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Number of items at this level: 517.

A

Abdul Latef, Azlin Sharina, Frohlich, David, Calic, Janko and Muhammad, Nuzul Haqimi (2018) Teachers’ Perceptions towards Implementing Mobile Learning in Rural Malaysia In: 1st international medlit media literacy for social change conference 2018 (ICMEDLIT 2018), 05–06 Mar 2018, Kuala Lumpur, Malaysia.

Abrahao, A.R.R., da Silva, P.F.C., Frohlich, D.M., Chrysanthaki, T., Gratão, A. and Castro, P.C. (2018) Mobile digital storytelling in a Brazilian care home In: HCI International 2018, 15-20 Jul 2018, Caesar's Palace, Las Vegas, Nevada.

Adeyemi-Ejeye, A. O., Alreshoodi, M., Al-Jobouri, L. and Fleury, M. (2018) Prospects for live higher resolution video streaming to mobile devices: achievable quality across wireless links Journal of Real-Time Image Processing.

Adeyemi-Ejeye, Anthony, Alreshoodi, M, Al-Jobouri, L, Fleury, M and Woods, J (2017) Packet loss visibility across SD, HD, 3D, and UHD video streams Journal of Visual Communication and Image Representation, 45. pp. 95-106.

Adeyemi-Ejeye, Anthony, Alreshoodi, M, Al-Jobouri, L, Fleury, M, Woods, J and Medhi, M (2017) IEEE 802.11ac wireless delivery of 4kUHD video: The impact of packet loss In: ICCE-Berlin 2017, 3 - 6 Sept 2017, Berlin, Germany.

Adeyemi-Ejeye, Anthony, Alreshoodi, M and Walker, SD (2017) Implementation of 4kUHD HEVC-content transmission Multimedia Tools and Applications, 76 (17). pp. 18099-18118.

Adeyemi-Ejeye, Anthony, Mehdi, M, Martini, MG, Phillip, N and Orwell, J (2017) Design of a Hybrid Multi-Occupant Visitor Communication and Door Control System In: ICCE-Berlin 2017, 3 - 6 Sept 2017, Berlin, Germany.

Al-Azzawi, A, Frohlich, DM and Wilson, M (2007) Beauty constructs for MP3 players. CoDesign – Intetrnational Journal of CoCreation and design and the Arts, 3 (S1). pp. 59-74.

Al-Azzawi, A, Frohlich, DM and Wilson, M (2010) Eliciting Users' experience with Technology In: 9th European Personal Construct Association (EPCA)Conference Proceedings, 2008-06-29 - 2008-07-01, Queen Mary University of London, UK.

Al-Azzawi, A, , Frohlich, DM and Wilson, M, (2010) Stability of user experience: Changes in constructs as users transition from anticipated to actualised interaction. In: iHCI-2010 Conference, 2010-09-02 - 2010-09-03, Dublin, Ireland.

Alreshoodi, M, Adeyemi-Ejeye, Anthony, Aljobouri, L, Fleury, M and Alzahrani, B (2017) Packet Loss Visibility for Higher Resolution Video on Portable Devices In: 2017 IEEE International Conference on Consumer Electronics (ICCE), 8 - 10 January 2017, Las vegas.

Alreshoodi, M, Adeyemi-Ejeye, Anthony, Woods, J and Walker, SD (2015) Fuzzy logic inference system-based hybrid quality prediction model for wireless 4kUHD H.265-coded video streaming IET Networks. Special Issue on Creating a Smarter Environment through the Advancement of Communication Systems, Networks and Applications, 4 (6). pp. 296-303.

Alreshoodi, M, Adeyemi-Ejeye, Anthony, Woods, J, Walker, SD and Pokhrel, J (2016) Interval Type-2 Fuzzy Logic Quality Prediction Model for Wireless 4kUHD H.265-coded Video Streaming In: 2016 IEEE International Conference on Consumer Electronics (ICCE), 7 - 11 Jan 2016, Las Vegas, NV, USA.

Ankrah, A, Frohlich, DM and Gilbert, GN (1990) Two ways to fill a bath, with and without knowing it In: Proceedings of Interact ’90. Pitman, Cambridge, pp. 73-78.

Antonello, N, De Sena, Enzo, Moonen, M, Naylor, PA and van Waterschoot, T (2017) Room impulse response interpolation using a sparse spatio-temporal representation of the sound field IEEE/ACM Transactions on Audio, Speech, and Language Processing, 25 (10). pp. 1929-1941.

Antonello, Niccolo, De Sena, Enzo, Moonen, Marc, Naylor, Patrick A. and van Waterschoot, Toon (2018) Joint source localization and dereverberation by sound field interpolation using sparse regularization In: 2018 IEEE International Conference on Acoustics, Speech and Signal Processing, 15–20 Apr 2018, Calgary, Alberta, Canada.

Armstrong, T (2002) Adagio [Composition]

Armstrong, T (2008) Akin [Composition] (Unpublished)

Armstrong, T (2006) Akin for violin and piano [Composition]

Armstrong, T (2013) Albumleaves for trumpet and string quartet [Composition] (Unpublished)

Armstrong, T (2013) Arachne a theatre piece for voices, harpsichord and electronics [Composition]

Armstrong, T (2013) Aspects of the Creative Process in Morning Music and Other Works In: Music and/as Process, 2013-06-29 - 2013-06-30, University of Huddersfield.

Armstrong, T (2007) Black Maria multimedia ballet for children [Composition]

Armstrong, T (2004) Bounce [Composition]

Armstrong, T (2006) Breath Over Strings [Composition]

Armstrong, T (2008) Capriccio [Composition] (Unpublished)

Armstrong, T (2007) Catching the Sun [Composition]

Armstrong, T (2013) A Changing Practice: Confronting Philosophy Through Composition and Performance In: Music and Philosophy, 2013-07-18 - 2013-07-20, Kings College London.

Armstrong, T (2014) A Composer's Laboratory: Experimentalism in Albumleaves for Trumpet and String Quartet In: Composition in the 21st Century, 2014-03-05 - 2014-03-07, Trinity College, Dublin.

Armstrong, T (2003) Damascene Portrait [Composition]

Armstrong, T (2014) Damascene Redux for saxophone quartet [Composition]

Armstrong, T (2009) Dancing in the Moonlight [Composition] (Unpublished)

Armstrong, T (2015) Diversions 3 [Composition]

Armstrong, T (2002) Divertissements [Composition]

Armstrong, T Divertissements [Performance]

Armstrong, T (2004) Film Music and the Sublime In: Languages of Emotion Conference, ? - ?, Music.

Armstrong, T (2005) Four Instances [Composition]

Armstrong, T (2012) From Both Sides Now: Composer and Performer Perspectives on Notational Practice In: INTIME 2012 Symposium. Notation- Composer/Performer Dialogues, 2012-10-19 - 2012-10-20, University of Coventry.

Armstrong, T (2012) Innovation within Tradition: a Case Study of Composer and Performer Creativity In: Third International Symposium on Music and Sonic Art: Practices and Theories (MuSA) 2012, 2012-07-07 - 2012-07-08, Karlsruhe, Germany. (Unpublished)

Armstrong, T (2009) Into the Garden [Composition] (Unpublished)

Armstrong, T Into the Garden [Performance]

Armstrong, T (2012) Morning Music [Composition] (Submitted)

Armstrong, T Moto Perpetuo [Performance]

Armstrong, T (2007) Opened Spaces [Composition]

Armstrong, T (2012) Opened Spaces (2007): 'London Song' and 'Song of Inishmaan' Meridian Records, London.

Armstrong, T (2005) An Opening Line [Composition]

Armstrong, T (2010) Out of the Sun [Composition]

Armstrong, T (2008) Response: Music, image and the sublime Textual Practice, 22 (1). pp. 71-83.

Armstrong, T (2008) Response: Music, image and the sublime (Susan James) In: Conference on Languages of Emotion, 2004 - ?, Univ Warwick, Coventry, ECUADOR.

Armstrong, T (2014) Shifting Perspectives: Approaches to Music Performance Research In: Tom Armstrong, 2014-05-09 - 2014-05-09, Royal Welsh College of Music and Drama, Cardiff.

Armstrong, T (2005) Subterrania [Composition]

Armstrong, T (2001) Tall Ship Tales [Composition]

Armstrong, T (2015) The act of musical composition MUSIC EDUCATION RESEARCH, 17 (2). pp. 248-250.

Armstrong, T and Capulet, E (2009) Collaboration and Tradition In: Collaborative Processes in Music Making: Pedagogy and Practice, 2009-11-11 - 2009-11-11, University of Surrey. (Unpublished)

Armstrong, T and Chapman, J (2014) Inside the Box: Performing, Composing and Devising in Music Theatre In: Performance Studies Network Third International Conference, 2014-07-17 - 2014-07-20, University of Cambridge.

Armstrong, T and Desbruslais, S (2014) Composer and Performer: an Experimental Turn and its Consequences In: CMPCP/IMR Performance Research Seminars, 2014-06-02.

Armstrong, T and Desbruslais, S (2013) Notational Strategies and Collaborative Narratives in Albumleaves for Trumpet and String Quartet In: Notation in Contemporary Music: Composition, Performance, Improvisation, 2013-10-18 - 2013-10-20, Goldsmiths College.

Armstrong, T and Diamond, S (2011) The Cathedral on the Marshes [Composition] (Unpublished)

Armstrong, T and Diamond, S The Cathedral on the Marshes [Performance]

Armstrong, T, Frohlich, D and Calic, J (2013) Com-Note the Composer's Notebook .

Armstrong, T, Jackson, J, Jenkyn-Jones, N and Deveril, (2003) Spin [Composition]

Armstrong, T, Jackson, J and Wood, P (2005) New Beauties In: PARIP international conference, ? - ?, Music.

Armstrong, T and Minamore, B (2012) Do the Right Thing [Composition]

Armstrong, T and Minamore, B Do the Right Thing [Performance]

Armstrong, T and Rai, J Moto [Performance]

Armstrong, T and Rai, J (2015) Sketching, Creativity and the Open Work In: Compositional Sketches Study Day, 2015-03-11 - ?, University of Surrey.

Armstrong, Thomas (2016) Consort Music. Version for piano trio. [Composition]

Armstrong, Thomas (2017) Distant Beauties. Music composition for flute and viola composed for a re-working of the Prologue to Tchaikovsky’s ballet, The Sleeping Beauty. [Composition]

Armstrong, Thomas (2016) The Electric Guitar as Medium in Diversions 3: a Composer's and Performer's Account In: International Guitar Research Centre Conference, 2016-03-18 - 2016-03-23, University of Surrey.

Armstrong, Thomas (2016) JPR. Musical composition for baroque flute, viola da gamba and harpsichord. [Composition]

Armstrong, Thomas (2018) An experimental turn: A composer's perspective on a changing practice In: Music and Sonic Art: Practices and Theories. Cambridge Scholars Press.

Armstrong, Thomas, Trio Aporia, and Lightwork, (2016) Lines of Flight: Multimedia composition for baroque flute, viola da gamba, harpsichord and video projection [Composition]

Armstrong, Tom Re-voicing Rameau: Borrowing practices in Tom Armstrong’ JPR In: The Tenth Biennial International Conference on Music Since 1900, 11-14 Sep 2017, University of Surrey, Guildford, UK.

Ashby, T, Brookes, Tim and Mason, Russell (2014) Towards a head-movement-aware spatial localisation model: Elevation 21st International Congress on Sound and Vibration 2014, ICSV 2014, 4. pp. 2808-2815.

Ashby, T, Mason, R and Brookes, T (2011) Prediction of perceived elevation using multiple psuedo-binaural microphones In: 130th Audio Engineering Society Convention, 2011-05-13 - 2011-05-16, London, UK.

Ashby, T, Mason, R and Brookes, T (2011) Prediction of perceived elevation using multiple psuedo-binaural microphones In: 130th Audio Engineering Society Convention, 2011-05-13 - 2011-05-16, London, UK.

Ashby, T, Mason, RD and Brookes, T (2013) Head movements in three-dimensional localisation In: 134th Audio Engineering Society Convention, 2013-05-04 - 2013-05-07, Rome, Italy.

Ashby, T, Mason, Russell and Brookes, Tim (2014) Elevation localisation response accuracy on vertical planes of differing azimuth In: 136th Audio Engineering Society Convention, 2014-04-26.

