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Items where Academic/Research unit is "Faculty of Arts and Human Sciences > School of Arts > Music"

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Number of items at this level: 69.

A

Armstrong, T (2013) Aspects of the Creative Process in Morning Music and Other Works In: Music and/as Process, 2013-06-29 - 2013-06-30, University of Huddersfield.

Armstrong, T (2013) A Changing Practice: Confronting Philosophy Through Composition and Performance In: Music and Philosophy, 2013-07-18 - 2013-07-20, Kings College London.

Armstrong, T (2012) From Both Sides Now: Composer and Performer Perspectives on Notational Practice In: INTIME 2012 Symposium. Notation- Composer/Performer Dialogues, 2012-10-19 - 2012-10-20, University of Coventry.

Armstrong, T (2012) Innovation within Tradition: a Case Study of Composer and Performer Creativity In: Third International Symposium on Music and Sonic Art: Practices and Theories (MuSA) 2012, 2012-07-07 - 2012-07-08, Karlsruhe, Germany. (Unpublished)

Armstrong, T (2012) Opened Spaces (2007): 'London Song' and 'Song of Inishmaan' Meridian Records, London.

Armstrong, T (2008) Response: Music, image and the sublime Textual Practice, 22 (1). 71 - 83. ISSN 0950-236X

Armstrong, T and Capulet, E (2009) Collaboration and Tradition In: Collaborative Processes in Music Making: Pedagogy and Practice, 2009-11-11 - 2009-11-11, University of Surrey. (Unpublished)

Armstrong, T and Desbruslais, S (2013) Notational Strategies and Collaborative Narratives in Albumleaves for Trumpet and String Quartet In: Notation in Contemporary Music: Composition, Performance, Improvisation, 2013-10-18 - 2013-10-20, Goldsmiths College.

Armstrong, T and Diamond, S (2011) The Cathedral on the Marshes [Composition] (Unpublished)

Armstrong, T, Frohlich, D and Calic, J (2013) Com-Note the Composer's Notebook .

B

Barham, J (2011) Recurring dreams and moving images: The cinematic appropriation of Schumann's Op. 15, No. 7 Nineteenth Century Music, 34 (3). 271 - 301. ISSN 0148-2076

Barham, JM (2011) 'Dismembering the Musical Voice: Mahler, Melodrama and Dracula from Stage to Screen' In: Melodramatic Voices: Understanding Music Drama. Ashgate Interdisciplinary Studies in Opera . Ashgate, Aldershot, 237 - 262. ISBN 1409400824

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, 137 - 170. ISBN 1845532023

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, 137 - 170. ISBN 1845532023

Barham, JM (2011) 'Mahler and Socio-Cultural Nomadism: the Case of the Fifth Symphony' In: Gustav Mahler und die musikalische Moderne. Franz Steiner Verlag, Stuttgart, 57 - 68. ISBN 978-3-515-09902-8

Barham, JM (2010) 'Mahler, Heimat and Randkultur: Musical Politics of Centre and Periphery' In: Music and the Construction of National Identities in the 19th Century. Editions Valentin Koerner, Baden Baden & Bouxwiller, 267 - 282. ISBN 387320598X

Barham, JM (2011) 'Mahler’s "verkehrte Welt". Fechner, "Learned Satire" and the Third Movement of Symphony No. 3 In: Mahler im Kontext / Contextualizing Mahler. Böhlau Verlag, Vienna, 169 - 198. ISBN 9783205784968

Barham, JM (2010) Plundering Cultural Archives and Transcending Diegetics: Mahler’s Music as 'Overscore' Music and the Moving image, 3 (1). 22 - 47. ISSN 1940-7610

Barham, JM (2011) Programming Mahler: Meaning, Redescription, and the Post-Adornian Counterlife Nineteenth-Century Music Review, 8 (2). 255 - 271. ISSN 1479-4098

