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Article

Armstrong, T (2008) Response: Music, image and the sublime Textual Practice, 22 (1). pp. 71-83.

Barham, J (2011) Recurring dreams and moving images: The cinematic appropriation of Schumann's Op. 15, No. 7 Nineteenth Century Music, 34 (3). pp. 271-301.

Barham, JM (2016) 'The Ghost in the Machine’: Thomas Koschat and the volkstümlich in Mahler’s Fifth Symphony Nineteenth Century Music Review.

Barham, JM (2010) Plundering Cultural Archives and Transcending Diegetics: Mahler’s Music as 'Overscore' Music and the Moving image, 3 (1). pp. 22-47.

Barham, JM (2011) Programming Mahler: Meaning, Redescription, and the Post-Adornian Counterlife Nineteenth-Century Music Review, 8 (2). pp. 255-271.

Barham, JM (2012) Review of Seeing Mahler: Music and the Language of Antisemitism in Fin-de Siècle Vienna. By K. M. Knittel. pp. xiii + 201. (Ashgate, Farnham and Burlington, Vt., 2010, £55. ISBN 978-0-7546-6372-0.) Music & Letters, 93 (2). pp. 255-257.

Barham, JM (2008) Review of the Internationale Gustav Mahler Gesellschaft’s Critical Edition of Mahler’s Fifth Symphony Nineteenth-Century Music Review, 5 (2). pp. 166-169.

Barham, JM (2009) Scoring Incredible Futures: Science Fiction Screen Music, and 'Post-Modernism' as Romantic Epiphany The Musical Quarterly, 91 (3-4). pp. 240-274.

Dockwray, R and Moore, AF (2010) Configuring the sound-box 1965-1972 Popular Music, 29 (2). pp. 181-197.

Downes, S (2008) Grieg: Music, landscape and Norwegian identity MUSIC & LETTERS, 89 (3). pp. 438-440.

Downes, S (2009) Western Music and Race MUSIC & LETTERS, 90 (4). pp. 712-714.

Francombe, J, Brookes, T, Mason, R and Woodcock, J (2017) Evaluation of Spatial Audio Reproduction Methods (Part 2): Analysis of Listener Preference Journal of the Audio Engineering Society, 65 (3). pp. 212-225.

Frohlich, DM (2017) Designing interactive newsprint International Journal of Human - Computer Studies, 104. pp. 36-49.

Hacıhabiboglu, H, De Sena, E, Cvetkovic, Z, Johnston, J and Smith, JO (2017) Perceptual Spatial Audio Recording, Simulation, and Rendering IEEE Signal Processing Magazine.

Hummersone, C, Mason, RD and Brookes, TS (2013) A Comparison of Computational Precedence Models for Source Separation in Reverberant Environments Journal of the Audio Engineering Society, 61 (7/8 (J). pp. 508-520.

Kim, C, Mason, R and Brookes, TS (2013) Head movements made by listeners in experimental and real-life listening activities Journal of the Audio Engineering Society, 61 (6 (Jun). pp. 425-438.

Kinchin, I and Wiley, C (2017) Tracing pedagogic frailty in arts and humanities education: An autoethnographic perspective Arts and Humanities in Higher Education: an international journal of theory, research and practice.

Moore, A (2002) Authenticity as authentication Popular Music, 21 (2). pp. 209-223.

Moore, A (2002) Looking for the Kingdom Come: questioning spirituality in U2 Popular Musicology Online.

Moore, A (2010) Review of 'Everyday Tonality: Towards a Tonal Theory of What Most People Hear', by Philip Tagg New York and Montreal: Mass Media Scholar's Press, 2009. 334 pp. ISBN 976-09760188443 Popular Music, 29 (3). pp. 490-492.

Moore, A (2009) Review of American Popular Music; from Minstrelsy to MTV. By Larry Starr & Christopher Waterman. Oxford: Oxford University Press, 2003. xii+498 pp. Popular Music, 28 (1). pp. 124-125.

Moore, A (2002) Review of The Musical Work: Reality or Invention? edited by Michael Talbot Popular Music, 21 (2). pp. 237-239.

Moore, A and Mark, C (2004) Editorial twentieth-century music, 1 (1). pp. 3-4.

Moore, AF (2008) Empire of dirt: The aesthetics and rituals of British indie music Music & Letters, 89 (2). pp. 292-293.

Moore, AF (2011) The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes" Journal of Music Theory, 55 (1). pp. 161-166.

