Items where Academic/Research unit is "Faculty of Arts and Human Sciences > School of Arts > Music"

A

Armstrong, T and Diamond, S (2011) The Cathedral on the Marshes [Composition] (Unpublished)

B

Barham, J (2011) Recurring dreams and moving images: The cinematic appropriation of Schumann's Op. 15, No. 7 Nineteenth Century Music, 34 (3). 271 - 301. ISSN 0148-2076

Barham, JM (2011) 'Dismembering the Musical Voice: Mahler, Melodrama and Dracula from Stage to Screen' In: Melodramatic Voices: Understanding Music Drama. Ashgate Interdisciplinary Studies in Opera . Ashgate, Aldershot, 237 - 262. ISBN 1409400824

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, 137 - 170. ISBN 1845532023

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, 137 - 170. ISBN 1845532023

Barham, JM (2011) 'Mahler and Socio-Cultural Nomadism: the Case of the Fifth Symphony' In: Gustav Mahler und die musikalische Moderne. Franz Steiner Verlag, Stuttgart, 57 - 68. ISBN 978-3-515-09902-8

Barham, JM (2010) 'Mahler, Heimat and Randkultur: Musical Politics of Centre and Periphery' In: Music and the Construction of National Identities in the 19th Century. Editions Valentin Koerner, Baden Baden & Bouxwiller, 267 - 282. ISBN 387320598X

Barham, JM (2011) 'Mahler’s "verkehrte Welt". Fechner, "Learned Satire" and the Third Movement of Symphony No. 3 In: Mahler im Kontext / Contextualizing Mahler. Böhlau Verlag, Vienna, 169 - 198. ISBN 9783205784968

Barham, JM (2010) Plundering Cultural Archives and Transcending Diegetics: Mahler’s Music as 'Overscore' Music and the Moving image, 3 (1). 22 - 47. ISSN 1940-7610

Barham, JM (2011) Programming Mahler: Meaning, Redescription, and the Post-Adornian Counterlife Nineteenth-Century Music Review, 8 (2). 255 - 271. ISSN 1479-4098

Barham, JM (2012) Review of Seeing Mahler: Music and the Language of Antisemitism in Fin-de Siècle Vienna. By K. M. Knittel. pp. xiii + 201. (Ashgate, Farnham and Burlington, Vt., 2010, £55. ISBN 978-0-7546-6372-0.) Music & Letters, 93 (2). 255 - 257. ISSN 0027-4224

Barham, JM (2008) Review of the Internationale Gustav Mahler Gesellschaft’s Critical Edition of Mahler’s Fifth Symphony Nineteenth-Century Music Review, 5 (2). 166 - 169. ISSN 1479-4098

Barham, JM (2011) ‘"A Time of Gifts": Mahler’s Eighth, Fassbinder’s Cinema, and Musical Politics' In: The Total Work of Art: Mahler’s Eighth Symphony in Context. Studien zur Wertungsforschung, 52 . Universal Edition, Vienna & London, 61 - 80. ISBN 978-3-7024-7075-3

D

Dockwray, R and Moore, AF (2010) Configuring the sound-box 1965-1972 Popular Music, 29 (2). 181 - 197. ISSN 0261-1430

Downes, S (2008) Grieg: Music, landscape and Norwegian identity MUSIC & LETTERS, 89 (3). 438 - 440. ISSN 0027-4224

Downes, S (2009) Western Music and Race MUSIC & LETTERS, 90 (4). 712 - 714. ISSN 0027-4224

G

Goss, SM (2010) The Albéniz Concerto [Composition]

Goss, SM (2009) The Autumn Song [Composition]

Goss, SM (2011) Caught Between [Composition]

Goss, SM (2008) El Llanto de los Sueños (the Weeping of Dreams; for guitar, 11 mins.) [Composition]

Goss, SM (2012) The Flower of Cities [Composition]

Goss, SM (2008) The Garden of Cosmic Speculation [Composition]

Goss, SM (2012) Guitar Concerto (2012) [Composition]

Goss, SM (2008) Interludes (for solo piano; 32 mins.) [Composition]

Goss, SM (2012) Marylebone Elegy [Composition]

Goss, SM (2012) Piano Cycle [Composition]

Goss, SM (2010) Portraits and Landscapes [Composition]

Goss, SM (2011) The Shard [Composition]

Goss, SM (2009) Still the Sea [Composition]

M

Mark, CM (2012) Roger Smalley: A Case Study of Late Twentieth-Century Composition Ashgate Publishing, Ltd, Farnham. ISBN 1409424111

Mark, CM (2009) Supported by Tradition: Sonority, Form, and Transcendence in Britten’s String Quartets’ In: Intimate Voices: Aspects of Construction and Character in the Twentieth-Century String Quartet. University of Rochester Press, Rochester, 41 - 74. ISBN 9781580463225

Moore, A (2002) Authenticity as authentication Popular Music, 21 (2). 209 - 223. ISSN 0261-1430

Moore, A (2002) Looking for the Kingdom Come: questioning spirituality in U2 Popular Musicology Online . ISSN 1357-0951

Moore, A (2010) Review of 'Everyday Tonality: Towards a Tonal Theory of What Most People Hear', by Philip Tagg New York and Montreal: Mass Media Scholar's Press, 2009. 334 pp. ISBN 976-09760188443 Popular Music, 29 (3). 490 - 492. ISSN 0261-1430

Moore, A (2009) Review of American Popular Music; from Minstrelsy to MTV. By Larry Starr & Christopher Waterman. Oxford: Oxford University Press, 2003. xii+498 pp. Popular Music, 28 (1). 124 - 125. ISSN 0261-1430

Moore, A (2002) Review of The Musical Work: Reality or Invention? edited by Michael Talbot Popular Music, 21 (2). 237 - 239. ISSN 0261-1430

Moore, A (2012) Song Means: Analysing and Interpreting Recorded Popular Song Ashgate Popular and Folk Music Series . Ashgate. ISBN 1409428648

Moore, A and Mark, C (2004) Editorial twentieth-century music, 1 (1). 3 - 4.

Moore, AF (2008) Empire of dirt: The aesthetics and rituals of British indie music Music & Letters, 89 (2). 292 - 293. ISSN 0027-4224

Moore, AF (2011) The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes" Journal of Music Theory, 55 (1). 161 - 166. ISSN 0022-2909

S

Sansom, M (2008) Colne Valley Listeners [Artefact]

Sansom, M METIS [Performance]

Sansom, M (2011) OTHERPLACES [Artefact]

Sansom, M (2011) Sounding Out Liverpool [Artefact]

Sansom, M (2011) SPIRIT REDUX [Composition]