Atzori, P and Woolford, K (1997) Extended-Body: Interview with Stelarc In: Digital Delirium. Palgrave Macmillan, pp. 194-199. ISBN 9780312172374

B

Barham, J (2011) Recurring dreams and moving images: The cinematic appropriation of Schumann's Op. 15, No. 7 Nineteenth Century Music, 34 (3). pp. 271-301.

Barham, JM (2016) Birth and Death of the Cool: The Glorious Afflictions of Jazz on Screen In: Routledge Companion to Screen Music and Sound. Routledge, New York.

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, pp. 137-170. ISBN 1845532023

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, pp. 137-170. ISBN 1845532023

Barham, JM (2016) Mahler and the Game of History In: Rethinking Mahler. Oxford University Press.

Barham, JM (2011) 'Mahler’s "verkehrte Welt". Fechner, "Learned Satire" and the Third Movement of Symphony No. 3 In: Mahler im Kontext / Contextualizing Mahler. Böhlau Verlag, Vienna, pp. 169-198. ISBN 9783205784968

Barham, JM (2015) ‘Mit der Dummheit kämpfen Götter selbst vergebens’. Mahler, the Politics of Reason and the Metaphysics of Spiritualism In: Naturlauf: Scholarly Journeys Toward Gustav Mahler. Essays in Honour of Henry-Louis de La Grange at His Ninetieth Birthday. Peter Lang, New York, pp. 73-109. ISBN 9781454196525

Barham, JM (2014) ‘Not Necessarily Mahler’: Remix, Samples and Borrowing in the Age of Wiki Contemporary Music Review, 33 (2). pp. 128-147.

Barham, JM (2005) Perspectives on Gustav Mahler Ashgate, Aldershot. ISBN 0754607097

Barham, JM (2010) Plundering Cultural Archives and Transcending Diegetics: Mahler’s Music as 'Overscore' Music and the Moving image, 3 (1). pp. 22-47.

Barham, JM (2011) Programming Mahler: Meaning, Redescription, and the Post-Adornian Counterlife Nineteenth-Century Music Review, 8 (2). pp. 255-271.

Barham, JM (2017) Rethinking Mahler Oxford University Press, New York. ISBN 0199316104

Barham, JM (2012) Review of Seeing Mahler: Music and the Language of Antisemitism in Fin-de Siècle Vienna. By K. M. Knittel. pp. xiii + 201. (Ashgate, Farnham and Burlington, Vt., 2010, £55. ISBN 978-0-7546-6372-0.) Music & Letters, 93 (2). pp. 255-257.

Barham, JM (2008) Review of the Internationale Gustav Mahler Gesellschaft’s Critical Edition of Mahler’s Fifth Symphony Nineteenth-Century Music Review, 5 (2). pp. 166-169.

Barham, JM (2009) Scoring Incredible Futures: Science Fiction Screen Music, and 'Post-Modernism' as Romantic Epiphany The Musical Quarterly, 91 (3-4). pp. 240-274.

Barham, JM (2011) ‘"A Time of Gifts": Mahler’s Eighth, Fassbinder’s Cinema, and Musical Politics' In: The Total Work of Art: Mahler’s Eighth Symphony in Context. Studien zur Wertungsforschung, 52 . Universal Edition, Vienna & London, pp. 61-80. ISBN 978-3-7024-7075-3

Barham, Jeremy (2011) 'Dismembering the Musical Voice: Mahler, Melodrama and Dracula from Stage to Screen' In: Melodramatic Voices: Understanding Music Drama. Ashgate Interdisciplinary Studies in Opera . Ashgate, Aldershot, pp. 237-262. ISBN 1409400824

Barham, Jeremy (2018) 'The Ghost in the Machine’: Thomas Koschat and the volkstümlich in Mahler’s Fifth Symphony Nineteenth Century Music Review.

Barham, Jeremy (2011) 'Mahler and Socio-Cultural Nomadism: the Case of the Fifth Symphony' In: Gustav Mahler und die musikalische Moderne. Franz Steiner Verlag, Stuttgart, pp. 57-68. ISBN 978-3-515-09902-8

Barham, Jeremy (2011) 'Mahler and Socio-Cultural Nomadism: the Case of the Fifth Symphony' In: Gustav Mahler und die musikalische Moderne. Franz Steiner Verlag, Stuttgart, pp. 57-68. ISBN 978-3-515-09902-8

Barham, Jeremy (2010) 'Mahler, Heimat and Randkultur: Musical Politics of Centre and Periphery' In: Music and the Construction of National Identities in the 19th Century. Editions Valentin Koerner, Baden Baden & Bouxwiller, pp. 267-282. ISBN 387320598X

Barham, Jeremy (2010) 'Mahler, Heimat and Randkultur: Musical Politics of Centre and Periphery' In: Music and the Construction of National Identities in the 19th Century. Editions Valentin Koerner, Baden Baden & Bouxwiller, pp. 267-282. ISBN 387320598X

Barham, Jeremy (2014) Music and the Moving Image In: Aesthetics of music. Musicological Perspectives. Routledge, London, pp. 224-238. ISBN 978-0415699099

Barham, Jeremy (2017) The Music of Gustav Mahler in Experimental Film Contexts: Questions of Visual Music and Intermedial Theory In: The Music and Sound of Experimental Cinema. Oxford University Press, pp. 283-301. ISBN 9780190469900

Barham, Jeremy (2008) Plundering Cultural Archives: Mahler’s Music as 'Overscore' In: Music and the Moving Image, 2008-05 - ?, New York University Steinhardt.

Barham, Jeremy and Rogers, H (2017) The Music and Sound of Experimental Film Oxford University Press, New York. ISBN 9780190469900

Baume, Chris, Plumbley, Mark D., Ćalić, Janko and Frohlich, David (2018) A Contextual Study of Semantic Speech Editing in Radio Production International Journal of Human-Computer Studies, 115. pp. 67-80.

Baume, Christopher, Plumbley, Mark, Frohlich, David and Calic, Janko (2018) PaperClip: A Digital Pen Interface for Semantic Speech Editing in Radio Production Journal of the Audio Engineering Society, 66 (4). pp. 241-252.

Baykaner, K, Hummersone, C, Mason, R and Bech, S (2013) The computational prediction of masking thresholds for ecologically valid interference scenarios. J Acoust Soc Am, 133 (5).

Baykaner, K, Hummersone, C, Mason, R and Bech, S (2013) The prediction of the acceptability of auditory interference based on audibility

Beresford, K, Ford, N, Rumsey, F and Zielinski, SK (2006) Contextual effects on sound quality judgements: listening room and automotive environments In: 120th AES Convention, Sound.

Beresford, K, Rumsey, F and Zielinski, SK (2006) Listener opinions of novel spatial audio scenes In: 120th AES Convention, Sound.

Beresford, K., Ford, N., Rumsey, Francis and Zielinski, Slawomir (2006) Contextual effects on sound quality judgements: Part 2 – multi-stimulus vs. single stimulus method.

Berg, J and Rumsey, F (2003) Systematic evaluation of perceived spatial quality. In: AES 24th International Conference, Sound.

Berg, J and Rumsey, F (2002) Validity of Selected Spatial Attributes in the Evaluation of 5-channel Microphone Techniques In: 112th AES Convention, Sound.

Berg, J and Rumsey, F (2001) Verification and correlation of attributes used for describing the spatial quality of reproduced sound. In: 111th AES Convention 9th Int. Conference, Sound.

Berg, Jan and Rumsey, Francis (2000) Correlation between Emotive, Descriptive and Naturalness Attributes in Subjective Data Relating to Spatial Sound Reproduction In: 109th AES Convention.

Berg, Jan and Rumsey, Francis (1999) Identification of Perceived Spatial Attributes of Recordings by Repertory Grid Technique and Other Methods In: 106th AES Convention.

Berg, Jan and Rumsey, Francis (2000) In Search of the Spatial Dimensions of Reproduced Sound: Verbal Protocol Analysis and Cluster Analysis of Scaled Verbal Descriptors In: Proceedings of AES 108th Convention.

Berg, Jan and Rumsey, Francis (1999) Spatial Attribute Identification and Scaling by Repertory Grid Technique and Other Methods In: Proceedings of the AES 16th International Conference on Spatial Sound Reproduction.

Blum-Ross, A, Mills, J, Egglestone, P and Frohlich, D (2013) Community media and design: Insight Journalism as a method for innovation Journal of Media Practice, 14 (3). pp. 171-192.

Blythe, M, Robinson, J and Frohlich, DM (2008) Interaction design and the critics: What to make of the "weegie" In: 5th NordiCHI: Building bridges, 2008-10-18 - 2009-10-22, Lund, Sweden.

Boneva, B, Kraut, R and Frohlich, D (2001) Using e-mail for personal relationships: The difference gender makes American Behavioral Scientist (3). pp. 530-549.

Brookes, T and Williams, D (2010) Perceptually-Motivated Audio Morphing: Warmth In: AES 128th Convention, 2010-05-22 - 2010-05-25, London, UK.

Brookes, Tim and Hummersone, Christopher (2010) Machine Listening for Sound Quality Evaluation In: Machine Listening Workshop 2010, Queen Mary University of London, 20 December 2010, London, UK.

C

Cieciura, Craig, Mason, Russell, Coleman, Philip and Paradis, Matthew (2018) Creating Object-Based Stimuli to Explore Media Device Orchestration Reproduction Techniques In: AES 145th Convention, 17–20 Oct 2018, New York, NY, USA.

Cieciura, Craig, Mason, Russell, Coleman, Philip and Paradis, Matthew (2018) Survey of Media Device Ownership, Media Service Usage and Group Media Consumption in UK Households In: AES 145th Convention, 17–20 Oct 2018, New York, NY, USA.

Coleman, Philip, Franck, A, Francombe, Jon, Liu, Qingju, de Campos, Teofilo, Hughes, R, Menzies, D, Simon Galvez,, M, Tang, Y, Woodcock, J, Jackson, Philip, Melchior, F, Pike, C, Fazi, F, Cox, T and Hilton, Adrian (2018) An Audio-Visual System for Object-Based Audio: From Recording to Listening IEEE Transactions on Multimedia, 20 (8). pp. 1919-1931.

Coleman, Philip, Liu, Qingju, Francombe, Jon and Jackson, Philip (2018) Perceptual evaluation of blind source separation in object-based audio production In: 14th International Conference on Latent Variable Analysis and Signal Separation, 02-06 Jul 2018, University of Surrey, Guildford, UK.

Conetta, R (2011) Towards the automatic assessment of spatial quality in the reproduced sound environment Doctoral thesis, University of Surrey.

Conetta, R, Brookes, Tim, Rumsey, F, Zielinski, S, Dewhirst, M, Jackson, P, Bech, S, Meares, D and George, S (2015) Spatial Audio Quality Perception (Part 1): Impact of Commonly Encountered Processes JOURNAL OF THE AUDIO ENGINEERING SOCIETY, 62 (12). pp. 831-846.

Conetta, R, Brookes, Tim, Rumsey, F, Zielinski, S, Dewhirst, M, Jackson, P, Bech, S, Meares, D and George, S (2015) Spatial Audio Quality Perception (Part 2): A Linear Regression Model JOURNAL OF THE AUDIO ENGINEERING SOCIETY, 62 (12). pp. 847-860.

Conetta, R, Dewhirst, M, Rumsey, F, Zielinski, S, Jackson, PJB, Bech, S, Meares, D and George, S (2008) Calibration of the qestral model for the prediction of spatial quality In: 24th Reproduced Sound Conference: Reproduced Sound 24: Immersive Audio, 2008-11-20 - 2008-11-21, Brighton, UK.

D

Da Silva Pires, Leandro, Nunes Vieira, Maurílio, Yehia, Hani Camille, Mattioli Pasqual, Alexander, Brookes, Timothy and Mason, Russell (2018) MODELO DE DISTÂNCIA AUDITIVA PERCEBIDA PARA O ALGORITMO DE LOUDNESS ITU-R BS.1770 In: XXVIII Encontro da Sociedade Brasileira de Acús, 03-05 Oct 2018, Porto Alegre - RS, Brazil.

Daly-Jones, O, Monk, AF, Frohlich, D, Geelhoed, E and Loughran, S (1997) Multimodal messages: the pen and voice opportunity. Interacting with Computers, 9, 1. pp. 1-25.