Volioti, G (2016) Book review of 'Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures' (2014) D. Fabian, R. Timmers and E. Schubert (eds.), Nineteenth-Century Music Review, 13 (2). pp. 335-340.

Volioti, G (2007) Book review of Adam Ockelford, ‘Repetition in Music: Theoretical and Meta-theoretical Perspectives’ Musicae Scientiae, 11 (2). pp. 325-330.

Volioti, G (2015) Reminiscing Grieg: A Study of Technostalgia and Modulating Identities The Musical Quarterly, 98 (3). pp. 179-211.

Wiley, C (2008) Andrew Lloyd Webber at 60 Musical Stages: The World of Musical Theatre, 57. p. 7.

Wiley, C (2013) Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” The Musical Quarterly, 96 (2). pp. 263-295.

Wiley, C (2012) Review of Irving Godt, ed. John A. Rice, Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn Journal for Eighteenth-Century Studies, 35 (2). pp. 285-286.

Wiley, C (2007) Review of Jolanta T. Pekacz (ed.), Musical Biography: Towards New Paradigms Biography: An Interdisciplinary Quarterly, 30 (2). pp. 215-219.

Wiley, C (2004) “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography Music and Letters, 85 (3). pp. 388-414.

Book Section

Barham, JM (2016) Birth and Death of the Cool: The Glorious Afflictions of Jazz on Screen In: Routledge Companion to Screen Music and Sound. Routledge, New York.

Barham, JM (2011) 'Dismembering the Musical Voice: Mahler, Melodrama and Dracula from Stage to Screen' In: Melodramatic Voices: Understanding Music Drama. Ashgate Interdisciplinary Studies in Opera . Ashgate, Aldershot, pp. 237-262. ISBN 1409400824

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, pp. 137-170. ISBN 1845532023

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, pp. 137-170. ISBN 1845532023

Barham, JM (2011) 'Mahler and Socio-Cultural Nomadism: the Case of the Fifth Symphony' In: Gustav Mahler und die musikalische Moderne. Franz Steiner Verlag, Stuttgart, pp. 57-68. ISBN 978-3-515-09902-8

Barham, JM (2016) Mahler and the Game of History In: Rethinking Mahler. Oxford University Press.

Barham, JM (2010) 'Mahler, Heimat and Randkultur: Musical Politics of Centre and Periphery' In: Music and the Construction of National Identities in the 19th Century. Editions Valentin Koerner, Baden Baden & Bouxwiller, pp. 267-282. ISBN 387320598X

Barham, JM (2011) 'Mahler’s "verkehrte Welt". Fechner, "Learned Satire" and the Third Movement of Symphony No. 3 In: Mahler im Kontext / Contextualizing Mahler. Böhlau Verlag, Vienna, pp. 169-198. ISBN 9783205784968

Barham, JM (2015) ‘Mit der Dummheit kämpfen Götter selbst vergebens’. Mahler, the Politics of Reason and the Metaphysics of Spiritualism In: Naturlauf: Scholarly Journeys Toward Gustav Mahler. Essays in Honour of Henry-Louis de La Grange at His Ninetieth Birthday. Peter Lang, New York, pp. 73-109. ISBN 9781454196525

Barham, JM (2011) ‘"A Time of Gifts": Mahler’s Eighth, Fassbinder’s Cinema, and Musical Politics' In: The Total Work of Art: Mahler’s Eighth Symphony in Context. Studien zur Wertungsforschung, 52 . Universal Edition, Vienna & London, pp. 61-80. ISBN 978-3-7024-7075-3

Mark, CM (2017) Britten and the Augmented Sixth In: Benjamin Britten Studies: Essays on An Inexplicit Art. Aldeburgh Studies in Music (10). Boydell Press. ISBN 9781783271955

Mark, CM (2009) Supported by Tradition: Sonority, Form, and Transcendence in Britten’s String Quartets’ In: Intimate Voices: Aspects of Construction and Character in the Twentieth-Century String Quartet. University of Rochester Press, Rochester, pp. 41-74. ISBN 9781580463225

Mark, CM (2013) An excess of less? Critiquing Britten's late song cycles In: Rethinking Britten. Oxford University Press, New York, pp. 209-236.