Barham, JM (2012) Review of Seeing Mahler: Music and the Language of Antisemitism in Fin-de Siècle Vienna. By K. M. Knittel. pp. xiii + 201. (Ashgate, Farnham and Burlington, Vt., 2010, £55. ISBN 978-0-7546-6372-0.) Music & Letters, 93 (2). 255 - 257. ISSN 0027-4224

Barham, JM (2008) Review of the Internationale Gustav Mahler Gesellschaft’s Critical Edition of Mahler’s Fifth Symphony Nineteenth-Century Music Review, 5 (2). 166 - 169. ISSN 1479-4098

Barham, JM (2009) Scoring Incredible Futures: Science Fiction Screen Music, and 'Post-Modernism' as Romantic Epiphany The Musical Quarterly, 91 (3-4). 240 - 274. ISSN 0027-4631

Barham, JM (2011) ‘"A Time of Gifts": Mahler’s Eighth, Fassbinder’s Cinema, and Musical Politics' In: The Total Work of Art: Mahler’s Eighth Symphony in Context. Studien zur Wertungsforschung, 52 . Universal Edition, Vienna & London, 61 - 80. ISBN 978-3-7024-7075-3

D

Dockwray, R and Moore, AF (2010) Configuring the sound-box 1965-1972 Popular Music, 29 (2). 181 - 197. ISSN 0261-1430

Downes, S (2008) Grieg: Music, landscape and Norwegian identity MUSIC & LETTERS, 89 (3). 438 - 440. ISSN 0027-4224

Downes, S (2009) Western Music and Race MUSIC & LETTERS, 90 (4). 712 - 714. ISSN 0027-4224

G

Goss, SM (2010) The Albéniz Concerto [Composition]

Goss, SM (2009) The Autumn Song [Composition]

Goss, SM (2011) Caught Between [Composition]

Goss, SM (2008) El Llanto de los Sueños (the Weeping of Dreams; for guitar, 11 mins.) [Composition]

Goss, SM (2012) The Flower of Cities [Composition]

Goss, SM (2008) The Garden of Cosmic Speculation [Composition]

Goss, SM (2012) Guitar Concerto (2012) [Composition]

Goss, SM (2008) Interludes (for solo piano; 32 mins.) [Composition]

Goss, SM (2012) Marylebone Elegy [Composition]

Goss, SM (2012) Piano Cycle [Composition]

Goss, SM (2010) Portraits and Landscapes [Composition]

Goss, SM (2011) The Shard [Composition]

Goss, SM (2009) Still the Sea [Composition]

M

Mark, CM (2012) Roger Smalley: A Case Study of Late Twentieth-Century Composition Ashgate Publishing, Ltd, Farnham. ISBN 1409424111

Mark, CM (2009) Supported by Tradition: Sonority, Form, and Transcendence in Britten’s String Quartets’ In: Intimate Voices: Aspects of Construction and Character in the Twentieth-Century String Quartet. University of Rochester Press, Rochester, 41 - 74. ISBN 9781580463225

Mark, CM (2013) An excess of less? Critiquing Britten's late song cycles In: Rethinking Britten. Oxford University Press, New York, 209 - 236.

Moore, A (2002) Authenticity as authentication Popular Music, 21 (2). 209 - 223. ISSN 0261-1430

Moore, A (2002) Looking for the Kingdom Come: questioning spirituality in U2 Popular Musicology Online. ISSN 1357-0951

Moore, A (2010) Review of 'Everyday Tonality: Towards a Tonal Theory of What Most People Hear', by Philip Tagg New York and Montreal: Mass Media Scholar's Press, 2009. 334 pp. ISBN 976-09760188443 Popular Music, 29 (3). 490 - 492. ISSN 0261-1430

Moore, A (2009) Review of American Popular Music; from Minstrelsy to MTV. By Larry Starr & Christopher Waterman. Oxford: Oxford University Press, 2003. xii+498 pp. Popular Music, 28 (1). 124 - 125. ISSN 0261-1430

Moore, A (2002) Review of The Musical Work: Reality or Invention? edited by Michael Talbot Popular Music, 21 (2). 237 - 239. ISSN 0261-1430

Moore, A (2012) Song Means: Analysing and Interpreting Recorded Popular Song Ashgate Popular and Folk Music Series . Ashgate. ISBN 1409428648

Moore, A and Mark, C (2004) Editorial twentieth-century music, 1 (1). 3 - 4.

