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Number of items at this level: 150.

A

Adeyemi-Ejeye, Anthony, Alreshoodi, M, Al-Jobouri, L, Fleury, M and Woods, J (2017) Packet loss visibility across SD, HD, 3D, and UHD video streams Journal of Visual Communication and Image Representation, 45. pp. 95-106.

Adeyemi-Ejeye, Anthony, Alreshoodi, M, Al-Jobouri, L, Fleury, M, Woods, J and Medhi, M (2017) IEEE 802.11ac wireless delivery of 4kUHD video: The impact of packet loss In: ICCE-Berlin 2017, 3 - 6 Sept 2017, Berlin, Germany.

Adeyemi-Ejeye, Anthony, Alreshoodi, M and Walker, SD (2017) Implementation of 4kUHD HEVC-content transmission Multimedia Tools and Applications, 76 (17). pp. 18099-18118.

Adeyemi-Ejeye, Anthony, Mehdi, M, Martini, MG, Phillip, N and Orwell, J (2017) Design of a Hybrid Multi-Occupant Visitor Communication and Door Control System In: ICCE-Berlin 2017, 3 - 6 Sept 2017, Berlin, Germany.

Alreshoodi, M, Adeyemi-Ejeye, Anthony, Aljobouri, L, Fleury, M and Alzahrani, B (2017) Packet Loss Visibility for Higher Resolution Video on Portable Devices In: 2017 IEEE International Conference on Consumer Electronics (ICCE), 8 - 10 January 2017, Las vegas.

Alreshoodi, M, Adeyemi-Ejeye, Anthony, Woods, J and Walker, SD (2015) Fuzzy logic inference system-based hybrid quality prediction model for wireless 4kUHD H.265-coded video streaming IET Networks. Special Issue on Creating a Smarter Environment through the Advancement of Communication Systems, Networks and Applications, 4 (6). pp. 296-303.

Alreshoodi, M, Adeyemi-Ejeye, Anthony, Woods, J, Walker, SD and Pokhrel, J (2016) Interval Type-2 Fuzzy Logic Quality Prediction Model for Wireless 4kUHD H.265-coded Video Streaming In: 2016 IEEE International Conference on Consumer Electronics (ICCE), 7 - 11 Jan 2016, Las Vegas, NV, USA.

Antonello, N, De Sena, Enzo, Moonen, M, Naylor, PA and van Waterschoot, T (2017) Room impulse response interpolation using a sparse spatio-temporal representation of the sound field IEEE/ACM Transactions on Audio, Speech, and Language Processing, 25 (10). pp. 1929-1941.

Armstrong, T (2013) Albumleaves for trumpet and string quartet [Composition] (Unpublished)

Armstrong, T (2013) Aspects of the Creative Process in Morning Music and Other Works In: Music and/as Process, 2013-06-29 - 2013-06-30, University of Huddersfield.

Armstrong, T (2013) A Changing Practice: Confronting Philosophy Through Composition and Performance In: Music and Philosophy, 2013-07-18 - 2013-07-20, Kings College London.

Armstrong, T (2015) Diversions 3 [Composition]

Armstrong, T (2012) From Both Sides Now: Composer and Performer Perspectives on Notational Practice In: INTIME 2012 Symposium. Notation- Composer/Performer Dialogues, 2012-10-19 - 2012-10-20, University of Coventry.

Armstrong, T (2012) Innovation within Tradition: a Case Study of Composer and Performer Creativity In: Third International Symposium on Music and Sonic Art: Practices and Theories (MuSA) 2012, 2012-07-07 - 2012-07-08, Karlsruhe, Germany. (Unpublished)

Armstrong, T (2012) Opened Spaces (2007): 'London Song' and 'Song of Inishmaan' Meridian Records, London.

Armstrong, T (2008) Response: Music, image and the sublime Textual Practice, 22 (1). pp. 71-83.

Armstrong, T and Capulet, E (2009) Collaboration and Tradition In: Collaborative Processes in Music Making: Pedagogy and Practice, 2009-11-11 - 2009-11-11, University of Surrey. (Unpublished)

Armstrong, T and Desbruslais, S (2013) Notational Strategies and Collaborative Narratives in Albumleaves for Trumpet and String Quartet In: Notation in Contemporary Music: Composition, Performance, Improvisation, 2013-10-18 - 2013-10-20, Goldsmiths College.