De Sena, Enzo, Brookes, Mike, Naylor, Patrick A. and van Waterschoot, Toon (2017) Localization experiments with reporting by head orientation: statistical framework and case study Journal of the Audio Engineering Society, 65 (12). pp. 982-996.

Dewhirst, M, Zielinski, SK, Jackson, PJB and Rumsey, F (2005) Objective assessment of spatial localisation attributes of surround-sound reproduction systems In: 108th AES Convention, Sound.

Dockwray, R and Moore, AF (2010) Configuring the sound-box 1965-1972 Popular Music, 29 (2). pp. 181-197.

Downes, S (2008) Grieg: Music, landscape and Norwegian identity MUSIC & LETTERS, 89 (3). pp. 438-440.

Downes, S (2009) Western Music and Race MUSIC & LETTERS, 90 (4). pp. 712-714.

Drazin, A and Frohlich, D (2007) Good intentions: Remembering through framing photographs in English homes Ethnos, 72 (1). pp. 51-76.

Duel, Tijs, Frohlich, David M., Kroos, Christian, Xu, Yong, Jackson, Philip J. B. and Plumbley, Mark D. (2018) Supporting audiography: Design of a system for sentimental sound recording, classification and playback In: HCI International: 20th International Conference on Human-Computer Interaction, 15-20 Jul 2018, Caesar's Palace, Las Vegas, Nevada.

Durrant, A, Frohlich, DM, Sellen, A and Lyons, E (2009) Home Curation versus Teenage Photography: Photo Displays in the Family Home International Journal of Human-Computer Studies, 67 (12). pp. 1005-1023.

Durrant, A, Frohlich, DM, Sellen, A and Uzzell, D (2011) The secret life of teens: online versus offline photographic displays at home Visual Studies, 26 (2). pp. 113-124.

Durrant, A, Taylor, AS, Frohlich, David, Sellen, A and Uzzell, David (2009) Photo Displays and Intergenerational Relationships in the Family Home In: The 23rd BCS conference on Human Computer Interaction (HCI), 2009-09-01 - 2009-09-05, Cambridge, UK..

Durrant, AC, Taylor, AS, Taylor, S, Molloy, M, Sellen, A, Frohlich, DM and Swan, L (2008) Speculative devices for photo display In: 26th CHI Conference on Human Factors in Computing Systems, 2008-04-05 - 2008-04-10, Florence, Italy.

E

Ely, P, Frohlich, David and Green, NC (2011) Uncertainty, upheavals and upgrades: digital-DIY during life change In: New media technologies and user empowerment. Participation in Broadband Society, 6 . Peter Lang, Oxford, pp. 163-180. ISBN 9783631600313

Ely, P, , Frohlich, DM and Green, N, (2011) Uncertainty, upgrades and upheavals: Home entertainment, information and communication technologies during life change. In: New Media Technologies and User Empowerment. Participation in Broadband Society, 6 . Peter Lang, Oxford. ISBN 3631600313

England, D, Spence, J, Latulipe, C, Edmonds, E, Candy, L, Schiphorst, T, Bryan-Kinns, N and Woolford, K (2014) Curating the Digital: Spaces for Art and Interaction In: CHI'14 CHI Conference on Human Factors in Computing Systems, 2014-04-26 - 2014-05-01, Toronto, Canada.

England, D, Spence, JC, Latulipe, CE, Edmonds, EA, Candy, L, Schiphorst, T, Bryan-Kinns, N and Woolford, K (2014) Art and Interaction SIG: Cataloging the Digital Arts In: CHI 2014, 2014-04-26 - 2014-05-01, Toronto, CA.

Evans, W, Mason, Russell and Brookes, Tim (2010) A system for the auralisation of synthetic sound scenes using headphones and head-tracking In: University of Surrey Postgraduate Research Conference.

F

Ford, N and Rumsey, F (2002) Subjective Evaluation of Perceived Spatial Difference in Car Audio Systems Using a graphical Assessment Language In: 112th AES Convention, Sound.

Ford, N, Rumsey, F and Nind, T (2005) Communicating listeners' auditory spatial experiences: A method for developing a descriptive language In: 108th AES Conventio, Sound.

Ford, N, Rumsey, F and Nind, T (2003) Creating a universal graphical assessment language for describing and evaluating speatial attributes of reproduced audio events. In: 115th AES Convention, Sound.

Ford, N, Rumsey, F and Nind, T (2003) Evaluating spatial attributes of reproduced audio events using a graphical assessment language - understanding differences in listener depictions In: Proceedings of the AES 24th International Conference, Sound.

Ford, N, Rumsey, F and de Bruyn, B (2001) Graphical elicitation techniques for subjective assessment of the spatial attributes of loudspeaker reproduction - a pilot investigation. In: 110th AES Convention, Sound.

Francombe, J, Brookes, T, Mason, R, Flindt, R, Coleman, P, Liu, Q and Jackson, PJB (2015) Production and reproduction of programme material for a variety of spatial audio formats In: 138th Audio Engineering Society Convention.

Francombe, J, Brookes, T and Mason, RD (2015) Elicitation of the differences between real and reproduced audio In: 138th Audio Engineering Society Convention, 2015-05-07 - 2015-05-10, Warsaw.

Francombe, J, Brookes, T and Mason, RD (2015) Perceptual evaluation of spatial quality: where next? In: 22nd International Congress on Sound and Vibration, 2015-07-12 - 2015-07-16, Florence.

Francombe, J, Brookes, TS, Mason, R and Melchior, F (2015) Loudness matching multichannel audio programme material with listeners and predictive models In: 139th International AES Convention, 2015-10-29 - 2015-11-01, New York, USA.

Francombe, J, Mason, R, Dewhirst, M and Bech, S (2013) Modeling listener distraction resulting from audio-on-audio interference. Journal of Acoustical Society of America, 133 (5). p. 3367.

Francombe, J, Mason, RD, Dewhirst, M and Bech, S (2012) Determining the threshold of acceptability for an interfering audio programme In: 132nd Audio Engineering Society Convention, 2012-04-26 - 2012-04-29, Budapest, Hungary.

Francombe, Jon Data to accompany "Automatic text clustering for audio attribute elicitation experiment responses" [Dataset]

Francombe, Jon IoSR Listening Room Multichannel BRIR Dataset [Dataset]

Francombe, Jon, Brookes, Timothy and Mason, Russell (2017) Automatic text clustering for audio attribute elicitation experiment responses In: AES 143rd Convention, 18 - 21 October 2017, New York, USA.

Francombe, Jon, Brookes, Timothy and Mason, Russell (2018) Determination and validation of mix parameters for modifying envelopment in object-based audio Journal of the Audio Engineering Society, 66 (3). pp. 127-145.

Francombe, Jon, Brookes, Timothy, Mason, Russell and Woodcock, J (2016) Determining and Labeling the Preference Dimensions of Spatial Audio Replay In: QoMEX 2016, 2016-06-06 - 2016-06-08, Lisbon, Portugal.

Francombe, Jon, Brookes, Timothy, Mason, Russell and Woodcock, J (2017) Evaluation of Spatial Audio Reproduction Methods (Part 2): Analysis of Listener Preference Journal of the Audio Engineering Society, 65 (3). pp. 212-225.

Francombe, Jon, Mason, Russell, Jackson, Philip, Brookes, Timothy, Hughes, R, Woodcock, J, Franck, A, Melchior, F and Pike, C (2017) Media Device Orchestration for Immersive Spatial Audio Reproduction In: Audio Mostly conference on Augmented and Participatory Sound and Music Experiences (AM '17), August 23 - 26 2017, London,UK.

Francombe, Jon, Woodcock, James, Hughes, Richard J., Mason, Russell, Franck, Andreas, Pike, Chris, Brookes, Tim, Davies, William J., Jackson, Philip J.B., Cox, Trevor J., Fazi, Filippo M. and Hilton, Adrian (2018) Qualitative evaluation of media device orchestration for immersive spatial audio reproduction Journal of the Audio Engineering Society, 66 (6). pp. 414-429.

Frohlich, D (1996) Direct manipulation and other lessons HP Laboratories Technical Report (96-152). pp. 1-28.

Frohlich, D, Adams, G and Tallyn, E (2000) Augmenting photographs with audio HP Laboratories Technical Report (105).

Frohlich, D, Adams, G and Tallyn, E (2000) short paper: Augmenting Photographs with Audio. Personal and Ubiquitous Computing, 4, 4. pp. 205-208.

Frohlich, D and Daly-Jones, O (1995) Voicefax: a shared workspace for voicemail partners.

Frohlich, D, Dray, S and Silverman, A (2000) Breaking up is hard to do: Family perspectives on the future of the home PC HP Laboratories Technical Report (117).

Frohlich, D, Drew, P and Monk, A (1994) Management of Repair in Human-Computer Interaction. Human-Computer Interaction, 9, 3-4. pp. 385-425.

Frohlich, D and Fennell, J (2007) Sound, paper and memorabilia: resources for a simpler digital photography Personal and Ubiquitous Computing, 11 (2). pp. 107-116.

Frohlich, D and Hull, R (1996) The Usability of Scribble Matching.

Frohlich, D, Kuchinsky, A, Pering, C, Don, A and Ariss, S (2002) Requirements for photoware.

Frohlich, D and Murphy, R (2000) The memory box HP Laboratories Technical Report (95).

Frohlich, D and Murphy, R (2000) short paper: The Memory Box. Personal and Ubiquitous Computing, 4, 4. pp. 238-240.

Frohlich, D, Thomas, P, Hawley, M and Hirade, K (1997) Inaugural issue editorial: Future personal computing Personal and Ubiquitous Computing, 1 (1). pp. 1-5.

Frohlich, DM (1988) The Acquisition of Bimanual Coordination in an Interactive Graphics Task Advances in Psychology, 55 (C). pp. 103-126.

Frohlich, DM (2016) Ageing and the Digital Life Course, edited by David Prendergast and Chiara Garattini Journal of Population Ageing.

Frohlich, DM (2004) Audiophotography: Bringing photos to life with sound Computer Supported Cooperative Work . Kluwer Academic Publishers. ISBN 1402022093

Frohlich, DM (2004) Beauty as a Design Prize. Human-Computer Interaction, 19, 4. pp. 359-366.

Frohlich, DM (2015) Fast Design, Slow Innovation - Audiophotography Ten Years On Springer. ISBN 978-3-319-21938-7

Frohlich, DM (1993) The history and future of direct manipulation. Behaviour & IT, 12, 6. pp. 315-329.

Frohlich, DM, Armstrong, T, Calic, J, Yuan, H, Knights, T and Desbrulais, S (2015) Com-Note: Designing a composer's notebook for collaborative music composition In: Digital Research in the Humanities and Arts DRHA 2014, 2014-08-31 - 2014-09-03, University of Greenwich.

Frohlich, DM, Bhat, R, Jones, M, Lalmas, M, Frank, M, Rachovides, D, Tucker, R and Riga, K (2009) Democracy, design and development in community content creation: lessons from the StoryBank project Information Technologies and International Development, 5 (4). pp. 19-35.

Frohlich, DM, Chilton, K and Drew, P (1997) Remote Homeplace Communication: What is It Like and How Might We Support It?

Frohlich, DM, Crossfield, LP and Gilbert, GN (1985) Requirements for an intelligent form-filling interface In: People and computers: designing the interface. Cambridge University Press, pp. 102-117.

Frohlich, DM, Dray, SM and Silverman, A (2001) Breaking up is hard to do: family perspectives on the future of the home PC. Int. J. Hum.-Comput. Stud., 54, 5. pp. 701-724.

Frohlich, DM, Eglinton, K, Robinson, S, Jones, M and Vartiainen, E (2012) Creative cameraphone use in rural developing regions In: 14th International Conference on Human-computer interaction with mobile devices and services, 2012-09-21 - 2012-09-24, San Francisco, CA, USA.

Frohlich, DM and Elliott, JM (1984) The schematic representation of effector function underlying perceptual-motor skill. J Mot Behav, 16 (1). pp. 40-60.

Frohlich, DM and Jones, M (2008) Audiophoto narratives for semi-literate communities Interaction Magazine, 15 (6). pp. 61-64.

