Items where Academic/Research unit is "Faculty of Arts and Human Sciences > School of Arts > Dance, Film and Theatre"

Article

Andrews, S (2010) Performance and the City Theatre Research International, 35 (3). 312 - 313. ISSN 0307-8833

Armstrong, T (2008) Response: Music, image and the sublime Textual Practice, 22 (1). 71 - 83. ISSN 0950-236X

Blanco Borelli, M (2009) Becomings and Belongings: Lucy Guerin’s The Ends of Things Brolga: an Australian journal about dance (31). 31 - 37. ISSN 1322-7645

Blanco Borelli, M (2009) A Taste of Honey: Choreographing Mulatta in the Hollywood dance film International Journal of Performance Arts and Digital Media, 5 (2&3). 141 - 141. ISSN 1479-4713

Blanco Borelli, M (2008) Y ahora qué vas a hacer, mulata? Hip choreographies in the Mexican cabaretera film Mulata (1954) Women & Performance: A journal of feminist theory, 18 (3). 215 - 233. ISSN 0740-770X

Crow, S and Jackson, J (2010) Talking point: Where are the women? Dancing Times, February-March . ISSN 0011-605X

Cull, LK (2011) Attention-training: Immanence and ontological participation in Kaprow, Deleuze & Bergson Performance Research: a journal of the performing arts, 16 (4). 80 - 91. ISSN 1352-8165

Cull, LK (2009) How Do You Make Yourself a Theatre without Organs? Deleuze, Artaud and the Concept of Differential Presence Theatre Research International, 34 (3). 243 - 255. ISSN 0307-8833

Cull, LK (2012) Performance as Philosophy: Responding to the Problem of ‘Application’ Theatre Research International, 37 (1). 20 - 27. ISSN 0307-8833

Fensham, R (2008) Deconstruction and Embodiment: steps towards the decolonising of dance discourses. Discourses in Dance, 4 (2). 25 - 38. ISSN 1474-533X

Fensham, R (2008) Review of Unsettling Space: Contestations in Contemporary Australian Theatre. By Joanne Tompkins. London: Palgrave, 2006; Unstable Ground: Performance and the Politics of Place. Edited by GayMcAuley, Brussels: P.I.E. Peter Lang, 2006; and, Performance and Cosmopolitics: Cross-Cultural Transactions in Australian Theatre. By Helen Gilbert and Jacqueline Lo. London: Palgrave, 2007. Theatre Research International, 33 (2). 204 - 206. ISSN 0307-8833

Fensham, R (2008) Trajectories of the 'Dead heart': Performing the poetics of (Australian) space New Theatre Quarterly, 24 (93). 3 - 13. ISSN 0266-464X

Fensham, Rachel and Gardner, Sally (2005) Dance classes, youth cultures, and public health Youth Studies Australia, 24 (4). pp. 14-20. ISSN 1038-2569 1035-0888

Fensham, RS (2008) On “dancing with strangers”: Re-choreographing Indigenous and British Political Sovereignty in the Colonial Encounter’ Journal for the Anthropological Study of Human Movement, 14 (3). 124 - 138. ISSN 2152-1115

Gardner, SM, Komesaroff, P and Fensham, R (2008) Dancing beyond exercise: young people's experiences in dance classes Journal of Youth Studies, 11 (6). 701 - 709. ISSN 1367-6261

Giersdorf, Jens Richard (2003) Border Crossings and Intra-National Trespasses: East German Bodies in Sasha Waltz's and Jo Fabian's Choreographies Theatre Journal, 55 (3). pp. 413-432.

Honess Roe, A (2011) Absence, Excess and Epistemological Expansion: Towards a framework for the study of animated documentary Animation: An Interdisciplinary Journal, 6 (3). 215 - 230. ISSN 1746-8477

Honess Roe, A (2012) Uncanny Indexes: Rotoshopped Interviews as Documentary Animation, 7 (1). 25 - 37. ISSN 1746-8477

Houston, S (2005) Participation in Community Dance: the Road to Empowerment and Transformation? New Theatre Quarterly, 21 (2). 166 - 177. ISSN 0266-464X

Hughes, HA (2013) Arguments without words in Unser täglich Brot (Geyrhalter, 2005) Continuum: Journal of Media and Cultural Studies . ISSN 1030-4312

Hughes, HA (2011) Humans, sharks and the shared environment in the contemporary eco-doc Environmental Education Research, 17 (6). 735 - 749. ISSN 1350-4622

Hughes, HA (2012) Scrutiny and Documentary: Hubert Sauper’s documentary film, Darwin’s Nightmare Screen, 53 (3). 246 - 265. ISSN 0036-9543

Hunter, V (2005) Embodying the Site: the Here and Now in Site-Specific Dance Performance NTQ: New Theatre Quarterly, 21 (4). 367 - 381. ISSN 0266-464X

Hunter, V (2012) Moving Sites’: Transformation and Re-location in Site-specific Dance Performance Contemporary Theatre Review, 22 (2). 259 - 266. ISSN 1048-6801

Hunter, V (2011) Spatial Translation and ‘Present-ness’ in Site-Specific Dance Performance NTQ: New Theatre Quarterly, 27 (1). 28 - 40. ISSN 0266-464X

Hunter, V and Gladstone, P (2009) Dance and Social Inclusion: Facilitating the Process, Developing Graduate Employability. The International Journal of the Arts in Society, 4 (2). 149 - 160. ISSN 1833-1866

Johnson Jones, E. Jean (2007) The Nama Stap Dance: an analysis of continuity and change Journal for the Anthropological Study of Human Movement . (Submitted)

