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Test tubes in the lab Research in the ATI Dance Research

Items where Academic/Research unit is "Faculty of Arts and Social Sciences > School of Arts > Dance, Film and Theatre"

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Alston, A (2013) Audience Participation and Neoliberal Value: Risk, Agency and Responsibility in Immersive Theatre Performance Research, 18 (2). pp. 128-138.

Alston, A (2012) Damocles and the Plucked: Audience Participation and Risk in Half Cut Contemporary Theatre Review, 22 (3). pp. 344-354.

Alston, A (2012) Funding, Product Placement and Drunkenness in Punchdrunk's The Black Diamond Studies in Theatre and Performance, 32 (2). pp. 193-208.

Alston, A (2015) Performing Labour in Look Left Look Right’s Above and Beyond Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (1). pp. 50-61.

Alston, A and Daker, R (2012) Contemporary Theatre “Philanthropy” and the Purchase of Participatory Privilege Contemporary Theatre Review, 22 (3). pp. 433-439.

Andrews, S (2010) Performance and the City Theatre Research International, 35 (3). pp. 312-313.

Andrews, S (2016) Placemaking demystified International Arts Manager, 12 (2). pp. 12-13.

Andrews, S (2015) Surge, Sway and Yaw: Mooring Performances in The Boat Project and A Room for London Contemporary Theatre Review.

Bessell, JE and Crowley Smith, P (2015) Night Horses Arrêt sur scène / Scene Focus (4).

Blanco Borelli, M (2009) Becomings and Belongings: Lucy Guerin’s The Ends of Things Brolga: an Australian journal about dance (31). pp. 31-37.

Blanco Borelli, M (2009) A Taste of Honey: Choreographing Mulatta in the Hollywood dance film International Journal of Performance Arts and Digital Media, 5 (2&3). p. 141.

Blanco Borelli, M (2008) Y ahora qué vas a hacer, mulata? Hip choreographies in the Mexican cabaretera film Mulata (1954) Women & Performance: A journal of feminist theory, 18 (3). pp. 215-233.

Calvo-Merino, B, Ehrenberg, S, Leung, D and Haggard, P (2010) Experts see it all: configural effects in action observation Psychological Research: an international journal of perception, attention, memory and action, 74 (4). pp. 400-406.

Crow, S and Jackson, J (2010) Talking point: Where are the women? Dancing Times, Februa.

Cull, LK (2011) Attention-training: Immanence and ontological participation in Kaprow, Deleuze & Bergson Performance Research: a journal of the performing arts, 16 (4). pp. 80-91.

Cull, LK (2009) How Do You Make Yourself a Theatre without Organs? Deleuze, Artaud and the Concept of Differential Presence Theatre Research International, 34 (3). pp. 243-255.

Cull, LK (2012) Performance as Philosophy: Responding to the Problem of ‘Application’ Theatre Research International, 37 (1). pp. 20-27.

Duggan, P and Spence, J (2016) Performance and… The Year's Work in Critical and Cultural Theory, 24 (1).

Ehrenberg, S (2010) Reflections on reflections: mirror use in a university dance training environment Theatre, Dance and Performance Training, 1 (2). pp. 172-184.

Ehrenberg, S and Wood, K (2011) Kinaesthetic Empathy: Concepts and Contexts Dance Research Journal, 43 (2). pp. 113-118.

Fensham, R (2008) Deconstruction and Embodiment: steps towards the decolonising of dance discourses. Discourses in Dance, 4 (2). pp. 25-38.

Fensham, R (2008) Review of Unsettling Space: Contestations in Contemporary Australian Theatre. By Joanne Tompkins. London: Palgrave, 2006; Unstable Ground: Performance and the Politics of Place. Edited by GayMcAuley, Brussels: P.I.E. Peter Lang, 2006; and, Performance and Cosmopolitics: Cross-Cultural Transactions in Australian Theatre. By Helen Gilbert and Jacqueline Lo. London: Palgrave, 2007. Theatre Research International, 33 (2). pp. 204-206.