Frohlich, DM, Jones, M, Dearden, A, Dunckley, L and Light, A (2009) Stepping in: an outsiders guide to crossing the digital divide User Experience Magazine, 8 (3).

Frohlich, DM, Lim, CSC and Ahmed, A (2014) Keep, lose, change: Prompts for the re-design of product concepts in a focus group setting CoDesign, 10 (2). pp. 80-95.

Frohlich, DM and Luff, P (1989) Conversational resources for situated action. CHI. pp. 253-258.

Frohlich, DM and Luff, P (1989) Some Lessons From an Exercise in Specification. Human-Computer Interaction, 4, 2. pp. 121-147.

Frohlich, DM, Rachovides, D, Riga, K, Bhat, R, Frank, M, Edirisinghe, E, Wickramanayaka, D, Jones, M and Harwood, W (2009) StoryBank: Mobile Digital Storytelling in a Development Context In: 27th Annual CHI Conference on Human Factors in Computing Systems, 2009-04-04 - 2009-04-09, Boston, MA.

Frohlich, DM and Sarvas, R (2011) HCI and innovation In: CHI 2011 - Session: Innovation & Design, 2011-05-07 - 2011-05-12, Vancouver, BC, Canada.

Frohlich, DM, Smith, K, , Blum-Ross, A, , Egglestone, P, , Mills, J, , Smith, S, , Rogers, J, , Shorter, M, , Marshall, J, , Olivier, P, , Woods, J, , Wallace, J, , Wood, G, and Blythe M., (2011) Crossing the digital divide in the other direction: Community-centred design on the Bespoke project. Proceedings of Include 2011. In: Include 2011, 2011-04-18 - 2011-04-20, London.

Frohlich, DM and Tallyn, E (1999) Audiophotography: practice and prospects. CHI Extended Abstracts. pp. 296-297.

Frohlich, DM, Thomas, P, Hawley, M and Hirade, K (1997) The future of personal technologies. Personal and Ubiquitous Computing, 1, 1. 0-0.

Frohlich, David (2017) Designing interactive newsprint International Journal of Human - Computer Studies, 104. pp. 36-49.

Frohlich, David (2017) From Audio Paper to Next Generation Paper In: WebMedia '17 - the 23rd Brazillian Symposium on Multimedia and the Web, 17-20 Oct 2017, Gramado, RS, Brazil.

Frohlich, David, Lim, C and Ahmed, A (2016) Co-designing a diversity of social media products with and for older people In: DSAI 2016, 7th International Conference on Software Development and Technologies for Enhancing Accessibility and Fighting Info-exclusion, 2016-12-01 - 2016-12-03, Vila Real, Portugal.

Frohlich, David, Wall, S and Kiddle, G (2013) Re-discovery of forgotten images in domestic photo collections Personal and Ubiquitous Computing, 17 (4). pp. 729-740.

G

George, S, Zielinski, S, Rumsey, F, Conetta, R, Dewhirst, M, Jackson, PJB, Meares, D and Bech, S (2008) An Unintrusive Objective Model for Predicting the Sensation of Envelopment Arising from Surround Sound Recordings

George, S, Zielinski, S, Rumsey, F, Jackson, PJB, Conetta, R, Dewhirst, M, Meares, D and Bech, S (2010) Development and Validation of an Unintrusive Model for Predicting the Sensation of Envelopment Arising from Surround Sound Recordings Journal of the Audio Engineering Society, 58 (12). pp. 1013-1031.

George, S, Zielinski, SK and Rumsey, F (2006) Initial developments of an objective method for the prediction of basic audio quality for surround audio recordings In: 120th AES Convention, Sound.

Gilbert, Andrew, Trumble, Matt, Hilton, Adrian and Collomosse, John (2018) Inpainting of Wide-baseline Multiple Viewpoint Video IEEE Transactions on Visualization and Computer Graphics.

Gilbert, Andrew, Trumble, Matthew, Malleson, Charles, Hilton, Adrian and Collomosse, John (2018) Fusing Visual and Inertial Sensors with Semantics for 3D Human Pose Estimation International Journal of Computer Vision.

Gilbert, Andrew, Volino, Marco, Collomosse, John and Hilton, Adrian (2018) Volumetric performance capture from minimal camera viewpoints In: ECCV 2018: European Conference on Computer Vision, 08-14 Sep 2018, Munich, Germany.

Gilbert, GN, Buckland, S, Frohlich, D, Jirotka, M and Luff, P (1990) Providing advice through dialogue In: Proceedings of the European Conference on Artificial Intelligence, ? - ?, Sociology.

Gilbert, GN, Luff, P, Crossfield, L and Frohlich, DM (1987) A mixed initiative interface for expert systems: the Forms Helper In: International Journal of Man-machine Studies, ? - ?, Sociology.

Gilbert, GN, S. Buckland, , Dawson, P, Frohlich, D, Luff, P, Crossfield, L, Cordingley, B and Robinson, P (1988) Functional specification for the Advice System [Report]

Golsteijn, C, Golsteijn, C, Golsteijn, C, Van Den Hoven, E, Van Den Hoven, E, Frohlich, D and Sellen, A (2014) Reflections on craft research for and through design Proceedings of the NordiCHI 2014: The 8th Nordic Conference on Human-Computer Interaction: Fun, Fast, Foundational. pp. 421-430.

Golsteijn, C, Golsteijn, C, Van Den Hoven, E, Van Den Hoven, E, Frohlich, D and Sellen, A (2014) Hybrid crafting: Towards an integrated practice of crafting with physical and digital components Personal and Ubiquitous Computing, 18 (3). pp. 593-611.

Golsteijn, C, Van Den Hoven, E, Frohlich, DM and Sellen, A (2012) Towards a more cherishable digital object In: Designing Interactive Systems Conference 2012, 2012-06-11 - 2012-06-15, Newcastle, UK.

Goss, SM (2010) The Albéniz Concerto [Composition]

Goss, SM (2009) The Autumn Song [Composition]

Goss, SM (2014) The Book Of Songs [Composition]

Goss, SM (2011) Caught Between [Composition]

Goss, SM (2008) El Llanto de los Sueños (the Weeping of Dreams; for guitar, 11 mins.) [Composition]

Goss, SM (2012) The Flower of Cities [Composition]

Goss, SM (2008) The Garden of Cosmic Speculation [Composition]

Goss, SM (2012) Guitar Concerto (2012) [Composition]

Goss, SM (2014) Illustrations to The Book of Songs [Composition]

Goss, SM (2008) Interludes (for solo piano; 32 mins.) [Composition]

Goss, SM (2012) Marylebone Elegy [Composition]

Goss, SM (2010) Portraits and Landscapes [Composition]

Goss, SM (2011) The Shard [Composition]

Goss, SM (2013) Sonatina after a Concerto [Composition]

Goss, SM (2014) Sound of Iona [Composition]

Goss, SM (2009) Still the Sea [Composition]

Goss, Stephen (2017) Cinema Paradiso [Composition]

Goss, Stephen (2018) A Concerto of Colours [Composition]

Goss, Stephen (2015) The Miller’s Tale [Composition]

Goss, Stephen (2012) Piano Cycle [Composition]

Goss, Stephen (2016) Songs of Ophelia [Composition]

Goss, Stephen (2016) Talking Drums [Composition]

Guedes, C and Woolford, K (2007) Controlling aural and visual particle systems through human movement Proceedings of the 4th Sound and Music Computing Conference, SMC 2007. pp. 200-203.

H

Hacıhabiboglu, H, De Sena, Enzo, Cvetkovic, Z, Johnston, J and Smith, JO (2017) Perceptual Spatial Audio Recording, Simulation, and Rendering: An overview of spatial-audio techniques based on psychoacoustics IEEE Signal Processing Magazine, 34 (3). pp. 36-54.

Henning, L., Jiao, Y., Zielinski, Slawomir and Rumsey, Francis (2006) Perceptual importance of Karhunen-Lòeve transformed multichannel audio signals.

Hermes, K, Brookes, TS and Hummersone, C (2015) The influence of dumping bias on timbral clarity ratings In: 139th International AES Convention, 2015-10-29 - 2015-11-01, New York, USA.

Hermes, Kirsten (2017) Towards measuring music mix quality : the factors contributing to the spectral clarity of single sounds. Doctoral thesis, University of Surrey.

Hermes, Kirsten, Brookes, Timothy and Hummersone, Christopher (2016) The harmonic centroid as a predictor of string instrument timbral clarity In: 140th Convention of Audio Engineering Society, 2016-06-04 - 2016-06-07, Paris, France.

Hummersone, C (2011) A Psychoacoustic Engineering Approach to Machine Sound Source Separation in Reverberant Environments Doctoral thesis, University of Surrey.

Hummersone, C, Mason, R and Brookes, T (2010) A comparison of computational precedence models for source separation in reverberant environments In: 128th Audio Engineering Society Convention, 2010-05-22 - 2010-05-25, London, UK.

Hummersone, Christopher, Mason, Russell and Brookes, Tim (2013) A Comparison of Computational Precedence Models for Source Separation in Reverberant Environments Journal of the Audio Engineering Society, 61 (7/8 (J). pp. 508-520.

Hummersone, Christopher, Mason, Russell and Brookes, Tim (2010) Dynamic precedence effect modeling for source separation in reverberant environments IEEE Transactions on Audio, Speech and Language Processing, 18 (7). pp. 1867-1871.

Hummersone, Christopher, Mason, Russell and Brookes, Tim (2011) Ideal Binary Mask Ratio: a novel metric for assessing binary-mask-based sound source separation algorithms IEEE Transactions on Audio, Speech and Language Processing, 19 (7). pp. 2039-2045.

Hummersone, Christopher, Mason, Russell and Brookes, Tim (2010) A Perceptually–Inspired Approach to Machine Sound Source Separation in Real Rooms In: University of Surrey Postgraduate Research Conference, Guildford, UK.

Hummersone, Christopher, Stokes, T and Brookes, Tim (2014) On the Ideal Ratio Mask as the Goal of Computational Auditory Scene Analysis In: Blind Source Separation: Advances in Theory, Algorithms and Applications. Signals and Communication Technology (12). Springer, Berlin/Heidelberg, pp. 349-368. ISBN 3642550169

J

Jackson, Philip, Plumbley, Mark D, Wang, Wenwu, Brookes, Tim, Coleman, Philip, Mason, Russell, Frohlich, David, Bonina, Carla and Plans, David (2017) Signal Processing, Psychoacoustic Engineering and Digital Worlds: Interdisciplinary Audio Research at the University of Surrey In: Speech and Audio in the North East (SANE 2017), 19 October 2017, New York.

Jansen, M, van den Hoven, E and Frohlich, DM (2014) Pearl: living media enabled by interactive photo projection Personal and Ubiquitous Computing, 18 (5). pp. 1259-1275.

Jiao, Y, Zielinski, SK and Rumsey, F (2006) Quality degradation effects caused by limiting the bandwidth of standard surround sound channels and hierarchically encoded MSBTF channels: a comparative study In: 120th AES Convention, Sound.

Jones, M and Frohlich, DM (2008) Mobile ethics ITNOW, 50 (3).

Jones, M, Harwood, W, Bainbridge, D, Buchanan, G, Frohlich, DM, Rachovides, D, Frank, M and Lalmas, M (2008) "Narrowcast yourself": Designing for community storytelling in a rural indian context DIS '08 Proceedings of the 7th ACM conference on Designing interactive systems. pp. 369-378.

Jones, M, Thom, E, Bainbridge, D and Frohlich, DM (2009) Mobility, digital libraries and a rural Indian village In: The 9th ACM/IEEE-CS Joint Conference on Digital libraries, 2009-06-14 - 2009-06-19, Austin, Texas.

K

Kassier, R, Brookes, T and Rumsey, F (2006) A Comparison Between Spatial Audio Listener Training and Repetitive Practice In: 121st Audio Engineering Society Convention, Sound.

Kassier, R, Brookes, Timothy and Rumsey, F (2006) Designing a spatial audio attribute listener training system for optimal transfer In: 120th AES Convention, 20-23 May 2006, Paris, France.

Kassier, R, Lee, HK, Brookes, T and Rumsey, F (2005) An informal comparison between surround-sound microphone techniques In: 118th AES Convention, Sound.

Kassier, R, Zielinski, SK and Rumsey, F (2003) Computer games and multichannel audio quality part 2 - evaluation of time-variant audio degradations under divided and undivided attention In: 115th AES Convention, Sound.

