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Armstrong, T (2002) Adagio [Composition]

Armstrong, T (2002) Divertissements [Composition]


Berg, J and Rumsey, F (2002) Validity of Selected Spatial Attributes in the Evaluation of 5-channel Microphone Techniques In: 112th AES Convention, Sound.


Ford, N and Rumsey, F (2002) Subjective Evaluation of Perceived Spatial Difference in Car Audio Systems Using a graphical Assessment Language In: 112th AES Convention, Sound.

Frohlich, D, Kuchinsky, A, Pering, C, Don, A and Ariss, S (2002) Requirements for photoware.


Mason, R (2002) Elicitation and measurement of auditory spatial attributes in reproduced sound Doctoral thesis, University of Surrey.

Mason, R, Brookes, T and Rumsey, F (2002) The perceptual relevance of extant techniques for the objective measurement of spatial impression In: Auditorium Acoustics 2002 Conference, 2002 - 2002, London.

Mason, R and Rumsey, F (2002) A comparison of objective measurements for predicting selected subjective spatial attributes In: 112th Audio Engineering Society Convention, 2002-05-10 - 2002-05-13, Munich, Germany.

Moore, A (2002) Authenticity as authentication Popular Music, 21 (2). pp. 209-223.

Moore, A (2002) Looking for the Kingdom Come: questioning spirituality in U2 Popular Musicology Online.

Moore, A (2002) Review of The Musical Work: Reality or Invention? edited by Michael Talbot Popular Music, 21 (2). pp. 237-239.


Naqvi, A and Rumsey, F (2002) The Active Listening Room Simulator, A Subjective Analysis. In: 112th AES Convention, Sound.

Neher, T and Brookes, Timothy (2002) Training of Listeners for the Evaluation of Spatial Sound Reproduction In: 112th AES Convention, May 10 - 13, 2002, Munich, Germany.


Rumsey, F and Lewis, W (2002) Effect of Rear Microphone Spacing on Spatial Impression for Omniderectional Surround Microphone Arrays. In: 112th AES Convention, Sound.


Wiley, C (2002) Abba and Gender Ideology in Popular Music In: ‘Love and Power’, 2002-06-20 - ?, Royal Holloway, University of London and The Bedford Centre for the History of Women.

Wiley, C (2002) “I Believe the Subtext Here is Rapidly Becoming Text”: Music, Gender, and Fantasy in Buffy the Vampire Slayer In: ‘Blood, Text, and Fears: Reading Around Buffy the Vampire Slayer’, 2002-10-19 - 2002-10-20, University of East Anglia.

Wiley, C (2002) “A Relic of an Age Still Capable of a Romantic Outlook”: The Master Musicians Series, 1899-1906 In: Music and Britain: A Social History Seminar, 2002-11-18 - ?, Institute of Historical Research, London.

Wiley, C (2002) “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography In: Graduate Students’ Colloquia, 2002-01-22 - ?, University of Oxford.


Zielinski, SK, Rumsey, F and Bech, S (2002) Subjective audio quality trade-offs in consumer multichannel audio-visual delivery systems. Part 1: Effects of high frequency limitation. In: 112th AES Convention, Sound.

Zielinski, SK, Rumsey, F and Bech, S (2002) Subjective audio quality trade-offs in consumer multichannel audio-visual delivery systems. Part 2: Effects of low frequency limitation. In: Proceedings of the AES 22nd International Conference, Sound.

This list was generated on Tue Mar 2 02:43:42 2021 UTC.

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