Fensham, R (2008) Trajectories of the 'Dead heart': Performing the poetics of (Australian) space New Theatre Quarterly, 24 (93). pp. 3-13.

Fensham, RS (2008) On “dancing with strangers”: Re-choreographing Indigenous and British Political Sovereignty in the Colonial Encounter’ Journal for the Anthropological Study of Human Movement, 14 (3). pp. 124-138.

Fensham, Rachel and Gardner, Sally (2005) Dance classes, youth cultures, and public health Youth Studies Australia, 24 (4). pp. 14-20.

Gardner, SM, Komesaroff, P and Fensham, R (2008) Dancing beyond exercise: young people's experiences in dance classes Journal of Youth Studies, 11 (6). pp. 701-709.

Giersdorf, Jens Richard (2003) Border Crossings and Intra-National Trespasses: East German Bodies in Sasha Waltz's and Jo Fabian's Choreographies Theatre Journal, 55 (3). pp. 413-432.

Honess Roe, A (2011) Absence, Excess and Epistemological Expansion: Towards a framework for the study of animated documentary Animation: An Interdisciplinary Journal, 6 (3). pp. 215-230.

Honess Roe, A (2016) Against Animated Documentary International Journal of Film and Media Arts, 1 (1). pp. 20-27.

Honess Roe, A (2012) Uncanny Indexes: Rotoshopped Interviews as Documentary Animation, 7 (1). pp. 25-37.

Houston, S (2005) Participation in Community Dance: the Road to Empowerment and Transformation? New Theatre Quarterly, 21 (2). pp. 166-177.

Hughes, HA (2013) Arguments without words in Unser täglich Brot (Geyrhalter, 2005) Continuum: Journal of Media and Cultural Studies.

Hughes, HA (2011) Humans, sharks and the shared environment in the contemporary eco-doc Environmental Education Research, 17 (6). pp. 735-749.

Hughes, HA (2012) Scrutiny and Documentary: Hubert Sauper’s documentary film, Darwin’s Nightmare Screen, 53 (3), 3. pp. 246-265.

Hughes, HA (2013) The Visual Rhetoric of Climate Change Documentaries: Aerial Shots and Interviews Proceedings of the Conference on Communication and the Environment. (Submitted)

Hunter, V (2005) Embodying the Site: the Here and Now in Site-Specific Dance Performance NTQ: New Theatre Quarterly, 21 (4). pp. 367-381.

Hunter, V (2012) Moving Sites’: Transformation and Re-location in Site-specific Dance Performance Contemporary Theatre Review, 22 (2). pp. 259-266.

Hunter, V (2011) Spatial Translation and ‘Present-ness’ in Site-Specific Dance Performance NTQ: New Theatre Quarterly, 27 (1). pp. 28-40.

Hunter, V and Gladstone, P (2009) Dance and Social Inclusion: Facilitating the Process, Developing Graduate Employability. The International Journal of the Arts in Society, 4 (2). pp. 149-160.

Jackson, J (2005) My Dance and the Ideal Body: looking at ballet practice from the inside out Research in Dance Education, 6 (1-2). pp. 25-40.

Johnson Jones, E. Jean (2007) The Nama Stap Dance: an analysis of continuity and change Journal for the Anthropological Study of Human Movement. (Submitted)

Johnson-Jones, E (2011) The Nama Stap Dance; an analysis of continuity and change among Nama Women South African Dance Journal, 1 (1), 7. pp. 80-92.

Jola, C, Ehrenberg, S and Reynolds, D (2012) The experience of watching dance: phenomenological-neuroscience duets Phenomenology and the Cognitive Sciences, 11 (1). pp. 17-37.

Kane, Angela (2003) Through a Glass Darkly: The Many Sides of Paul Taylor's Choreography Dance Research, 21 (2). pp. 90-129.

Lansdale, Janet (2004) Ancestral and Authorial Voices in Lloyd Newson and DV8's 'Strange Fish' New Theatre Quarterly, 20 (2). pp. 117-126.