Armstrong, T and Diamond, S (2011) The Cathedral on the Marshes [Composition] (Unpublished)

Armstrong, T, Frohlich, D and Calic, J (2013) Com-Note the Composer's Notebook .

B

Barham, J (2011) Recurring dreams and moving images: The cinematic appropriation of Schumann's Op. 15, No. 7 Nineteenth Century Music, 34 (3). pp. 271-301.

Barham, JM (2016) Birth and Death of the Cool: The Glorious Afflictions of Jazz on Screen In: Routledge Companion to Screen Music and Sound. Routledge, New York.

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, pp. 137-170. ISBN 1845532023

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, pp. 137-170. ISBN 1845532023

Barham, JM (2016) Mahler and the Game of History In: Rethinking Mahler. Oxford University Press.

Barham, JM (2011) 'Mahler’s "verkehrte Welt". Fechner, "Learned Satire" and the Third Movement of Symphony No. 3 In: Mahler im Kontext / Contextualizing Mahler. Böhlau Verlag, Vienna, pp. 169-198. ISBN 9783205784968

Barham, JM (2015) ‘Mit der Dummheit kämpfen Götter selbst vergebens’. Mahler, the Politics of Reason and the Metaphysics of Spiritualism In: Naturlauf: Scholarly Journeys Toward Gustav Mahler. Essays in Honour of Henry-Louis de La Grange at His Ninetieth Birthday. Peter Lang, New York, pp. 73-109. ISBN 9781454196525

Barham, JM (2005) Perspectives on Gustav Mahler Ashgate, Aldershot. ISBN 0754607097

Barham, JM (2010) Plundering Cultural Archives and Transcending Diegetics: Mahler’s Music as 'Overscore' Music and the Moving image, 3 (1). pp. 22-47.

Barham, JM (2011) Programming Mahler: Meaning, Redescription, and the Post-Adornian Counterlife Nineteenth-Century Music Review, 8 (2). pp. 255-271.

Barham, JM (2017) Rethinking Mahler Oxford University Press, New York. ISBN 0199316104

Barham, JM (2012) Review of Seeing Mahler: Music and the Language of Antisemitism in Fin-de Siècle Vienna. By K. M. Knittel. pp. xiii + 201. (Ashgate, Farnham and Burlington, Vt., 2010, £55. ISBN 978-0-7546-6372-0.) Music & Letters, 93 (2). pp. 255-257.

Barham, JM (2008) Review of the Internationale Gustav Mahler Gesellschaft’s Critical Edition of Mahler’s Fifth Symphony Nineteenth-Century Music Review, 5 (2). pp. 166-169.

Barham, JM (2009) Scoring Incredible Futures: Science Fiction Screen Music, and 'Post-Modernism' as Romantic Epiphany The Musical Quarterly, 91 (3-4). pp. 240-274.

Barham, JM (2011) ‘"A Time of Gifts": Mahler’s Eighth, Fassbinder’s Cinema, and Musical Politics' In: The Total Work of Art: Mahler’s Eighth Symphony in Context. Studien zur Wertungsforschung, 52 . Universal Edition, Vienna & London, pp. 61-80. ISBN 978-3-7024-7075-3

Barham, Jeremy (2011) 'Dismembering the Musical Voice: Mahler, Melodrama and Dracula from Stage to Screen' In: Melodramatic Voices: Understanding Music Drama. Ashgate Interdisciplinary Studies in Opera . Ashgate, Aldershot, pp. 237-262. ISBN 1409400824

Barham, Jeremy (2016) 'The Ghost in the Machine’: Thomas Koschat and the volkstümlich in Mahler’s Fifth Symphony Nineteenth Century Music Review.