Kempley, RS, Podolyak, Z, Bazzacco, D, Gadea, A, Farnea, E, Valiente-Dobon, JJ, Mengoni, D, Recchia, F, Sahin, E, Gottardo, A, Corradi, L, Fioretto, E, Szilner, S, Anagnostatou, V, Al-Dahan, N, De Angelis, G, Bellato, M, Berti, B, Bortolato, D, Bowry, M, Bunce, M, Cocconi, P, Colombo, A, Dombradi, Z, Fanin, C, Gelletly, W, Isocrate, R, Ketenci, S, Kondratyev, N, Kuti, I, Mason, PJR, Michelagnoli, C, Mijatovic, T, Molini, P, Montagnioli, G, Montanari, D, Nakhostin, M, Napoli, DR, Pellegrini, D, Regan, PH, Rampazzo, G, Reiter, P, Rosso, D, Scarlassara, F, Stefanini, A, Singh, P, Toniolo, N and Ur, CA (2011) CROSS-COINCIDENCES IN THE Xe-136+Pb-208 DEEP-INELASTIC REACTION In: Conference on Nuclear Physics - Extremes of the Nuclear Landscape, 2010-08-30 - 2010-09-05, Zakopane, POLAND.

Kim, C, Mason, R and Brookes, T (2010) Development of a head-movement-aware signal capture system for the prediction of acoustical spatial impression In: 20th International Congress on Acoustics, 2010-08-23 - 2010-08-27, Sydney, Australia.

Kim, C, Mason, R and Brookes, T (2008) Improvements to a Spherical Binaural Capture Model for Objective Measurement of Spatial Impression with Consideration of Head Movements In: 125th Audio Engineering Society Convention, 2008-10-02 - 2008-10-05, San Francisco, USA.

Kim, C, Mason, R and Brookes, T (2008) Improvements to a Spherical Binaural Capture Model for Objective Measurement of Spatial Impression with Consideration of Head Movements In: 125th Audio Engineering Society Convention, 2008-10-02 - 2008-10-05, San Francisco, USA.

Kim, C, Mason, R and Brookes, T (2008) Initial investigation of signal capture techniques for objective measurement of spatial impression considering head movement In: 124th Audio Engineering Society Convention, 2008-05-17 - 2008-05-20, Amsterdam, The Netherlands.

Kim, C, Mason, R and Brookes, T (2010) Validation of a simple spherical head model as a signal capture device for head-movement-aware prediction of perceived spatial impression In: AES 40th International Conference (Spatial Audio: Sense the Sound of Space), 2010-10-08 - 2010-10-10, Tokyo, Japan.

Kim, C, Mason, R and Brookes, T (2007) An investigation into head movements made when evaluating various attributes of sound In: 122nd Audio Engineering Society Convention, 2007-05-05 - 2007-05-08, Vienna, Austria.

Kim, C, Mason, R and Brookes, T (2010) A quasi-binaural approach to head-movement-aware evaluation of spatial acoustics In: International Symposium on Room Acoustics. A Satellite of the International Congress on Acoustics., 2010-08-29 - 2010-08-31, Melbourne, Australia.

Kim, C, Mason, RD and Brookes, T (2009) The role of head movement in the analysis of spatial impression In: EPSRC People in Systems Theme Day, 2009-01-15 - 2009-01-15, London, UK.

Kim, C, Mason, Russell and Brookes, Tim (2011) Head-movement-aware signal capture for evaluation of spatial acoustics Building Acoustics, 18 (1). pp. 207-226.

Kim, Catherine, Mason, Russell and Brookes, Timothy (2013) Head movements made by listeners in experimental and real-life listening activities Journal of the Audio Engineering Society, 61 (6 (Jun). pp. 425-438.

Kinchin, Ian and Wiley, Christopher (2017) Tracing pedagogic frailty in arts and humanities education: An autoethnographic perspective Arts and Humanities in Higher Education: an international journal of theory, research and practice, 17 (2). pp. 241-264.

L

Lalmas, M, Bhat, R, Frank, M, Frohlich, DM and Jones, M (2007) Bridging the digital divide: understanding information access practices in an indian village community. SIGIR. pp. 741-742.

Land, V, Lumkin, M and Frohlich, DM (2008) Conveying availability and capability to communicate in naturalistic interaction. In: 22nd British HCI Group Annual Conference on HCI 2008, 2008-09-01 - 2008-09-05, Liverpool, UK.

Lee, H-K, Mason, R and Rumsey, F (2007) Perceptually modelled effects of interchannel crosstalk in multichannel microphone technique In: 123rd Audio Engineering Society Conference, 2007-10-05 - 2007-10-08, New York, USA.

Lee, HK and Rumsey, F (2004) Elicitation and grading of subjective attributes of two-channel phantom images In: 116th AES Convention, Sound.

Lee, HK and Rumsey, F (2005) Investigations on the effect of interchannel crosstalk in 3 channel microphone technique In: 108th AES Convention, Sound.

Lightburn, L, De Sena, Enzo, Moore, A, Naylor, PA and Brookes, M (2017) Improving the perceptual quality of ideal binary masked speech In: ICASSP 2017 - 2017 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 2017-03-05 - 2017-03-09, New Orleans, USA.

Lim, C, , Frohlich, DM and Ahmed, A, (2011) Supporting memory and identity in older people: Findings from a sandpit process. In: Include 2011, 2011-04-18 - 2011-04-20, London.

Luff, P, Adams, G, Bock, W, Drazin, A, Frohlich, D, Heath, C, Herdman, P, King, H, Linketscher, N, Murphy, R, Norrie, MC, Sellen, A, Signer, B, Tallyn, E and Zeller, E (2007) Augmented Paper: Developing Relationships Between Digital Content and Paper. The Disappearing Computer, 4500. pp. 275-297.

Luff, P, Frohlich, D and Gilbert, GN (1990) Computers and conversation Computers and People . Academic Press, London and New York. ISBN 9780124595606

M

Marins, P, Rumsey, F and Zielinski, SK (2006) The relationship between selected artifacts and basic audio quality in perceptual audio codecs In: 120th AES Convention, Sound.

Mark, CM (2017) Britten and the Augmented Sixth In: Benjamin Britten Studies: Essays on An Inexplicit Art. Aldeburgh Studies in Music (10). Boydell Press. ISBN 9781783271955

Mark, CM (2012) Roger Smalley: A Case Study of Late Twentieth-Century Composition Ashgate Publishing, Ltd, Farnham. ISBN 1409424111

Mark, CM (2013) An excess of less? Critiquing Britten's late song cycles In: Rethinking Britten. Oxford University Press, New York, pp. 209-236.

Mark, Christopher (2018) Bridge and Britten, Britten and Bridge MUSIC & LETTERS, 99 (1). pp. 45-73.

Mark, Christopher (2018) Constant Lambert: A Critic for Today? A Commentary on Music Ho! In: British Music Criticism and Intellectual Thought, 1850-1950. Music in Britain, 1600-2000 . Boydell Press, pp. 278-303. ISBN 9781783272877

Mark, Christopher (2009) Supported by Tradition: Sonority, Form, and Transcendence in Britten’s String Quartets’ In: Intimate Voices: Aspects of Construction and Character in the Twentieth-Century String Quartet. University of Rochester Press, Rochester, pp. 41-74. ISBN 9781580463225

Marquez Reiter, R. and Frohlich, D. (2019) A pragmatics of intimacy In: Internet pragmatics. Theory and Practice. John Benjamins Publishing Company, Amsterdam.

Mason, PJR, Cullen, DM, Scholey, C, Dewald, A, M�ller, O, Iwasaki, H, Pissulla, T, Rother, W, Dare, JA, Greenlees, PT, Jakobsson, U, Jones, PM, Julin, R, Juutinen, S, Ketelhut, S, Leino, M, Lumley, NM, Niclasen, B, Nyman, M, Peura, P, Puurunen, A, Rahkila, P, Ruotsalainen, P, Sorri, J, Sar�n, J, Uusitalo, J and Xu, FR (2010) Isomer-tagged differential-plunger measurements in proton-unbound 144Ho Physics Letters B, 683 (1). pp. 17-20.

Mason, PJR, Cullen, DM, Scholey, C, Eeckhaudt, S, Grahn, T, Greenlees, PT, Jakobsson, U, Jones, PM, Julin, R, Juutinen, S, Ketelhut, S, Kishada, AM, Leino, M, Leppänen, AP, Mäntyniemi, K, Nieminen, P, Nyman, M, Pakarinen, J, Peura, P, Rahkila, P, Rigby, SV, Sarén, J, Sorri, J, Uusitalo, J, Varley, BJ and Venhart, M (2009) Prompt and delayed spectroscopy of^{142}Tb using recoil-isomer tagging PRC, 79 (2).

Mason, PJR, Cullen, DM, Scholey, C, Greenlees, PT, Jakobsson, U, Jones, PM, Julin, R, Juutinen, S, Ketelhut, S, Leino, M, Nyman, M, Peura, P, Puurunen, A, Rahkila, P, Ruotsalainen, P, Sorri, J, Saren, J, Uusitalo, J and Xu, FR (2010) Spectroscopy of Ho-144 using recoil-isomer tagging PHYSICAL REVIEW C, 81 (2), ARTN 0.

Mason, R (2002) Elicitation and measurement of auditory spatial attributes in reproduced sound Doctoral thesis, University of Surrey.

Mason, R (2006) Implementation and application of a binaural hearing model to the objective evaluation of spatial impression In: 28th Audio Engineering Society Internation Conference, 2006-06-30 - 2006-07-02, Sound.

Mason, R (1999) Microphone techniques for multichannel surround sound In: Audio Engineering Society UK Conference, Audio: the second century, 1999-06-07 - 1999-06-08, London, UK.

Mason, R, Brookes, T and Rumsey, F (2004) Development of the interaural cross-correlation coefficient into a more complete auditory width prediction model In: 18th International Congress on Acoustics, 2004-04-04 - 2004-04-09, Kyoto, Japan.

Mason, R, Brookes, T and Rumsey, F (2004) Integration of measurements of interaural cross-correlation coefficient and interaural time difference within a single model of perceived source width In: 117th Audio Engineering Society Convention, 2004-10-28 - 2004-10-31, San Francisco.

Mason, R, Brookes, T and Rumsey, F (2004) Spatial impression: measurement and perception of concert hall acoustics and reproduced sound In: International Symposium on Room Acoustics: Design and Science, 2004-04-11 - 2004-04-13, Hyogo, Japan.

Mason, R, Brookes, T and Rumsey, F (2002) The perceptual relevance of extant techniques for the objective measurement of spatial impression In: Auditorium Acoustics 2002 Conference, 2002 - 2002, London.

Mason, R, Ford, N, Rumsey, F and de Bruyn, B (2000) Verbal and non-verbal elicitation techniques in the subjective assessment of spatial sound reproduction In: 109th Audio Engineering Society Convention, 2000-09-22 - 2000-09-25, Los Angeles, USA.

Mason, R and Harrington, S (2007) Perception and detection of auditory offsets with single simple musical stimuli in a reverberant environment In: Intelligent Audio Environments, 2007-03-15 - 2007-03-17, Saariselka, Finland.

Mason, R, Kim, C and Brookes, T (2009) Perception of head-position-dependent variations in interaural cross-correlation coefficient In: 126th Audio Engineering Society Convention, 2009-05-07 - 2009-05-10, Munich, Germany.

Mason, R and Rumsey, F (2000) An assessment of spatial performance of virtual home theatre algorithms by subjective and objective methods In: 108th Audio Engineering Society Convention, 2000-02-19 - 2000-02-22, Paris, France.

Mason, R and Rumsey, F (2002) A comparison of objective measurements for predicting selected subjective spatial attributes In: 112th Audio Engineering Society Convention, 2002-05-10 - 2002-05-13, Munich, Germany.

Mason, R and Rumsey, F (1999) An investigation of microphone techniques for ambient sound in surround sound systems In: 106th Audio Engineering Society Convention, 1999-05-08 - 1999-05-11, Munich, Germany.

Mason, R, Rumsey, F and de Bruyn, B (2001) An investigation of interaural time difference fluctuations, part 1: the subjective spatial effect of fluctuations delivered over headphones. In: 110th Audio Engineering Society Convention, 2001-05-12 - 2001-05-15, Amsterdam, Netherlands.