Lavender, A (2011) Performance Review of Zaia and The house of dancing water Theatre Journal, 63 (4). pp. 626-630.

Lavender, A (2013) The living statue: Performer, poseur, posthuman Studies in Theatre and Performance, 33 (2). pp. 119-131.

Lavender, AM (2009) Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. By Steve Dixon with contributions by Barry Smith. Cambridge, MA and London: The MIT Press, 2007. Pp. xv + 809 + illus. Hb.MultiMedia: Video – Installation – Performance. By Nick Kaye. London and New York: Routledge, 2007. Pp. xxii + 249 + 20 illus. Theatre Research International, 34 (1). pp. 87-89.

Lavender, AM (2012) Viewing and Acting (and points in between): the trouble with spectating after Rancière Contemporary Theatre Review, 22 (3). pp. 307-326.

O'Shea, Janet (2003) At Home in the World? The Bharata Natyam Dancer as Transnational Interpreter TDR/The Drama Review, 47 (1).

O'Shea, Janet (2000) Technique and Theory in the Work of Kapila Vatsyayan Dance Research Journal, 32 (1). pp. 82-86.

Orozco, L and Boenisch, PM (2010) Editorial: Border collisions - Contemporary Flemish theatre Contemporary Theatre Review, 20 (4). pp. 397-404.

Poulaki, M (2011) Implanted time: The final cut and the reflexive loops of complex narratives New Review of Film and Television Studies, 9 (4). pp. 415-434.

Poulaki, M (2012) Self-reflexivity, Description, and the Boundaries of Narrative Cinema Cinéma&Cie (18). pp. 45-55.

Poulaki, M (2012) The Subject Trapped in Gomorrah: Undecidability and Choice in Network Cinema Film-Philosophy, 16 (1). pp. 55-71.

Powrie, P (2008) The haptic moment: Sparring with Paolo Conte in Ozon's 5×2 Paragraph, 31 (2). pp. 206-222.

Powrie, PP (2011) Algeria and Women in Two 1960s Film Adaptations of the Carmen Narrative French Cultural Studies, 22 (2). pp. 127-136.

Powrie, PP (2011) Heterotopic Spaces and Nomadic Gazes in Varda: From Cléo de 5 à 7 to Les Glaneurs et La Glaneuse L'Esprit créateur, 51 (1), 6. pp. 68-82.

Powrie, PP (2005) Unfamiliar places: “heterospection” and recent French films on children Screen (Oxford), 46 (3). pp. 341-352.

Powrie, PP and Rebillard, E (2008) Josephine Baker and Pierre Batcheff in La Sirène des tropiques (1927) Studies in French Cinema, 8 (3). pp. 245-264.

Powrie, PP and Rebillard, E (2008) Pierre Batcheff, the Surrealist Star Studies in French Cinema, 8 (2). pp. 159-177.

Salazar Sutil, N (2009) Antonin Artaud's decisive transfusion: from theatre to mathematics Performance Research: a journal of the performing arts, 14 (4). pp. 119-124.

Salazar Sutil, N (2010) Body manifold: mathematics (mis)performed by Vitruvian and Acephalic Bodies Performance Research: a journal of the performing arts, 15 (2). pp. 17-22.

Salazar Sutil, N (2008) Maradona Inc: performance politics off the pitch International Journal of Cultural Studies, 11 (4).

Salazar Sutil, N (2013) Rudolf Laban and topological movement: a videographic analysis Space and Culture: the journal, 16 (2). pp. 173-193.

Sörgel, S (2008) Von der manie zur melancholie: Tanzhistoriographie im kulturhistorischen vergleich Forum Modernes Theater, 23 (1). pp. 19-28.

Wagner, MD (2014) Wheresoever the Body Is -- Image, Matter and Corporeality on Shakespeare's Stage Early Modern Culture Online, 5 (1). pp. 11-30.