Moore, AF (2008) Empire of dirt: The aesthetics and rituals of British indie music Music & Letters, 89 (2). 292 - 293. ISSN 0027-4224

Moore, AF (2011) The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes" Journal of Music Theory, 55 (1). 161 - 166. ISSN 0022-2909

S

Sansom, M (2008) Colne Valley Listeners [Artefact]

Sansom, M METIS [Performance]

Sansom, M (2011) OTHERPLACES [Artefact]

Sansom, M (2011) SPIRIT REDUX [Composition]

Sansom, M (2011) Sounding Out Liverpool [Artefact]

W

Wiley, C (2008) Andrew Lloyd Webber at 60 Musical Stages: The World of Musical Theatre, 57. 7 - 7.

Wiley, C (2010) Biography and the New Musicology In: (Auto)Biography as a Musicological Discourse. Musicological Studies, 3 . Fakultet muzičke umetnosti / Belgrade : University of Arts, Department of Musicology, Belgrade, 3 - 27. ISBN 8660510275

Wiley, C (2013) Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” The Musical Quarterly, 96 (2). 263 - 295. ISSN 0027-4631

Wiley, C (2009) Late Victorian Appropriations in the Biographies of Handel, Haydn, and Mendelssohn In: ‘Purcell, Handel, Haydn, and Mendelssohn: Anniversary Reflections’, Royal Musical Association Conference, 2009-03-27 - 2009-03-29, New College, Oxford.

Wiley, C (2007) Mozart’s Requiem, Musical Biography, and the Great Last Work In: ‘Words and Notes in the Nineteenth Century’, 2007-07-02 - 2007-07-03, Institute of Musical Research and Institute of Germanic and Romance Studies, School of Advanced Study, University of London.

Wiley, C (2009) Musical Biography and the Intervention of the Work-Concept In: 2009 Joint Annual Conference of the Society for Musicology in Ireland and the Royal Musical Association, 2009-07-09 - 2009-07-12, Royal Irish Academy of Music, Dublin.

Wiley, C (2014) Mythological Motifs in the Biographical Accounts of Haydn’s Later Life In: The Land of Opportunity: Joseph Haydn in Britain. The University of Chicago Press, London, 195 - 211. ISBN 071235848X

Wiley, C (2012) Putting the Music Back into Michael Jackson Studies In: Michael Jackson: Grasping the Spectacle. Ashgate Popular and Folk Music Series (7). Farnham: Ashgate, 101 - 116. ISBN 9781409446965

Wiley, C (2004) “A Relic of an Age Still Capable of a Romantic Outlook”: Musical Biography and The Master Musicians Series, 1899-1906 In: Comparative Criticism. Lives of the Disciplines: Comparative biography, 25 . Edinburgh University Press, Edinburgh, 161 - 202. ISBN 9780748620364

Wiley, C (2012) Review of Irving Godt, ed. John A. Rice, Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn Journal for Eighteenth-Century Studies, 35 (2). 285 - 286. ISSN 1754-0194

Wiley, C (2007) Review of Jolanta T. Pekacz (ed.), Musical Biography: Towards New Paradigms Biography: An Interdisciplinary Quarterly, 30 (2). 215 - 219. ISSN 0162-4962

Wiley, C (2010) Theorizing Television Music as Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score In: Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Scarecrow Press, Lanham, MD, 29 - 73. ISBN 0810869454

Wiley, C (2004) “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography Music and Letters, 85 (3). 388 - 414. ISSN 0027-4224

This list was generated on Fri Nov 21 16:35:39 2014 GMT.

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