Sansom, M (2017) Improvisation In: The Routledge Companion to Music, Technology, and Education. Routledge. ISBN 9781138921382

Wiley, C (2010) Biography and the New Musicology In: (Auto)Biography as a Musicological Discourse. Musicological Studies, 3 . Fakultet muzičke umetnosti / Belgrade : University of Arts, Department of Musicology, Belgrade, pp. 3-27. ISBN 8660510275

Wiley, C (2014) Mythological Motifs in the Biographical Accounts of Haydn’s Later Life In: The Land of Opportunity: Joseph Haydn in Britain. The University of Chicago Press, London, pp. 195-211. ISBN 071235848X

Wiley, C (2015) Preface to Ethel Smyth, Variations on Bonny Sweet Robin (Ophelia’s Song) In: Ethel Smyth, Variations on Bonny Sweet Robin (Ophelia’s Song). Musikproduktion Jürgen Höflich, Munich.

Wiley, C (2012) Putting the Music Back into Michael Jackson Studies In: Michael Jackson: Grasping the Spectacle. Ashgate Popular and Folk Music Series (7). Farnham: Ashgate, pp. 101-116. ISBN 9781409446965

Wiley, C (2004) “A Relic of an Age Still Capable of a Romantic Outlook”: Musical Biography and The Master Musicians Series, 1899-1906 In: Comparative Criticism. Lives of the Disciplines: Comparative biography, 25 . Edinburgh University Press, Edinburgh, pp. 161-202. ISBN 9780748620364

Wiley, C (2010) Theorizing Television Music as Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score In: Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Scarecrow Press, Lanham, MD, pp. 29-73. ISBN 0810869454

Conference or Workshop Item

Armstrong, T (2013) Aspects of the Creative Process in Morning Music and Other Works In: Music and/as Process, 2013-06-29 - 2013-06-30, University of Huddersfield.

Armstrong, T (2013) A Changing Practice: Confronting Philosophy Through Composition and Performance In: Music and Philosophy, 2013-07-18 - 2013-07-20, Kings College London.

Armstrong, T (2012) From Both Sides Now: Composer and Performer Perspectives on Notational Practice In: INTIME 2012 Symposium. Notation- Composer/Performer Dialogues, 2012-10-19 - 2012-10-20, University of Coventry.

Armstrong, T (2012) Innovation within Tradition: a Case Study of Composer and Performer Creativity In: Third International Symposium on Music and Sonic Art: Practices and Theories (MuSA) 2012, 2012-07-07 - 2012-07-08, Karlsruhe, Germany. (Unpublished)

Armstrong, T and Capulet, E (2009) Collaboration and Tradition In: Collaborative Processes in Music Making: Pedagogy and Practice, 2009-11-11 - 2009-11-11, University of Surrey. (Unpublished)

Armstrong, T and Desbruslais, S (2013) Notational Strategies and Collaborative Narratives in Albumleaves for Trumpet and String Quartet In: Notation in Contemporary Music: Composition, Performance, Improvisation, 2013-10-18 - 2013-10-20, Goldsmiths College.

Frohlich, DM, Lim, C and Ahmed, A (2016) Co-designing a diversity of social media products with and for older people In: DSAI 2016, 7th International Conference on Software Development and Technologies for Enhancing Accessibility and Fighting Info-exclusion, 2016-12-01 - 2016-12-03, Vila Real, Portugal.

Hermes, K, Brookes, TS and Hummersone, C (2016) The harmonic centroid as a predictor of string instrument timbral clarity In: 140th Convention of Audio Engineering Society, 2016-06-04 - 2016-06-07, Paris, France.

Lightburn, L, De Sena, E, Moore, A, Naylor, PA and Brookes, M (2017) IMPROVING THE PERCEPTUAL QUALITY OF IDEAL BINARY MASKED SPEECH In: ICASSP 2017 - 2017 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 2017-03-05 - 2017-03-09, New Orleans, USA.

Mermikides, MJ (2008) Sacred Geometry: An analysis of Pat Martino’s guitar improvisations on Welcome To A Prayer In: The Royal Musical Association Conference, 2008-01-04 - ?, University of Surrey.

Pearce, A, Brookes, TS, Mason, R and Dewhirst, M (2016) Measurements to determine the ranking accuracy of perceptual models In: 140th Convention of the Audio Engineering Society, 2016-06-04 - 2016-06-07, Paris, France.

Wiley, C (2009) Late Victorian Appropriations in the Biographies of Handel, Haydn, and Mendelssohn In: ‘Purcell, Handel, Haydn, and Mendelssohn: Anniversary Reflections’, Royal Musical Association Conference, 2009-03-27 - 2009-03-29, New College, Oxford.

Wiley, C (2007) Mozart’s Requiem, Musical Biography, and the Great Last Work In: ‘Words and Notes in the Nineteenth Century’, 2007-07-02 - 2007-07-03, Institute of Musical Research and Institute of Germanic and Romance Studies, School of Advanced Study, University of London.