Book Section

Andrews, S and Bannon, F (2008) Walking between: Through place and practice In: Collision: Interarts practice and research. Cambridge Scholars Press, Newcastle upon Tyne, pp. 163-178. ISBN 1-4438-0031-7

Bessell, JE (2012) The Actors' Renaissance Season at the Blackfriars Playhouse In: Performing Early Modern Drama Today. Cambridge University Press, pp. 85-103. ISBN 978-0521193351

Bessell, JE (2010) The Early Modern Physical Theater In: Speaking Pictures: The Visual/Verbal Nexus of Dramatic Performance. Fairleigh Dickinson University Press, pp. 181-201. ISBN 978-0838641828

Bessell, JE (2015) Perchei sei tu?: Lindsay Kemp's "gift of memory" In: Shakespeare, Romeo and Juliet, and Civic Life The Boundaries of Civic Space. Routledge Studies in Shakespeare (13). Routledge, pp. 260-277. ISBN 1138839981

Cull, LK (2015) Since Each of Us Was Several: Collaboration in the Context of the Differential Self In: Collaboration in Performance Practice: Premises, Workings and Failures. Palgrave Macmillan, London. ISBN 9781137462466 (Submitted)

Cull, LK and Daddario, W (2013) Analogue 0: Manifesto Now! (Again!) In: Manifesto Now! Instructions for Performance, Philosophy, Politics. Intellect, Bristol and Chicago, pp. 3-20. ISBN 1783200057

Honess Roe, A (2014) The Evolution of Animated Documentary In: New Documentary Ecologies: Emerging Platforms, Practices and Discourses. Palgrave Macmillan. ISBN 9781137310484

Honess Roe, A (2011) Snow White In: Directory of World Cinema: America – Hollywood. Intellect. ISBN 1841504157

Honess Roe, A (2009) A ‘Special’ Relationship? The Coupling of Britain and America in Working Title’s Romantic Comedies In: Falling in Love Again: The Contemporary Romantic Comedy. I.B. Tauris. ISBN 1845117719

Hunter, V (2009) Experiencing Space: The Implications for Site-specific Choreography In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 399-415. ISBN 0415490863

Lavender, AM (2010) The Builders Association: Super Vision (2005): digital dataflow and the synthesis of everything In: Making Contemporary Theatre: International rehearsal processes. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, pp. 17-38. ISBN 0719074924

Lavender, AM (2010) Digital Culture In: Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, pp. 125-134. ISBN 9089642552

Powrie, PP (2011) Four decades of teaching and research in French cinema In: Studies in French Cinema: UK Perspectives 1985-2010. Intellect Ltd, Bristol, pp. 353-371. ISBN 1841503231

Powrie, PP (2009) Le gender et la musique dans les fictions patrimoniales depuis les années 1980 In: Fictions patrimoniales sur grand et petit écran. Presses Universitaires de Bordeaux, pp. 123-137. ISBN 2867815592

Powrie, PP and Rebillard, E (2010) Josephine Baker and Pierre Batcheff in La Sirène des tropiques (1927) In: Not So Silent. Women in Cinema Before Sound. Acta Universitatis Stockholmiensis, series ‘Stockholm Cinema Studies’ . Stockholm University Press, Stockholm, pp. 236-247. ISBN 9789186071400

Powrie, PP and Rebillard, E (2008) Marcel L’Herbier au carrefour des avant-gardes: Feu Mathias Pascal et le dédoublement In: Marcel L'Herbier, l'art du cinéma. AFRHC: Association française de recherche sur l'histoire du cinéma, pp. 79-90. ISBN 2913758738

Tunstall, D (2017) Lecoq and Shakespeare In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon. ISBN 9781138818422

Woolford, K and Dunn, S (2014) Micro Mobilities and affordances of Past Places In: Past Mobilities: Archaeological Approaches to Movement and Mobility. Ashgate, pp. 113-128. ISBN 978-1-4094-6445-7

