612236

Sorgel, S (2004) Dancing Cultural Identity. Das Beispiel der NDTC (1962-2003). In: Tanz anderswo. LIT Verlag Münster, Munster, pp. 177-187. ISBN 3825869040

Sorgel, S (2017) The Global Politics of Faustin Linyekula’s Dance Theatre: From Congo to Berlin and Back Again via Brussels and Avignon In: Moving (Across) Borders. Transcript Verlag. ISBN 978-3-8376-3165-4

Sorgel, S (2010) Like an Endless Stream of Lava and Love. Mnemonic Re/Enactment, Autobiography, and the Postcolonial Politics of Performance in Trevor D. Rhone's Bellas Gate Boy. In: Auto Biography and Mediation. Universitatsverlag Winter, Heidelberg, pp. 483-493. ISBN 3825357368

Sorgel, S (2005) Recovering Folk as Art: The Social Repositioning of Grassroots Culture in Jamaican Dance Theatre. In: Perspectives on Endangerment. Georg Olms Verlag, Hildesheim, pp. 179-185. ISBN 348713022X

Sorgel, S (2004) Spirituality and Epic Memory in Christopher Walker's Fragile. NDTC 41st Dance Season 2003. In: Beyond aesthetics. WVT, Trier, pp. 93-99. ISBN 3884766937

Sorgel, S (2007) Staging the Caribbean - Derek Walcott's Theatre in Performance. In: Reading the Caribbean. Universitaetsverlag Winter, Heidelberg, pp. 189-210. ISBN 3825353583

Sorgel, S (2006) Tanz(Ge)schichte(n) der Moderne im Tanztheater der Gegenwart am Beispiel von Kurt Jooss, Pina Bausch und Wanda Golonka. Forum Modernes Theater, 21 (1). pp. 61-78.

Sorgel, S (2007) Tanz-Genealogien: Tanz(Ge)schite(n) von Kurt Jooss zu Sasha Waltz. In: Theaterhistoriographie. UNSPECIFIED, pp. 311-328. ISBN 3772082122

Sorgel, S (2011) "Transnationalism and Contemporary African Dance: Faustin Linyekula." In: Emerging Bodies. transcript Verlag, Bielefeld, pp. 83-93. ISBN 3837615960

Sorgel, S (2008) Zur Medialitat des Performative im zeitgenossischen Tanz/Theater. In: Theater und Medien. transcript Verlag, Bielfeld, pp. 319-329. ISBN 3837610640

Sörgel, S (2015) Dance and the Body in Western Theatre 1948 to the Present Palgrave Macmillan. ISBN 1137034874

Sörgel, S (2008) Von der manie zur melancholie: Tanzhistoriographie im kulturhistorischen vergleich Forum Modernes Theater, 23 (1). pp. 19-28.

T

Tunstall, D (2017) Lecoq and Shakespeare In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon. ISBN 9781138818422

Tunstall, D (2016) Shakespeare and Gesture in Practice Shakespeare in Practice . Palgrave MacMillan. ISBN 9781137606402

V

Vairetti, Giacomo, De Sena, Enzo, Catrysse, Michael, Jensen, Soren Holdt, Moonen, Marc and Van Waterschoot, Toon (2018) An Automatic Design Procedure for Low-order IIR Parametric Equalizers Journal of the Audio Engineering Society, 66 (11). pp. 935-952.

W

Wagner, M (2011) Shakespeare, Theatre, and Time Routledge, Taylor & Francis Group, Abingdon, Oxon, UK. ISBN 0415805872

Wagner, MD “Bodying Forth: Shakespeare and Stage Materiality.” In: British Shakespeare Association, 2012-02-24 - 2012-02-26.

Wagner, MD (1998) “Construction Work: London’s New Globe and the Building of Theatre History” Theatre InSight.

Wagner, MD “Ere I Go: Time, Space, and the Act of Leaving in King Lear.” In: Exiturus: In Between Times and Spaces on the Early Modern Stage, 2013-06-29 - ?, Birkbeck, University of London.

Wagner, MD (2014) 'I Like Your Silence': Absent Words (and) Present Bodies In: British Shakespeare Association, 2014-07-03 - ?, Stirling, Scotland.

Wagner, MD (2012) In This Good Time: Cardenio and the Temporal Character of Shakespearean Drama In: The Quest for Cardenio. Oxford University Press, Oxford. ISBN 978-0-19-964181-9

Wagner, MD “In This Good Time: Temporal Connections Between Shakespeare’s Late Romances and The History of Cardenio.” In: Cardenio Collquium, 2009-05-22 - 2009-05-24, Victoria University of Wellington.

Wagner, MD “Just War Theory by William Shakespeare.” In: British Shakespeare Association, 2005-08-05 - 2005-08-07, Newcastle.

Wagner, MD (2008) A King(dom) for a Stage: The War Body In and As Performance In: The War Body on Screen. Bloomsbury Publishing. ISBN 0826428223

Wagner, MD (2015) Performance Philosophy

Wagner, MD “A Phenomenology of the Shakespearean Body” In: What Is Performance Philosophy?, 2013-04-11 - 2013-04-13, University of Surrey.

Wagner, MD (2017) Theatre and Time In: Time and Literature. Cambridge Critical Concepts, 1 . Cambridge.

Wagner, MD (2014) 'This is the door': Possibilities and Pragmatics of Studying the Door in Performance

Wagner, MD “The Traffic of the Stage: Shakespeare, Time, and Performance.” In: American Society for Theatre Research, 2007-11-17 - 2007-11-19, Phoenix, AZ.

Wagner, MD (2014) Wheresoever the Body Is -- Image, Matter and Corporeality on Shakespeare's Stage Early Modern Culture Online, 5 (1). pp. 11-30.

Wagner, MD “Wheresoever the Body Is – Image, Matter, and Corporeality on Shakespeare’s Stage” In: Shakespeare Association of America, 2012-04-05 - 2012-04-07, Boston, USA.

Wagner, MD “Wheresoever the Body Is – Matter and Corporeality on Shakespeare’s Stage” In: The Body: Materiality and Meaning, 2013-05-02 - ?, Aarhus University, Denmark.

Wagner, MD and Danowski, C (2005) “Hearing Ghosts and Speaking Spaces: A Conversation with Performance” Text and Performance Quarterly.

Wagner, MD and Redmond, S (2007) 'The Eye of the Beckettian Present' Screening the Past (21).

Wiley, C and Franklin, J (2017) Framed Autoethnography and Pedagogic Frailty - A Comparative Analysis of Mediated Concept Maps In: Pedagogic Frailty and Resilience in the University. Sense Publishers, Rotterdam, The Netherlands, pp. 17-32. ISBN 978-94-6300-983-6

Woodcock, James, Franombe, Jon, Franck, Andreas, Coleman, Philip, Hughes, Richard, Kim, Hansung, Liu, Qingju, Menzies, Dylan, Simón Gálvez, Marcos F, Tang, Yan, Brookes, Tim, Davies, William J, Fazenda, Bruno M, Mason, Russell, Cox, Trevor J, Fazi, Filippo Maria, Jackson, Philip, Pike, Chris and Hilton, Adrian (2018) A Framework for Intelligent Metadata Adaptation in Object-Based Audio In: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science, 7 - 9 August 2018, Tokyo, Japan.

This list was generated on Fri Aug 23 21:17:04 2019 UTC.

Information about this web site

© The University of Surrey, Guildford, Surrey, GU2 7XH, United Kingdom.
+44 (0)1483 300800