Mason, R, Rumsey, F and de Bruyn, B (2001) An investigation of interaural time difference fluctuations, part 2: dependence of the subjective effect on audio frequency. In: 110th Audio Engineering Society Convention, 2001-05-12 - 2001-05-15, Amsterdam.

Mason, R, Rumsey, F and de Bruyn, B (2001) An investigation of interaural time difference fluctuations, part 3: the subjective effect of fluctuations in continuous stimuli delivered over loudspeakers In: 111th Audio Engineering Society Convention, 2001-11-30 - 2001-12-04, New York, USA.

Mason, R, Rumsey, F and de Bruyn, B (2001) An investigation of interaural time difference fluctuations, part 4: the subjective effect of fluctuations in decaying stimuli delivered over loudspeakers In: 111th Audio Engineering Society Convention, 2001-11-30 - 2001-12-04, New York.

Mason, RD, Kim, C and Brookes, T (2008) Taking head movements into account in measurement of spatial attributes In: Institute of Acoustics 24th Reproduced Sound Conference, 2008-11-20 - 2008-11-21, Brighton, UK.

Mason, Russell, Brookes, Tim and Rumsey, F (2005) The effect of various source signal properties on measurements of the interaural cross-correlation coefficient Acoustical Science and Technology, 26 (2). pp. 102-113.

Mason, Russell, Brookes, Tim and Rumsey, Francis (2003) Creation and verification of a controlled experimental stimulus for investigating selected perceived spatial attributes In: 114th AES Convention.

Mason, Russell, Brookes, Timothy and Rumsey, F (2005) Frequency dependency of the relationship between perceived auditory source width and the interaural cross-correlation coefficient for time-invariant stimuli. Journal of the Acoustical Society of America, 117 (3 Pt 1). pp. 1337-1350.

Mason, Russell, Ford, N, Rumsey, F and de Bruyn, B (2001) Verbal and non-verbal elicitation techniques in the subjective assessment of spatial sound reproduction Journal of the Audio Engineering Society, 49 (5). pp. 366-384.

Mason, Russell and Rumsey, Francis (2001) Interaural time difference fluctuations: their measurement, subjective perceptual effect, and application in sound reproduction

Mason, Russell, Rumsey, Francis and de Bruyn, Bart (2001) An investigation of interaural time difference fluctuations, part 3: the subjective spatial effect of fluctuations in continuous stimuli delivered over loudspeakers In: 111th AES Convention.

McKinnie, Douglas and Rumsey, Francis (1997) Coincident Microphone Techniques for Three-Channel Stereophonic Reproduction In: 102nd AES Convention.

Mermikides, MJ (2015) ACTG [Composition] (Unpublished)

Mermikides, MJ (2015) Another Day [Composition] (Unpublished)

Mermikides, MJ (2015) Birth and Death [Composition]

Mermikides, MJ (2013) BloodLines [Composition]

Mermikides, MJ (2014) Bossa Appreciation Future Publishing.

Mermikides, MJ (2015) Circles [Composition] (Unpublished)

Mermikides, MJ (2015) Crystals [Composition]

Mermikides, MJ (2015) Dark Shards [Composition]

Mermikides, MJ (2015) Distant Harmony [Composition]

Mermikides, MJ (2012) The Escher Café. [Composition]

Mermikides, MJ (2015) Geometudes Nos.1-5 [Composition]

Mermikides, MJ (2015) Hidden Music [Show/Exhibition]

Mermikides, MJ (2015) Irrational Music [Composition]

Mermikides, MJ (2015) Outbreak [Composition]

Mermikides, MJ (2008) Sacred Geometry: An analysis of Pat Martino’s guitar improvisations on Welcome To A Prayer In: The Royal Musical Association Conference, 2008-01-04 - ?, University of Surrey.

Mermikides, MJ (2015) Seed Pods [Composition]

Mermikides, MJ (2015) Starstuff [Composition]

Mermikides, MJ (2015) Wave [Composition]

Mermikides, Milton The Escher Cafe (2011) 8'20" [Composition]

Mermikides, Milton (2013) Greensleeves Total Guitar, TG227.

Mermikides, Milton Rondo All Turca Future Publishing: Total Guitar.

Monk, A and Frohlich, D (1999) Guest editorial: Computers and fun Personal and Ubiquitous Computing, 3 (3).

Monk, AF and Frohlich, D (1999) Computers and fun. Personal and Ubiquitous Computing, 3, 3. 0-0.

Monk, AF, Scholtz, J, Buxton, W, Bly, SA, Frohlich, D and Whittaker, S (1996) Criteria for Effective Groupware.

Moore, A (2002) Authenticity as authentication Popular Music, 21 (2). pp. 209-223.

Moore, A (2002) Looking for the Kingdom Come: questioning spirituality in U2 Popular Musicology Online.

Moore, A (2010) Review of 'Everyday Tonality: Towards a Tonal Theory of What Most People Hear', by Philip Tagg New York and Montreal: Mass Media Scholar's Press, 2009. 334 pp. ISBN 976-09760188443 Popular Music, 29 (3). pp. 490-492.

Moore, A (2009) Review of American Popular Music; from Minstrelsy to MTV. By Larry Starr & Christopher Waterman. Oxford: Oxford University Press, 2003. xii+498 pp. Popular Music, 28 (1). pp. 124-125.

Moore, A (2002) Review of The Musical Work: Reality or Invention? edited by Michael Talbot Popular Music, 21 (2). pp. 237-239.

Moore, A (2012) Song Means: Analysing and Interpreting Recorded Popular Song Ashgate Popular and Folk Music Series . Ashgate. ISBN 1409428648

Moore, AF (2008) Empire of dirt: The aesthetics and rituals of British indie music Music & Letters, 89 (2). pp. 292-293.

Moore, AF (2011) The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes" Journal of Music Theory, 55 (1). pp. 161-166.

Murphy, D and Rumsey, F (2001) A scalable spatial sound rendering system. In: 110th AES Convention, Sound.

N

Naqvi, A and Rumsey, F (2002) The Active Listening Room Simulator, A Subjective Analysis. In: 112th AES Convention, Sound.

Naqvi, A and Rumsey, F (2001) The active listening room simulator: part 1 In: 110th AES Convention, Sound.

Naqvi, Amber and Rumsey, Francis (2001) The Active Listening Room Simulator: Part 2 In: 111th AES Convention.

Nee, C, Wainwright, L, White, M, Pascu, T, Barker, L and Woolford, K (2014) New methods for examining expertise in burglars in natural and simulated environments: preliminary findings Psychology, Crime and Law, 21 (5). pp. 507-513.

Neher, T, Brookes, Tim and Mason, Russell (2006) Musically Representative Signals for Use in Interaural Cross-Correlation Coefficient Measurements Acta Acustica United with Acustica, 92 (5). pp. 787-796.

Neher, T and Brookes, Timothy (2002) Training of Listeners for the Evaluation of Spatial Sound Reproduction In: 112th AES Convention, May 10 - 13, 2002, Munich, Germany.

Neher, Tobias, Brookes, Tim and Rumsey, Francis (2004) Unidimensional simulation of the spatial atrtibute 'Ensemble depth' for training purposes - Part 2: creation and validation of reference stimuli In: 116th AES Convention.

Neher, Tobias, Rumsey, Francis, Brookes, Tim and Craven, Peter (2003) Unidimensional Simulation of the Spatial Attribute 'Ensemble Width' for Training Purposes In: 114th AES Convention.

O

O'Conaill, B and Frohlich, D (1995) Timespace in the workplace: dealing with interruptions.

Oleksik, G, Frohlich, DM, Brown, LM and Sellen, A (2008) Sonic Interventions: Understanding and Extending the Domestic Soundscape In: 26th CHI Conference on Human Factors in Computing Systems, 2008-04-05 - 2008-04-10, Florence, Italy.

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Parker, M.C., Koczian, G., Adeyemi-Ejeye, F., Quinlan, T., Walker, S.D., Legarrea, A., Siddiqui, M.S., Escalona, E., Spirou, S., Kritharidis, D., Habel, K., Jungnickel, V., Trouva, E., Kourtis, A., Liu, Y., Frigau, M. Sander, Point, J.C., Lyberopoulos, G., Theodoropoulou, E., Filis, K., Rokkas, Th., Neokosmidis, I., Levi, D., Zetserov, E., Foglar, A., Ulbricht, M., Peternel, B. and Gustincic, D. (2016) CHARISMA: Converged heterogeneous advanced 5G cloud-RAN architecture for intelligent and secure media access In: 2016 European Conference on Networks and Communications (EuCNC), 27-30 Jun 2016, Athens, Greece.

Pearce, Andrew, Brookes, Tim, Mason, Russell and Dewhirst, M (2016) Measurements to determine the ranking accuracy of perceptual models In: 140th Convention of the Audio Engineering Society, 2016-06-04 - 2016-06-07, Paris, France.

Pearce, Andy, Brookes, Tim and Mason, Russell (2019) Modelling Timbral Hardness Applied Sciences, 9 (3).

Pearce, Andy, Brookes, Timothy and Mason, Russell (2017) Timbral attributes for sound effect library searching In: 2017 AES International Conference on Semantic Audio, 22 -24 June 2017, Erlangen, Germany.

Pike, C, Brookes, T and Mason, R (2013) Auditory adaptation to loudspeaker and listening room acoustics

Pike, C, Mason, RD and Brookes, T (2014) Auditory compensation for spectral coloration In: 137th Audio Engineering Society Convention, 2014-10-09 - 2014-10-12, New York.

Pike, C, Mason, RD and Brookes, T (2014) The effect of auditory memory on the perception of timbre In: 136th Audio Engineering Society Convention, 2014-04-26 - 2014-04-29, Berlin.

Pike, C, Mason, Russell and Brookes, Tim (2014) Auditory adaptation to static spectra In: UKSpeech Conference, Edinburgh, 9 - 10 June 2014, Edinburgh, Scotland.

Prabhu, G and Frohlich, D (2003) Contextual Invention, 2003 Kestone Research. ISBN 8190187201

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Rachovides, D, Frohlich, D and Frank, M (2007) Interaction design in the wild. BCS HCI (2). pp. 91-94.

Rumsey, F (2006) Spatial audio and sensory evaluation techniques - context, history and aims In: Spatial Audio and Sensory Evaluation Techniques, Sound.

Rumsey, F and Lewis, W (2002) Effect of Rear Microphone Spacing on Spatial Impression for Omniderectional Surround Microphone Arrays. In: 112th AES Convention, Sound.

Rumsey, Francis (1992) Approaches to Audio Editing in a Mixed Disk- and Tape-Based Environment In: 92nd AES Convention.

Rumsey, Francis (1993) Audio Program Interchange: Networks, File Formats, and Real-Time Transfer In: 95th AES Convention.

Rumsey, Francis (1990) The Disk Drive as an Audio Recorder In: Audio Engineering Society Hard Disk Recording Conference.

Rumsey, Francis (1993) Programme Interchange in the Digital Domain-An Overview

Rumsey, Francis (1998) Subjective Assessment of the Spatial Attributes of Reproduced Sound In: Proceedings of the AES 15th International Conference: Audio, Acoustics and Small Space.

Rumsey, Francis (1998) Synthesized Multichannel Signal Levels Versus the M-S Ratios of Two-Channel Program Items

Rumsey, Francis J. (1991) Digital Audio Bit-Rate Reduction for Broadcasting In: Audio Engineering Society 10th International Conference.

Rämö, J, Marsh, S, Bech, S, Mason, Russell and Holdt Jensen, S (2016) Validation of a perceptual distraction model in a complex personal sound zone system In: 141st Audio Engineering Society Convention, 2016-09-29 - 2016-10-02, Los Angeles, USA.

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Sansom, M (2008) Colne Valley Listeners [Artefact]

Sansom, M (2017) Improvisation In: The Routledge Companion to Music, Technology, and Education. Routledge. ISBN 9781138921382

Sansom, M METIS [Performance]

Sansom, M (2011) OTHERPLACES [Artefact]

Sansom, M (2011) SPIRIT REDUX [Composition]

Sansom, M (2011) Sounding Out Liverpool [Artefact]

Sansom, M and Frohlich, D (2015) Uzbekistan 2009 [Artefact]

Sansom, M and Thomson, A Of Other Spaces [Performance]

Sansom, Matthew J, Salazar, Nicolas and Krause, Paul MindBeat Quintet [Show/Exhibition]

Sarvas, R and Frohlich, DM (2011) From Snapshots to Social Media - The Changing Picture of Domestic Photography Computer Supported Cooperative Work . Springer. ISBN 0857292463

Segar, P and Rumsey, F (2001) Optimisation and subjective assessment of surround sound microphone arrays In: 110th AES Convention, Sound.