Barham, Jeremy (2011) 'Mahler and Socio-Cultural Nomadism: the Case of the Fifth Symphony' In: Gustav Mahler und die musikalische Moderne. Franz Steiner Verlag, Stuttgart, pp. 57-68. ISBN 978-3-515-09902-8

Barham, Jeremy (2011) 'Mahler and Socio-Cultural Nomadism: the Case of the Fifth Symphony' In: Gustav Mahler und die musikalische Moderne. Franz Steiner Verlag, Stuttgart, pp. 57-68. ISBN 978-3-515-09902-8

Barham, Jeremy (2010) 'Mahler, Heimat and Randkultur: Musical Politics of Centre and Periphery' In: Music and the Construction of National Identities in the 19th Century. Editions Valentin Koerner, Baden Baden & Bouxwiller, pp. 267-282. ISBN 387320598X

Barham, Jeremy (2010) 'Mahler, Heimat and Randkultur: Musical Politics of Centre and Periphery' In: Music and the Construction of National Identities in the 19th Century. Editions Valentin Koerner, Baden Baden & Bouxwiller, pp. 267-282. ISBN 387320598X

Barham, Jeremy (2008) Plundering Cultural Archives: Mahler’s Music as 'Overscore' In: Music and the Moving Image, 2008-05 - ?, New York University Steinhardt.

D

Dockwray, R and Moore, AF (2010) Configuring the sound-box 1965-1972 Popular Music, 29 (2). pp. 181-197.

Downes, S (2008) Grieg: Music, landscape and Norwegian identity MUSIC & LETTERS, 89 (3). pp. 438-440.

Downes, S (2009) Western Music and Race MUSIC & LETTERS, 90 (4). pp. 712-714.

F

Francombe, Jon Data to accompany "Automatic text clustering for audio attribute elicitation experiment responses" [Dataset]

Francombe, Jon, Brookes, Timothy and Mason, Russell Automatic text clustering for audio attribute elicitation experiment responses In: AES 143rd Convention, 18 - 21 October 2017, New York, UK.

Francombe, Jon, Brookes, Timothy, Mason, Russell and Woodcock, J (2016) Determining and Labeling the Preference Dimensions of Spatial Audio Replay In: QoMEX 2016, 2016-06-06 - 2016-06-08, Lisbon, Portugal.

Francombe, Jon, Brookes, Timothy, Mason, Russell and Woodcock, J (2017) Evaluation of Spatial Audio Reproduction Methods (Part 2): Analysis of Listener Preference Journal of the Audio Engineering Society, 65 (3). pp. 212-225.

Francombe, Jon, Mason, Russell, Jackson, Philip, Brookes, Timothy, Hughes, R, Woodcock, J, Franck, A, Melchior, F and Pike, C (2017) Media Device Orchestration for Immersive Spatial Audio Reproduction In: Audio Mostly conference on Augmented and Participatory Sound and Music Experiences (AM '17), August 23 - 26 2017, London,UK.

Frohlich, David (2017) Designing interactive newsprint International Journal of Human - Computer Studies, 104. pp. 36-49.

Frohlich, David, Lim, C and Ahmed, A (2016) Co-designing a diversity of social media products with and for older people In: DSAI 2016, 7th International Conference on Software Development and Technologies for Enhancing Accessibility and Fighting Info-exclusion, 2016-12-01 - 2016-12-03, Vila Real, Portugal.

G

Goss, SM (2010) The Albéniz Concerto [Composition]

Goss, SM (2009) The Autumn Song [Composition]

Goss, SM (2014) The Book Of Songs [Composition]

Goss, SM (2011) Caught Between [Composition]

Goss, SM (2008) El Llanto de los Sueños (the Weeping of Dreams; for guitar, 11 mins.) [Composition]

Goss, SM (2012) The Flower of Cities [Composition]

Goss, SM (2008) The Garden of Cosmic Speculation [Composition]

Goss, SM (2012) Guitar Concerto (2012) [Composition]

Goss, SM (2014) Illustrations to The Book of Songs [Composition]

Goss, SM (2008) Interludes (for solo piano; 32 mins.) [Composition]

Goss, SM (2012) Marylebone Elegy [Composition]

Goss, SM (2010) Portraits and Landscapes [Composition]

Goss, SM (2011) The Shard [Composition]

Goss, SM (2013) Sonatina after a Concerto [Composition]

Goss, SM (2014) Sound of Iona [Composition]

Goss, SM (2009) Still the Sea [Composition]

Goss, Stephen (2012) Piano Cycle [Composition]

H

Hacıhabiboglu, H, De Sena, Enzo, Cvetkovic, Z, Johnston, J and Smith, JO (2017) Perceptual Spatial Audio Recording, Simulation, and Rendering: An overview of spatial-audio techniques based on psychoacoustics IEEE Signal Processing Magazine, 34 (3). pp. 36-54.