Wiley, C (2009) Musical Biography and the Intervention of the Work-Concept In: 2009 Joint Annual Conference of the Society for Musicology in Ireland and the Royal Musical Association, 2009-07-09 - 2009-07-12, Royal Irish Academy of Music, Dublin.

Wiley, C (2011) Musical Biography and the Myth of the Muse In: Radical Music History Symposium 2011, 2011-12-08 - 2011-12-09, Sibelius Academy, Helsinki. (Unpublished)

Book

Barham, JM (2005) Perspectives on Gustav Mahler Ashgate, Aldershot. ISBN 0754607097

Barham, JM (2017) Rethinking Mahler Oxford University Press, New York. ISBN 0199316104

Mark, CM (2012) Roger Smalley: A Case Study of Late Twentieth-Century Composition Ashgate Publishing, Ltd, Farnham. ISBN 1409424111

Moore, A (2012) Song Means: Analysing and Interpreting Recorded Popular Song Ashgate Popular and Folk Music Series . Ashgate. ISBN 1409428648

Artefact

Sansom, M (2008) Colne Valley Listeners [Artefact]

Sansom, M (2011) OTHERPLACES [Artefact]

Sansom, M (2011) Sounding Out Liverpool [Artefact]

Sansom, M and Frohlich, D (2015) Uzbekistan 2009 [Artefact]

Show/Exhibition

Mermikides, MJ (2015) Hidden Music [Show/Exhibition]

Composition

Armstrong, T (2013) Albumleaves for trumpet and string quartet [Composition] (Unpublished)

Armstrong, T (2015) Diversions 3 [Composition]

Armstrong, T and Diamond, S (2011) The Cathedral on the Marshes [Composition] (Unpublished)

Goss, SM (2010) The Albéniz Concerto [Composition]

Goss, SM (2009) The Autumn Song [Composition]

Goss, SM (2014) The Book Of Songs [Composition]

Goss, SM (2011) Caught Between [Composition]

Goss, SM (2008) El Llanto de los Sueños (the Weeping of Dreams; for guitar, 11 mins.) [Composition]

Goss, SM (2012) The Flower of Cities [Composition]

Goss, SM (2008) The Garden of Cosmic Speculation [Composition]

Goss, SM (2012) Guitar Concerto (2012) [Composition]

Goss, SM (2014) Illustrations to The Book of Songs [Composition]

Goss, SM (2008) Interludes (for solo piano; 32 mins.) [Composition]

Goss, SM (2012) Marylebone Elegy [Composition]

Goss, SM (2012) Piano Cycle [Composition]

Goss, SM (2010) Portraits and Landscapes [Composition]

Goss, SM (2011) The Shard [Composition]

Goss, SM (2013) Sonatina after a Concerto [Composition]

Goss, SM (2014) Sound of Iona [Composition]

Goss, SM (2009) Still the Sea [Composition]

Mermikides, MJ (2015) ACTG [Composition] (Unpublished)

Mermikides, MJ (2015) Another Day [Composition] (Unpublished)

Mermikides, MJ (2015) Birth and Death [Composition]

Mermikides, MJ (2013) BloodLines [Composition]

Mermikides, MJ (2015) Circles [Composition] (Unpublished)

Mermikides, MJ (2015) Crystals [Composition]

Mermikides, MJ (2015) Dark Shards [Composition]

Mermikides, MJ (2015) Distant Harmony [Composition]

Mermikides, MJ (2012) The Escher Café. [Composition]

Mermikides, MJ (2015) Geometudes Nos.1-5 [Composition]

Mermikides, MJ (2015) Irrational Music [Composition]

Mermikides, MJ (2015) Outbreak [Composition]

Mermikides, MJ (2015) Starstuff [Composition]

Mermikides, MJ (2015) Wave [Composition]

Sansom, M (2011) SPIRIT REDUX [Composition]

Performance

Sansom, M METIS [Performance]

Sansom, M and Thomson, A Of Other Spaces [Performance]

Other

Armstrong, T (2012) Opened Spaces (2007): 'London Song' and 'Song of Inishmaan' Meridian Records, London.

Armstrong, T, Frohlich, D and Calic, J (2013) Com-Note the Composer's Notebook .

Mermikides, MJ (2014) Bossa Appreciation Future Publishing.

Wiley, C (2016) ‘The Boatswain’s Mate in the context of Smyth’s life and works’ Retrospect Opera.

This list was generated on Wed Mar 22 23:24:30 2017 UTC.

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