Simon, LSR and Mason, Russell (2010) Development of a novel surround sound format and associated microphone techniques In: University of Surrey Postgraduate Research Conference.

Simon, LSR and Mason, Russell (2011) Spaciousness rating of 8-channel stereophony-based microphone arrays In: 130th Audio Engineering Society Convention, 2011-05-13 - 2011-05-16, London, UK.

Simon, LSR and Mason, Russell (2010) Time and level localisation curves for a regularly-spaced octagon loudspeaker array In: 128th Audio Engineering Society Convention, 2010-05-22 - 2010-05-25, London, UK.

Simon, LSR, Mason, Russell and Rumsey, F (2009) Localisation curves for a regularly-spaced octagon loudspeaker array In: 127th Audio Engineering Society Convention, 2009-10-09 - 2009-10-12, New York, USA.

Simon-Galvez, MF, Menzies, D, Mason, Russell and Fazi, FM (2016) Object-Based Audio Reproduction using a Listener-Position Adaptive Stereo System Journal of the Audio Engineering Society, 64 (10). pp. 740-751.

Spence, J, Andrews, S and Frohlich, DM (2012) Now, where was I? Negotiating time in digitally augmented autobiographical performance Journal of Media Practice, 13, 3. pp. 269-284.

Spence, J, Frohlich, D and Andrews, S (2015) Performance and critical design. In: 2015 British Human Computer Interaction Conference, 2015-07-13 - 2015-07-17, Lincoln, UK.

Spence, J, Frohlich, D and Andrews, S (2013) Performative experience design: where autobiographical performance and human–computer interaction meet Digital Creativity, 24 (2). pp. 96-110.

Spence, J, Frohlich, DM and Andrews, S (2013) Performative experience design

Spence, Jocelyn, Andrews, Stuart and Frohlich, David (2017) Collect Yourselves!: Risk, Intimacy, and Dissonance in Intermedial Performance In: Risk, Participation, and Performance Practice: Critical Vulnerabilities in a Precarious World. Palgrave Macmillan, pp. 153-175. ISBN 978-3-319-63241-4

Stokes, T, Hummersone, C, Brookes, T and Mason, A (2014) Perceptual quality of audio separated using sigmoidal masks In: 137th Audio Engineering Society Convention 2014, 2014/10/09 - 2014/10/12, Los Angeles, USA.

Stokes, T, Hummersone, C and Brookes, TS Reducing Binary Masking Artefacts in Blind Audio Source Separation In: AES 134th Convention, 2013-05-04 - 2013-05-07, Rome, Italy.

Supper, B, Brookes, T and Rumsey, F (2004) A lateral angle tool for spatial auditory analysis In: 116th AES Convention, Sound.

Supper, B, Brookes, T and Rumsey, F (2003) A new approach to detecting auditory onsets within a binaural stream In: 114th AES Convention, Sound.

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Tallyn, E, Frohlich, D, Linketscher, N, Signer, B and Adams, G (2005) Using paper to support collaboration in educational activities In: International Conference on Computer Supported Collaborative Learning, 2005-05-30 - 2005-06-04, Taipei, TAIWAN.

Taylor, N, Frohlich, DM, Egglestone, P, Marshall, J, Rogers, J, Blum-Ross, A, Mills, J, Shorter, M and Olivier, P (2014) Utilising insight journalism for community technology design In: SIGCHI Conference on Human Factors in Computing Systems 2014, 26-04-2014-01-05-2014, Toronto, Canada.

Taylor, N, Marshall, J, Blum-Ross, A, Mills, J, Rogers, J, Egglestone, P, Frohlich, David, Wright, P and Olivier, P (2012) Viewpoint: Empowering communities with situated voting devices In: Computer-Human Interaction (CHI 2012), 2012-05-05 - 2012-05-10, Austin Texas.

Trumble, Matthew, Gilbert, Andrew, Hilton, Adrian and Collomosse, John (2018) Deep Autoencoder for Combined Human Pose Estimation and Body Model Upscaling In: ECCV 2018: European Conference on Computer Vision, 08-14 Sep 2018, Munich, Germany.

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Vairetti, G, De Sena, Enzo, Catrysse, M, Jensen, SH, Moonen, M and van Waterschoot, T (2017) A Scalable Algorithm for Physically Motivated and Sparse Approximation of Room Impulse Responses with Orthonormal Basis Functions IEEE/ACM Trans. Audio, Speech and Language Processing, 25 (7). pp. 1547-1561.

Vairetti, G, Kaplanis, N, De Sena, Enzo, Jonsen, SH, Bech, S, Moonen, M and van Waterschoot, T (2017) The Subwoofer Room Impulse Response (SUBRIR) database Journal of the Audio Engineering Society, 65 (5). pp. 389-401.

Van Erve, D, Vos, G-W, Van Den Hoven, E and Frohlich, DM (2011) Cueing the past: Designing embodied interaction for everyday remembering In: Second Conference on Creativity and Innovation in Design, 2011-10-19 - 2011-10-21, Eindhoven, the Netherlands.

Volioti, G (2007) Book review of Adam Ockelford, ‘Repetition in Music: Theoretical and Meta-theoretical Perspectives’ Musicae Scientiae, 11 (2). pp. 325-330.

Volioti, Georgia (2016) Book review of 'Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures' (2014) D. Fabian, R. Timmers and E. Schubert (eds.), Nineteenth-Century Music Review, 13 (2). pp. 335-340.

Volioti, Georgia (2018) [Book review]: Michael Burden, Wendy Heller, Jonathan Hicks and Ellen Lockhart, eds, Staging History 1780 – 1840 (Oxford: Bodleian Library, 2017). 224 pp. $45.00. Nineteenth-Century Music Review.

Volioti, Georgia (2017) Expressive Gesture in Grieg’s Recordings of Two Op. 43 Lyric Pieces: An Exploratory Principal Components Analysis Music Performance Research.

Volioti, Georgia (2018) Landscaping the gaze in Norwegian visual art and Grieg's Op. 66 folksong piano arrangement MUSIC & LETTERS, 98 (4). pp. 573-600.

Volioti, Georgia (2017) Musing on the Past: Historical Recordings as Creative Resources of Piano Performance In: New Thoughts on Piano Performance. London International Piano Symposium, pp. 65-84. ISBN 978-164007055-4

Volioti, Georgia (2017) Re-imagining Operatic “Objects”: Commentary on Neumann’s Phenomena, Poiesis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera Empirical Musicology Review, 12 (3-4).

Volioti, Georgia (2015) Reminiscing Grieg: A Study of Technostalgia and Modulating Identities The Musical Quarterly, 98 (3). pp. 179-211.

Volioti, Georgia and Williamon, A (2016) Recordings as Learning and Practising Resources for Performance: Exploring Attitudes and Behaviours of Music Students and Professionals Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 21 (4). pp. 499-523.

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Wang, Josiah, Gilbert, Andrew, Thomee, Bart and Villegas, Mauricio (2019) Automatic Image Annotation at ImageCLEF In: CLEF@20. ImageCLEF.

White, I (2015) Serialism in Late Rawsthorne The Creel, 8:1 (26). pp. 20-35.

Whittaker, S, Frohlich, D and Daly-Jones, O (1994) Informal workplace communication: what is it like and how might we support it?

Whittaker, S, Frohlich, D and Daly-Jones, O (1994) Informal workplace communication: what is it like and how might we support it?

Wiley, C (2002) Abba and Gender Ideology in Popular Music In: ‘Love and Power’, 2002-06-20 - ?, Royal Holloway, University of London and The Bedford Centre for the History of Women.

Wiley, C (2014) Academic Leadership in Learning and Teaching in Higher Education: A Personal Reflection on one Programme Director’s Professional Development Learning at City Journal, 4 (2). pp. 39-49.

Wiley, C (2008) Andrew Lloyd Webber at 60 Musical Stages: The World of Musical Theatre, 57. p. 7.

Wiley, C (2013) BYOD, Mobile Technologies, and Social Media for Learning In: ELESIG Webinar Series 2013 (Evaluation of Learners’ Experiences of e-learning Special Interest Group), 2013-04-24 - ?.

Wiley, C (2010) Biography and the New Musicology In: (Auto)Biography as a Musicological Discourse. Musicological Studies, 3 . Fakultet muzičke umetnosti / Belgrade : University of Arts, Department of Musicology, Belgrade, pp. 3-27. ISBN 8660510275

Wiley, C (2004) Biography, Historiography, and the Beethoven/Schubert Mythology In: 2004 Joint Annual Meeting of the American Musicological Society and the Society for Music Theory, 2004-11-11 - 2004-11-14.

Wiley, C (2003) Dictionnaire Berlioz Fayard, Paris.

Wiley, C (2014) Divided by a Common Language? Evaluating Students’ Understanding of the Vocabulary of Assessment and Feedback at a Single UK Higher Education Institution The International Journal of Assessment and Evaluation, 20 (3). pp. 1-11.

Wiley, C (2017) The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners In: The Edinburgh Companion to Literature and Music. Edinburgh University Press, Edinburgh.

Wiley, C (2013) Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” The Musical Quarterly, 96 (2). pp. 263-295.

Wiley, C (2013) Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” In: Invited Research Seminar, 2013-11-20 - ?, University of Surrey.

Wiley, C (2007) Gender and the Perpetuation of the Beethoven/Schubert Mythology

Wiley, C (2002) “I Believe the Subtext Here is Rapidly Becoming Text”: Music, Gender, and Fantasy in Buffy the Vampire Slayer In: ‘Blood, Text, and Fears: Reading Around Buffy the Vampire Slayer’, 2002-10-19 - 2002-10-20, University of East Anglia.

Wiley, C (2011) Identifying Best Practices in Writing Handbooks for Postgraduate Research Degrees at City University London In: Third Annual Learning at City Conference, 2011-06-23 - ?, City University London.

Wiley, C (2013) Increasing Instructional Interactivity with Turning Technologies Response Technology In: 2013 International Conference on Information Communication Technologies in Education (ICICTE), 2013-07-04 - 2013-07-06, Chania, Crete, Grece.

Wiley, C (2009) Late Victorian Appropriations in the Biographies of Handel, Haydn, and Mendelssohn In: ‘Purcell, Handel, Haydn, and Mendelssohn: Anniversary Reflections’, Royal Musical Association Conference, 2009-03-27 - 2009-03-29, New College, Oxford.

Wiley, C (2007) Mozart’s Requiem, Musical Biography, and the Great Last Work In: ‘Words and Notes in the Nineteenth Century’, 2007-07-02 - 2007-07-03, Institute of Musical Research and Institute of Germanic and Romance Studies, School of Advanced Study, University of London.

Wiley, C (2004) Music and Literature: Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” In: 14th Annual International Conference on Virginia Woolf, ‘Back to Bloomsbury’, 2004-06-23 - 2004-06-26, Institute of English Studies, London.

Wiley, C (2009) Musical Biography and the Intervention of the Work-Concept In: 2009 Joint Annual Conference of the Society for Musicology in Ireland and the Royal Musical Association, 2009-07-09 - 2009-07-12, Royal Irish Academy of Music, Dublin.

Wiley, C (2015) Musical Biography and the Myth of the Muse In: Critical Music Historiography: Probing Canons, Ideologies and Institutions. Ashgate Publishing, Farnham, pp. 251-261. ISBN 978-1-4724-1419-9

Wiley, C (2011) Musical Biography and the Myth of the Muse In: Radical Music History Symposium 2011, 2011-12-08 - 2011-12-09, Sibelius Academy, Helsinki. (Unpublished)

Wiley, C (2014) Mythological Motifs in the Biographical Accounts of Haydn’s Later Life In: The Land of Opportunity: Joseph Haydn in Britain. The University of Chicago Press, London, pp. 195-211. ISBN 071235848X

Wiley, C (2009) The Personal Response System: A View From the Chalkface In: Learning and Teaching: Moving On, 2009-10-07 - ?, Ravensbourne College of Design and Communication.