Hermes, Kirsten, Brookes, Timothy and Hummersone, Christopher (2016) The harmonic centroid as a predictor of string instrument timbral clarity In: 140th Convention of Audio Engineering Society, 2016-06-04 - 2016-06-07, Paris, France.

Hummersone, C, Mason, RD and Brookes, TS (2013) A Comparison of Computational Precedence Models for Source Separation in Reverberant Environments Journal of the Audio Engineering Society, 61 (7/8 (J). pp. 508-520.

K

Kim, Catherine, Mason, Russell and Brookes, Timothy (2013) Head movements made by listeners in experimental and real-life listening activities Journal of the Audio Engineering Society, 61 (6 (Jun). pp. 425-438.

Kinchin, Ian and Wiley, Christopher (2017) Tracing pedagogic frailty in arts and humanities education: An autoethnographic perspective Arts and Humanities in Higher Education: an international journal of theory, research and practice.

L

Lightburn, L, De Sena, Enzo, Moore, A, Naylor, PA and Brookes, M (2017) Improving the perceptual quality of ideal binary masked speech In: ICASSP 2017 - 2017 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 2017-03-05 - 2017-03-09, New Orleans, USA.

M

Mark, CM (2017) Britten and the Augmented Sixth In: Benjamin Britten Studies: Essays on An Inexplicit Art. Aldeburgh Studies in Music (10). Boydell Press. ISBN 9781783271955

Mark, CM (2012) Roger Smalley: A Case Study of Late Twentieth-Century Composition Ashgate Publishing, Ltd, Farnham. ISBN 1409424111

Mark, CM (2013) An excess of less? Critiquing Britten's late song cycles In: Rethinking Britten. Oxford University Press, New York, pp. 209-236.

Mark, Christopher (2017) Bridge and Britten, Britten and Bridge MUSIC & LETTERS.

Mark, Christopher (2009) Supported by Tradition: Sonority, Form, and Transcendence in Britten’s String Quartets’ In: Intimate Voices: Aspects of Construction and Character in the Twentieth-Century String Quartet. University of Rochester Press, Rochester, pp. 41-74. ISBN 9781580463225

Mermikides, MJ (2015) ACTG [Composition] (Unpublished)

Mermikides, MJ (2015) Another Day [Composition] (Unpublished)

Mermikides, MJ (2015) Birth and Death [Composition]

Mermikides, MJ (2013) BloodLines [Composition]

Mermikides, MJ (2014) Bossa Appreciation Future Publishing.

Mermikides, MJ (2015) Circles [Composition] (Unpublished)

Mermikides, MJ (2015) Crystals [Composition]

Mermikides, MJ (2015) Dark Shards [Composition]

Mermikides, MJ (2015) Distant Harmony [Composition]

Mermikides, MJ (2012) The Escher Café. [Composition]

Mermikides, MJ (2015) Geometudes Nos.1-5 [Composition]

Mermikides, MJ (2015) Hidden Music [Show/Exhibition]

Mermikides, MJ (2015) Irrational Music [Composition]

Mermikides, MJ (2015) Outbreak [Composition]

Mermikides, MJ (2008) Sacred Geometry: An analysis of Pat Martino’s guitar improvisations on Welcome To A Prayer In: The Royal Musical Association Conference, 2008-01-04 - ?, University of Surrey.

Mermikides, MJ (2015) Seed Pods [Composition]

Mermikides, MJ (2015) Starstuff [Composition]

Mermikides, MJ (2015) Wave [Composition]

Mermikides, Milton The Escher Cafe (2011) 8'20" [Composition]

Mermikides, Milton (2013) Greensleeves Total Guitar, TG227.

Mermikides, Milton Rondo All Turca Future Publishing: Total Guitar.

Moore, A (2002) Authenticity as authentication Popular Music, 21 (2). pp. 209-223.

Moore, A (2002) Looking for the Kingdom Come: questioning spirituality in U2 Popular Musicology Online.

Moore, A (2010) Review of 'Everyday Tonality: Towards a Tonal Theory of What Most People Hear', by Philip Tagg New York and Montreal: Mass Media Scholar's Press, 2009. 334 pp. ISBN 976-09760188443 Popular Music, 29 (3). pp. 490-492.