Johnson-Jones, E (2011) The Nama Stap Dance; an analysis of continuity and change among Nama Women South African Dance Journal, 1 (1). 80 - 92. ISSN 2223-8425

Kane, Angela (2003) Through a Glass Darkly: The Many Sides of Paul Taylor's Choreography Dance Research, 21 (2). pp. 90-129. ISSN 0264-2875

Lansdale, Janet (2004) Ancestral and Authorial Voices in Lloyd Newson and DV8's 'Strange Fish' New Theatre Quarterly, 20 (2). pp. 117-126. ISSN 0266-464X

Lavender, A (2011) Performance Review of Zaia and The house of dancing water Theatre Journal, 63 (4). 626 - 630. ISSN 0192-2882

O'Shea, Janet (2003) At Home in the World? The Bharata Natyam Dancer as Transnational Interpreter TDR/The Drama Review, 47 (1). ISSN 1054-2043

O'Shea, Janet (2000) Technique and Theory in the Work of Kapila Vatsyayan Dance Research Journal, 32 (1). pp. 82-86.

Powrie, P (2008) The haptic moment: Sparring with Paolo Conte in Ozon's 5×2 Paragraph, 31 (2). 206 - 222. ISSN 0264-8334

Powrie, PP (2011) Algeria and Women in Two 1960s Film Adaptations of the Carmen Narrative French Cultural Studies, 22 (2). 127 - 136. ISSN 0957-1558

Powrie, PP (2011) Heterotopic Spaces and Nomadic Gazes in Varda: From Cléo de 5 à 7 to Les Glaneurs et La Glaneuse L'Esprit créateur, 51 (1). 68 - 82. ISSN 0014-0767

Powrie, PP (2005) Unfamiliar places: “heterospection” and recent French films on children Screen (Oxford), 46 (3). 341 - 352. ISSN 0036-9543

Powrie, PP and Rebillard, E (2008) Josephine Baker and Pierre Batcheff in La Sirène des tropiques (1927) Studies in French Cinema, 8 (3). 245 - 264. ISSN 1471-5880

Powrie, PP and Rebillard, E (2008) Pierre Batcheff, the Surrealist Star Studies in French Cinema, 8 (2). 159 - 177. ISSN 1471-5880

Book

Cull, LK (2009) Deleuze and Performance Deleuze Connections . Edinburgh University Press, Edinburgh. ISBN 0748635041

Harvie, J and Lavender, A (2010) Making Contemporary Theatre: international rehearsal processes Manchester University Press. ISBN 0719074924

Kattenbelt, C, Bay-Cheng, S, Lavender, A and Nelson, R (2010) Mapping Intermediality and Performance Media Matters, 4 . Amsterdam University Press, Amsterdam. ISBN 9089642552

Powrie, P and Rebillard, É (2009) Pierre Batcheff and stardom in 1920s French cinema Edinburgh University Press, Edinburgh. ISBN 0748621970

Stilwell, RJ and Powrie, P (2008) Composing for the screen in Germany and the USSR. Cultural Politics and Propaganda. Indiana University Press. ISBN 025321954X

Wagner, M (2011) Shakespeare, Theatre, and Time Routledge, Taylor & Francis Group, Abingdon, Oxon, UK. ISBN 0415805872

Book Section

Andrews, S and Bannon, F (2008) Walking between: Through place and practice In: Collision: Interarts practice and research. Cambridge Scholars Press, Newcastle upon Tyne, 163 - 178. ISBN 1-4438-0031-7

Hunter, V (2009) Experiencing Space: The Implications for Site-specific Choreography In: Contemporary Choreography: A Critical Reader. Routledge, London, 399 - 415. ISBN 0415490863

Lavender, A (2010) The Builders Association: Super Vision (2005): digital dataflow and the synthesis of everything In: Making Contemporary Theatre: International rehearsal processes. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, 17 - 38. ISBN 0719074924

Lavender, A (2010) Digital Culture In: Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, 125 - 134. ISBN 9089642552

Powrie, PP (2011) Four decades of teaching and research in French cinema In: Studies in French Cinema: UK Perspectives 1985-2010. Intellect Ltd, Bristol, 353 - 371. ISBN 1841503231

Powrie, PP (2009) Le gender et la musique dans les fictions patrimoniales depuis les années 1980 In: Fictions patrimoniales sur grand et petit écran. Presses Universitaires de Bordeaux, 123 - 137. ISBN 2867815592

Powrie, PP and Rebillard, E (2010) Josephine Baker and Pierre Batcheff in La Sirène des tropiques (1927) In: Not So Silent. Women in Cinema Before Sound. Acta Universitatis Stockholmiensis, series ‘Stockholm Cinema Studies’ . Stockholm University Press, Stockholm, 236 - 247. ISBN 9789186071400

Powrie, PP and Rebillard, E (2008) Marcel L’Herbier au carrefour des avant-gardes: Feu Mathias Pascal et le dédoublement In: Marcel L'Herbier, l'art du cinéma. AFRHC: Association française de recherche sur l'histoire du cinéma, 79 - 90. ISBN 2913758738

Conference or Workshop Item

Jackson, J (2009) En Place: choreographic investigations of the dancer’s awareness of ballet form In: The World Dance Alliance Global Summit, 2008-07-13 - 2008-07-18, Brisbane, Australia.

Performance

Andrews, S, Lawrence, K and Hughes, H Particles in Space [Performance] (Unpublished)

Thesis

Hughes, Helen (1994) The Bureaucratic Muse: On Thomas Bernhard's Exempel, Adalbert Stifter's Der Kuss von Sentze, Franz Kafka's In der Strafkolonie, and Oswald Wieners die verbesserung von mitteleuropa, roman Doctoral thesis, University of London.