Wiley, C (2015) Preface to Ethel Smyth, Variations on Bonny Sweet Robin (Ophelia’s Song) In: Ethel Smyth, Variations on Bonny Sweet Robin (Ophelia’s Song). Musikproduktion Jürgen Höflich, Munich.

Wiley, C (2012) Putting the Music Back into Michael Jackson Studies In: Michael Jackson: Grasping the Spectacle. Ashgate Popular and Folk Music Series (7). Farnham: Ashgate, pp. 101-116. ISBN 9781409446965

Wiley, C (2008) Re-Writing Composers’ Lives: Critical Historiography and Musical Biography Doctoral thesis, University of London.

Wiley, C (2004) “A Relic of an Age Still Capable of a Romantic Outlook”: Musical Biography and The Master Musicians Series, 1899-1906 In: Comparative Criticism. Lives of the Disciplines: Comparative biography, 25 . Edinburgh University Press, Edinburgh, pp. 161-202. ISBN 9780748620364

Wiley, C (2004) “A Relic of an Age Still Capable of a Romantic Outlook”: Musical Biography and The Master Musicians Series, 1899-1906 Comparative Criticism, 25 (Lives). pp. 161-202.

Wiley, C (2002) “A Relic of an Age Still Capable of a Romantic Outlook”: The Master Musicians Series, 1899-1906 In: Music and Britain: A Social History Seminar, 2002-11-18 - ?, Institute of Historical Research, London.

Wiley, C (2007) Review of Alexander S. Bermange, Odette: The Dark Side of Swan Lake .

Wiley, C (2012) Review of Irving Godt, ed. John A. Rice, Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn Journal for Eighteenth-Century Studies, 35 (2). pp. 285-286.

Wiley, C (2007) Review of Jolanta T. Pekacz (ed.), Musical Biography: Towards New Paradigms Biography: An Interdisciplinary Quarterly, 30 (2). pp. 215-219.

Wiley, C (2011) Shout! Shout! Up With Your Song!

Wiley, C (2012) Standardized Module Evaluation for Teaching Excellence and Enhancement: Views of Students and Staff at a Single UK Higher Education Institution In: 17th Annual SEDA Conference (Staff and Educational Development Association), 2012-11-15 - 2012-11-16, Aston Business School, Birmingham.

Wiley, C (2010) Theorizing Television Music as Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score In: Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Scarecrow Press, Lanham, MD, pp. 29-73. ISBN 0810869454

Wiley, C (2015) Using Electronic Voting Systems in the Arts and Humanities Project Report.

Wiley, C (2013) Using Electronic Voting Systems in the Arts and Humanities In: Turning Technologies User Conference 2013, 2013-06-03 - ?, Karlsruhe University of Applied Sciences and Karlsruhe Institute of Technology, Germany.

Wiley, C (2004) “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography Music and Letters, 85 (3). pp. 388-414.

Wiley, C (2002) “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography In: Graduate Students’ Colloquia, 2002-01-22 - ?, University of Oxford.

Wiley, C and Franklin, J (2017) Framed Autoethnography and Pedagogic Frailty - A Comparative Analysis of Mediated Concept Maps In: Pedagogic Frailty and Resilience in the University. Sense Publishers, Rotterdam, The Netherlands, pp. 17-32. ISBN 978-94-6300-983-6

Wiley, Christopher (2018) Biography and Life-Writing In: The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. Oxford University Press, Oxford, UK.

Wiley, Christopher (2016) ‘The Boatswain’s Mate in the context of Smyth’s life and works’ Retrospect Opera.

Wiley, Christopher (2012) Divided by a Common Language? Evaluating Students’ Understanding of the Vocabulary of Assessment and Feedback at a Single UK Higher Education Institution In: 19th International Conference on Learning, 2012-08-14 - 2012-08-16, Institute of Education, London.

Wiley, Christopher (2018) Ethel Smyth (1858–1944) – Mass in D (1891, rev. 1924) .

Wiley, Christopher (2018) Ethel Smyth (1858–1944) – The Wreckers – ‘On the Cliffs of Cornwall’ (Prelude to Act 2) (1902–4) .

Wiley, Christopher (2017) Ethel Smyth, Music, and the Suffragette Movement: Reconsidering The Boatswain’s Mate as Feminist Opera In: Combined Tenth Biennial International Conference on Music Since 1900 and Surrey Music Analysis Conference (ICMSN/SurreyMAC 2017), 11 - 14 September 2017, University of Surrey, Guildford, UK.

Wiley, Christopher (2018) Ethel Smyth, Suffrage, and Surrey: From Frimley Green to Hook Heath, Woking Women’s History: The Journal of the Women’s History Network. Special Issue: 1918-2018, 2 (11). pp. 11-18.

Wiley, Christopher (2017) Foreword for Ethel Smyth, The Wreckers (re-release of 1994 Conifer Classics recording), Anne-Marie Owens, Justin Lavender, Peter Sidhom, David Wilson-Johnson, Judith Howarth, Anthony Roden, Brian Bannatyne-Scott, Annemarie Sand, Huddersfield Choral Society, BBC Philharmonic, cond. Odaline de la Martinez. Retrospect Opera RO004, 2017. Retrospect Opera.

Wiley, Christopher (2018) A Fresh Start and Two (More) Portraits: Theatrical Shows on the Life and Work of Ethel Smyth for 2018 Women’s History: The Journal of the Women’s History Network. Special Issue: 1918-2018, 2 (11). pp. 39-40.

Wiley, Christopher (2018) In defence of higher education teaching qualifications: Reflections on studying for the degree of MA in Academic Practice, ten years on Educational Developments, 19 (4). pp. 16-17.

Wiley, Christopher (2009) Mythological Motifs in the Biographical Accounts of Haydn’s Later Life In: Joseph Haydn and the Business of Music, 2009-03-14 - 2009-03-15, The British Library Conference Centre.

Wiley, Christopher (2019) 'Reception, Contemporary' In: Caryl Clark and Sarah Day-O’Connell eds Cambridge Haydn Encyclopedia. Cambridge University Press, Cambridge, pp. 321-325.

Wiley, Christopher (2019) Standardised module evaluation surveys in UK higher education: Establishing students’ perspectives Studies in Educational Evaluation, 61. pp. 55-65.

Williams, D and Brookes, T (2009) Perceptually-motivated audio morphing: softness In: AES 126th Convention, 2009-05-07 - 2009-05-10, Munich, Germany.

Wong, R, Poh, N, Kittler, J and Frohlich, DM (2010) Interactive quality-driven feedback for biometric systems In: BTAS 2010, 2010-09-27 - 2010-09-29, Washington DC, USA.

Wong, R, Poh, N, Kittler, J and Frohlich, DM (2010) Towards inclusive design in mobile biometry In: HSI 2010, 2010-05-13 - 2010-05-15, Rzeszów, Poland.

Woolford, K (2014) Capturing Human Movement in the Wild

Woolford, K (2006) Will.0.wısp (‘willow-wisp’) Performance Research, 11, 4. 30-38 - 30-38.

Woolford, K, Blackwell, AF, Norman, SJ and Chevalier, C (2010) Crafting a Critical Technical Practice Leonardo, 43 (2). pp. 202-203.

Woolford, K and Dunn, S (2014) Micro Mobilities and affordances of Past Places In: Past Mobilities: Archaeological Approaches to Movement and Mobility. Ashgate, pp. 113-128. ISBN 978-1-4094-6445-7

Woolford, K and Guedes, C (2008) Echo Locations

Woolford, KA (2014) Defining Accuracy in the use of Kinect v2 for Exercise Monitoring In: MOCO '15 - the 2nd International Workshop on Movement and Computing, 2014-08-14 - 2014-08-15, Vancouver, Canada.

Woolford, KA Kusho: written in the air [Show/Exhibition]

Woolford, KA Moments in Place [Show/Exhibition]

Woolford, KA (2013) NEW PHOTOGRAPHY A Perverse Confusion Between the Live and the Real Leonardo Electronic Almanac, 19 (3). pp. 88-107.

Woolford, KA (1995) "VRB?", Die Zukunft des Körpers (The future of the Body) Kunstforum International, 132. pp. 188-193.

Woolford, KA (2007) Will.0.W1Sp

Woolford, KA and Dunn, S (2013) Experimental Archeology and Serious Games: Challenges of Inhabiting Virtual Heritage ACM Journal of Computing and Cultural Heritage, 6 (4), 16. 16:1-16:15.

Woolford, KA and Dunn, S Motion in Place Platform: Virtual (Re)Presentations of Iron Age Movement In: International Symposium on Electronic Art, 2011-09-14 - 2011-09-17, Istanbul.

Woolford, KA and Dunn, S (2014) Motion in Place: a Case Study of Archaeological Reconstruction Using Motion Capture In: Computer Applications and Quantitative Methods in Archaeology, 2012-04-12 - 2012-04-16, Beijing.

Woolford, KA and Dunn, S (2013) Reconfiguring Experimental Archaeology Using 3D Movement Reconstruction In: Electronic Visualisation in Arts and Culture. Springer Series on Cultural Computing . Springer, pp. 277-291. ISBN 978-1-4471-5405-1

Woolford, KA and Dunn, S (2013) Reconfiguring Experimental Archaeology Using 3D Movement Reconstruction In: Electronic Visualisation in Arts and Culture. Springer Series on Cultural Computing, 5 . Springer, pp. 277-291. ISBN 978-1-4471-5405-1

Woolford, KA and Dunn, S (2012) Reconfiguring experimental archaeology using 3D reconstruction

Woolford, KA and Dunn, S (2012) "Reconfiguring experimental archaeology using 3D reconstruction" In: EVA London 2013 Electronic Visualisation and the Arts, 2012-07-10 - 2012-07-12, British Computer Society.

Woolford, KA and Guedes, C (2007) Particulate Matters: Generating Particle Flows from Human Movement In: 15th International Conference on Multimedia., 2006 - ?.

Woolford, KA, Guedes, C, Burfin, JM, Lopes, F, Costa, G, Gomes, J, Rebelo, P, Penha, R and Dias, R CONCERTO X [Performance]

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Z

Zargham, S, Calic, J and Frohlich, DM (2015) 4streams: An ambient photo sharing application for extended families In: Human Computer Interaction HCI 2015, 2015-07-13 - 2015-07-17, Lincoln.

Zargham, S, Calic, J and Frohlich, DM (2012) User experience study of multiple photo streams visualization. In: 26th Annual BCS Interaction Specialist Group Conference on People and Computers, 2012-09-12 - 2012-09-14, Birmingham, UK.

Zhu, Qiaoxi, Coleman, Philip, Qiu, Xiaojun, Wu, Ming, Yang, Jun and Burnett, Ian (2018) Robust Personal Audio Geometry Optimization in the SVD-Based Modal Domain IEEE/ACM Transactions on Audio, Speech, and Language Processing, 27 (3). pp. 610-620.

Zielinski, S, Hardisty, P, Hummersone, C and Rumsey, F (2007) Potential biases in MUSHRA listening tests In: 123rd Audio Engineering Society Convention, 2007-10-05 - 2007-10-08, New York.

Zielinski, SK, Rumsey, F and Bech, S (2003) Comparison of quality degradation effects caused by limitation of bandwidth and by down-mix algorithms in consumer multichannel audio delivery systems In: 114th AES Convention, Sound.

Zielinski, SK, Rumsey, F and Bech, S (2002) Subjective audio quality trade-offs in consumer multichannel audio-visual delivery systems. Part 1: Effects of high frequency limitation. In: 112th AES Convention, Sound.

Zielinski, SK, Rumsey, F and Bech, S (2002) Subjective audio quality trade-offs in consumer multichannel audio-visual delivery systems. Part 2: Effects of low frequency limitation. In: Proceedings of the AES 22nd International Conference, Sound.

Zielinski, SK, Rumsey, F, Bech, S and de Bruyn, B (2003) Computer games and multichannel audio quality: the effect of division of attention between auditory and visual modalities In: AES 24th International Conference, Sound.

Zielinski, SK, Rumsey, F, Kassier, R and Bech, S (2004) Quality Adviser - A Multichannel Audio Quality Expert System In: 116th AES Convention, Sound.

This list was generated on Sat Apr 20 13:19:09 2019 UTC.

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