Moore, A (2009) Review of American Popular Music; from Minstrelsy to MTV. By Larry Starr & Christopher Waterman. Oxford: Oxford University Press, 2003. xii+498 pp. Popular Music, 28 (1). pp. 124-125.

Moore, A (2002) Review of The Musical Work: Reality or Invention? edited by Michael Talbot Popular Music, 21 (2). pp. 237-239.

Moore, A (2012) Song Means: Analysing and Interpreting Recorded Popular Song Ashgate Popular and Folk Music Series . Ashgate. ISBN 1409428648

Moore, AF (2008) Empire of dirt: The aesthetics and rituals of British indie music Music & Letters, 89 (2). pp. 292-293.

Moore, AF (2011) The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes" Journal of Music Theory, 55 (1). pp. 161-166.

P

Pearce, A, Brookes, TS, Mason, R and Dewhirst, M (2016) Measurements to determine the ranking accuracy of perceptual models In: 140th Convention of the Audio Engineering Society, 2016-06-04 - 2016-06-07, Paris, France.

Pearce, Andy, Brookes, Timothy and Mason, Russell (2017) Timbral attributes for sound effect library searching In: 2017 AES International Conference on Semantic Audio, 22 -24 June 2017, Erlangen, Germany.

R

Rämö, J, Marsh, S, Bech, S, Mason, Russell and Holdt Jensen, S (2016) Validation of a perceptual distraction model in a complex personal sound zone system In: 141st Audio Engineering Society Convention, 2016-09-29 - 2016-10-02, Los Angeles, USA.

S

Sansom, M (2008) Colne Valley Listeners [Artefact]

Sansom, M (2017) Improvisation In: The Routledge Companion to Music, Technology, and Education. Routledge. ISBN 9781138921382

Sansom, M METIS [Performance]

Sansom, M (2011) OTHERPLACES [Artefact]

Sansom, M (2011) SPIRIT REDUX [Composition]

Sansom, M (2011) Sounding Out Liverpool [Artefact]

Sansom, M and Frohlich, D (2015) Uzbekistan 2009 [Artefact]

Sansom, M and Thomson, A Of Other Spaces [Performance]

Sansom, Matthew J, Salazar, Nicolas and Krause, Paul MindBeat Quintet [Show/Exhibition]

V

Vairetti, G, De Sena, Enzo, Catrysse, M, Jensen, SH, Moonen, M and van Waterschoot, T (2017) A Scalable Algorithm for Physically Motivated and Sparse Approximation of Room Impulse Responses with Orthonormal Basis Functions IEEE/ACM Trans. Audio, Speech and Language Processing, 25 (7). pp. 1547-1561.

Vairetti, G, Kaplanis, N, De Sena, Enzo, Jonsen, SH, Bech, S, Moonen, M and van Waterschoot, T (2017) The Subwoofer Room Impulse Response (SUBRIR) database Journal of the Audio Engineering Society, 65 (5). pp. 389-401.

Volioti, G (2007) Book review of Adam Ockelford, ‘Repetition in Music: Theoretical and Meta-theoretical Perspectives’ Musicae Scientiae, 11 (2). pp. 325-330.

Volioti, Georgia (2016) Book review of 'Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures' (2014) D. Fabian, R. Timmers and E. Schubert (eds.), Nineteenth-Century Music Review, 13 (2). pp. 335-340.

Volioti, Georgia (2017) Expressive Gesture in Grieg’s Recordings of Two Op. 43 Lyric Pieces: An Exploratory Principal Components Analysis Music Performance Research.

Volioti, Georgia (2017) Landscaping the gaze in Norwegian visual art and Grieg's Op. 66 folk songs MUSIC & LETTERS.

Volioti, Georgia (2017) Musing on the Past: Historical Recordings as Creative Resources of Piano Performance In: New Thoughts. UNSPECIFIED.

Volioti, Georgia (2017) Re-imagining Operatic “Objects”: Commentary on Neumann’s Phenomena, Poiesis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera Empirical Musicology Review.

Volioti, Georgia (2015) Reminiscing Grieg: A Study of Technostalgia and Modulating Identities The Musical Quarterly, 98 (3). pp. 179-211.

Volioti, Georgia and Williamon, A (2016) Recordings as Learning and Practising Resources for Performance: Exploring Attitudes and Behaviours of Music Students and Professionals Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music.