Conference or Workshop Item

Andrews, S (2009) Building Brockhole (again): (Re-)Living Landscape in the Lakes In: Living Landscapes, 2009-06-18 - 2009-06-21, Aberystwyth. (Unpublished)

Andrews, S (2011) Return to Isla Blanca: Embodied thinking in family ciné film In: Performance Studies international conference #17. Camillo 2.0: Technology, Memory, Experience, 2011-05-25 - 2011-05-29, Utrecht. (Unpublished)

Andrews, S (2013) Surge, Sway and Yaw: Performative moorings in The Boat Project and A Room for London In: RE-ROUTING PERFORMANCE / RE-CAMINANT L’ESCENA (FIRT/IFTR), 2013-07-22 - 2013-07-26, Barcelona, Spain. (Unpublished)

Bessell, JE (2010) International Shakespeare Conference In: International Shakespeare Conference, 2010-08-09 - 2010-08-12.

Bessell, JE (2015) Pan-European actor training methodologies and bilingual Shakespearean performance in Night Horses (2014) In: European Shakespeare Research Association Workshop, 2015-06-29 - 2015-07-02, University of Worcester. (Unpublished)

Cull, LK (2013) ‘Performance Philosophy: The “Mind the Gap” and/or “Performance as Philosophy” debate’ In: London Theatre Seminar, 2013-05-07 - ?, Senate House, London.

Jackson, J (2009) En Place: choreographic investigations of the dancer’s awareness of ballet form In: The World Dance Alliance Global Summit, 2008-07-13 - 2008-07-18, Brisbane, Australia.


Cull, LK (2009) Deleuze and Performance Deleuze Connections . Edinburgh University Press, Edinburgh. ISBN 0748635041

Cull, LK and Daddario, W (2013) Manifesto Now! Instructions for Performance, Philosophy, Politics Intellect. ISBN 1783200057

Cull, LK and Lagaay, A (2014) Encounters in Performance Philosophy Performance Philosophy . Palgrave Macmillan, London and New York. ISBN 9781137462718

Harvie, J and Lavender, A (2010) Making Contemporary Theatre: international rehearsal processes Manchester University Press. ISBN 0719074924

Honess Roe, A (2013) Animated Documentary Palgrave Mcmillan. ISBN 9781137017451

Kattenbelt, C, Bay-Cheng, S, Lavender, A and Nelson, R (2010) Mapping Intermediality and Performance Media Matters, 4 . Amsterdam University Press, Amsterdam. ISBN 9089642552

Poulaki, M (2011) Before or beyond narrative? Towards a complex systems theory of contemporary films Rozenberg Publishers. ISBN 978 90 361 0268 1

Powrie, P and Rebillard, É (2009) Pierre Batcheff and stardom in 1920s French cinema Edinburgh University Press, Edinburgh. ISBN 0748621970

Stilwell, RJ and Powrie, P (2008) Composing for the screen in Germany and the USSR. Cultural Politics and Propaganda. Indiana University Press. ISBN 025321954X

Sörgel, S (2015) Dance and the Body in Western Theatre 1948 to the Present Palgrave Macmillan. ISBN 1137034874

Wagner, M (2011) Shakespeare, Theatre, and Time Routledge, Taylor & Francis Group, Abingdon, Oxon, UK. ISBN 0415805872


Hughes, Helen (1994) The Bureaucratic Muse: On Thomas Bernhard's Exempel, Adalbert Stifter's Der Kuss von Sentze, Franz Kafka's In der Strafkolonie, and Oswald Wieners die verbesserung von mitteleuropa, roman Doctoral thesis, University of London.


Andrews, S, Edwards, A, Newell, C and Gibson, I Please wait with me [Performance]

Andrews, S, Lawrence, K and Hughes, H Particles in Space [Performance] (Unpublished)

Bessell, JE (2013) MACBETH for 5 actors [Performance]

Bessell, JE, Shakespeare, and Marlowe, Night Horses [Performance]

Jackson, J Late Work [Performance]

This list was generated on Sun Oct 23 14:14:06 2016 IST.

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