W

White, Ian (2015) Serialism in Late Rawsthorne The Creel, 8:1 (26). pp. 20-35.

Wiley, C (2008) Andrew Lloyd Webber at 60 Musical Stages: The World of Musical Theatre, 57. p. 7.

Wiley, C (2010) Biography and the New Musicology In: (Auto)Biography as a Musicological Discourse. Musicological Studies, 3 . Fakultet muzičke umetnosti / Belgrade : University of Arts, Department of Musicology, Belgrade, pp. 3-27. ISBN 8660510275

Wiley, C (2016) ‘The Boatswain’s Mate in the context of Smyth’s life and works’ Retrospect Opera.

Wiley, C (2013) Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” The Musical Quarterly, 96 (2). pp. 263-295.

Wiley, C (2009) Late Victorian Appropriations in the Biographies of Handel, Haydn, and Mendelssohn In: ‘Purcell, Handel, Haydn, and Mendelssohn: Anniversary Reflections’, Royal Musical Association Conference, 2009-03-27 - 2009-03-29, New College, Oxford.

Wiley, C (2007) Mozart’s Requiem, Musical Biography, and the Great Last Work In: ‘Words and Notes in the Nineteenth Century’, 2007-07-02 - 2007-07-03, Institute of Musical Research and Institute of Germanic and Romance Studies, School of Advanced Study, University of London.

Wiley, C (2009) Musical Biography and the Intervention of the Work-Concept In: 2009 Joint Annual Conference of the Society for Musicology in Ireland and the Royal Musical Association, 2009-07-09 - 2009-07-12, Royal Irish Academy of Music, Dublin.

Wiley, C (2011) Musical Biography and the Myth of the Muse In: Radical Music History Symposium 2011, 2011-12-08 - 2011-12-09, Sibelius Academy, Helsinki. (Unpublished)

Wiley, C (2014) Mythological Motifs in the Biographical Accounts of Haydn’s Later Life In: The Land of Opportunity: Joseph Haydn in Britain. The University of Chicago Press, London, pp. 195-211. ISBN 071235848X

Wiley, C (2015) Preface to Ethel Smyth, Variations on Bonny Sweet Robin (Ophelia’s Song) In: Ethel Smyth, Variations on Bonny Sweet Robin (Ophelia’s Song). Musikproduktion Jürgen Höflich, Munich.

Wiley, C (2012) Putting the Music Back into Michael Jackson Studies In: Michael Jackson: Grasping the Spectacle. Ashgate Popular and Folk Music Series (7). Farnham: Ashgate, pp. 101-116. ISBN 9781409446965

Wiley, C (2004) “A Relic of an Age Still Capable of a Romantic Outlook”: Musical Biography and The Master Musicians Series, 1899-1906 In: Comparative Criticism. Lives of the Disciplines: Comparative biography, 25 . Edinburgh University Press, Edinburgh, pp. 161-202. ISBN 9780748620364

Wiley, C (2012) Review of Irving Godt, ed. John A. Rice, Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn Journal for Eighteenth-Century Studies, 35 (2). pp. 285-286.

Wiley, C (2007) Review of Jolanta T. Pekacz (ed.), Musical Biography: Towards New Paradigms Biography: An Interdisciplinary Quarterly, 30 (2). pp. 215-219.

Wiley, C (2010) Theorizing Television Music as Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score In: Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Scarecrow Press, Lanham, MD, pp. 29-73. ISBN 0810869454

Wiley, C (2004) “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography Music and Letters, 85 (3). pp. 388-414.

Wiley, Christopher (2017) Foreword for Ethel Smyth, The Wreckers (re-release of 1994 Conifer Classics recording), Anne-Marie Owens, Justin Lavender, Peter Sidhom, David Wilson-Johnson, Judith Howarth, Anthony Roden, Brian Bannatyne-Scott, Annemarie Sand, Huddersfield Choral Society, BBC Philharmonic, cond. Odaline de la Martinez. Retrospect Opera RO004, 2017. Retrospect Opera.

Wiley, Christopher (2009) Mythological Motifs in the Biographical Accounts of Haydn’s Later Life In: Joseph Haydn and the Business of Music, 2009-03-14 - 2009-03-15, The British Library Conference Centre.

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