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Test tubes in the lab Research in the ATI Dance Research

Items where Academic/Research unit is "Faculty of Arts and Human Sciences > School of Arts > Dance, Film and Theatre"

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Number of items at this level: 82.

Alston, A (2013) Audience Participation and Neoliberal Value: Risk, Agency and Responsibility in Immersive Theatre Performance Research, 18 (2). 128 - 138. ISSN 1352-8165

Alston, A (2012) Damocles and the Plucked: Audience Participation and Risk in Half Cut Contemporary Theatre Review, 22 (3). 344 - 354. ISSN 1048-6801

Alston, A (2012) Funding, Product Placement and Drunkenness in Punchdrunk's The Black Diamond Studies in Theatre and Performance, 32 (2). 193 - 208. ISSN 1468-2761

Alston, A and Daker, R (2012) Contemporary Theatre “Philanthropy” and the Purchase of Participatory Privilege Contemporary Theatre Review, 22 (3). 433 - 439. ISSN 1048-6801

Andrews, S (2009) Building Brockhole (again): (Re-)Living Landscape in the Lakes In: Living Landscapes, 2009-06-18 - 2009-06-21, Aberystwyth. (Unpublished)

Andrews, S (2010) Performance and the City Theatre Research International, 35 (3). 312 - 313. ISSN 0307-8833

Andrews, S (2011) Return to Isla Blanca: Embodied thinking in family ciné film In: Performance Studies international conference #17. Camillo 2.0: Technology, Memory, Experience, 2011-05-25 - 2011-05-29, Utrecht. (Unpublished)

Andrews, S (2013) Surge, Sway and Yaw: Performative moorings in The Boat Project and A Room for London In: RE-ROUTING PERFORMANCE / RE-CAMINANT L’ESCENA (FIRT/IFTR), 2013-07-22 - 2013-07-26, Barcelona, Spain. (Unpublished)

Andrews, S and Bannon, F (2008) Walking between: Through place and practice In: Collision: Interarts practice and research. Cambridge Scholars Press, Newcastle upon Tyne, 163 - 178. ISBN 1-4438-0031-7

Andrews, S, Edwards, A, Newell, C and Gibson, I Please wait with me [Performance]

Andrews, S, Lawrence, K and Hughes, H Particles in Space [Performance] (Unpublished)

Bessell, JE (2012) The Actors' Renaissance Season at the Blackfriars Playhouse In: Performing Early Modern Drama Today. Cambridge University Press, 85 - 103. ISBN 978-0521193351

Blanco Borelli, M (2009) Becomings and Belongings: Lucy Guerin’s The Ends of Things Brolga: an Australian journal about dance (31). 31 - 37. ISSN 1322-7645

Blanco Borelli, M (2009) A Taste of Honey: Choreographing Mulatta in the Hollywood dance film International Journal of Performance Arts and Digital Media, 5 (2&3). 141 - 141. ISSN 1479-4713

Blanco Borelli, M (2008) Y ahora qué vas a hacer, mulata? Hip choreographies in the Mexican cabaretera film Mulata (1954) Women & Performance: A journal of feminist theory, 18 (3). 215 - 233. ISSN 0740-770X

Calvo-Merino, B, Ehrenberg, S, Leung, D and Haggard, P (2010) Experts see it all: configural effects in action observation Psychological Research: an international journal of perception, attention, memory and action, 74 (4). 400 - 406. ISSN 0340-0727

Crow, S and Jackson, J (2010) Talking point: Where are the women? Dancing Times, Februa. ISSN 0011-605X

Cull, LK (2011) Attention-training: Immanence and ontological participation in Kaprow, Deleuze & Bergson Performance Research: a journal of the performing arts, 16 (4). 80 - 91. ISSN 1352-8165

Cull, LK (2009) Deleuze and Performance Deleuze Connections . Edinburgh University Press, Edinburgh. ISBN 0748635041

Cull, LK (2009) How Do You Make Yourself a Theatre without Organs? Deleuze, Artaud and the Concept of Differential Presence Theatre Research International, 34 (3). 243 - 255. ISSN 0307-8833

Cull, LK (2012) Performance as Philosophy: Responding to the Problem of ‘Application’ Theatre Research International, 37 (1). 20 - 27. ISSN 0307-8833

Ehrenberg, S and Wood, K (2011) Kinaesthetic Empathy: Concepts and Contexts Dance Research Journal, 43 (2). 113 - 118. ISSN 0149-7677

Fensham, R (2008) Deconstruction and Embodiment: steps towards the decolonising of dance discourses. Discourses in Dance, 4 (2). 25 - 38. ISSN 1474-533X

Fensham, R (2008) Review of Unsettling Space: Contestations in Contemporary Australian Theatre. By Joanne Tompkins. London: Palgrave, 2006; Unstable Ground: Performance and the Politics of Place. Edited by GayMcAuley, Brussels: P.I.E. Peter Lang, 2006; and, Performance and Cosmopolitics: Cross-Cultural Transactions in Australian Theatre. By Helen Gilbert and Jacqueline Lo. London: Palgrave, 2007. Theatre Research International, 33 (2). 204 - 206. ISSN 0307-8833

Fensham, R (2008) Trajectories of the 'Dead heart': Performing the poetics of (Australian) space New Theatre Quarterly, 24 (93). 3 - 13. ISSN 0266-464X

Fensham, RS (2008) On “dancing with strangers”: Re-choreographing Indigenous and British Political Sovereignty in the Colonial Encounter’ Journal for the Anthropological Study of Human Movement, 14 (3). 124 - 138. ISSN 2152-1115

Fensham, Rachel and Gardner, Sally (2005) Dance classes, youth cultures, and public health Youth Studies Australia, 24 (4). pp. 14-20. ISSN 1038-2569 1035-0888

Gardner, SM, Komesaroff, P and Fensham, R (2008) Dancing beyond exercise: young people's experiences in dance classes Journal of Youth Studies, 11 (6). 701 - 709. ISSN 1367-6261

Giersdorf, Jens Richard (2003) Border Crossings and Intra-National Trespasses: East German Bodies in Sasha Waltz's and Jo Fabian's Choreographies Theatre Journal, 55 (3). pp. 413-432.

Harvie, J and Lavender, A (2010) Making Contemporary Theatre: international rehearsal processes Manchester University Press. ISBN 0719074924

Honess Roe, A (2011) Absence, Excess and Epistemological Expansion: Towards a framework for the study of animated documentary Animation: An Interdisciplinary Journal, 6 (3). 215 - 230. ISSN 1746-8477

Honess Roe, A (2012) Uncanny Indexes: Rotoshopped Interviews as Documentary Animation, 7 (1). 25 - 37. ISSN 1746-8477

Houston, S (2005) Participation in Community Dance: the Road to Empowerment and Transformation? New Theatre Quarterly, 21 (2). 166 - 177. ISSN 0266-464X

Hughes, HA (2013) Arguments without words in Unser täglich Brot (Geyrhalter, 2005) Continuum: Journal of Media and Cultural Studies. ISSN 1030-4312

Hughes, HA (2011) Humans, sharks and the shared environment in the contemporary eco-doc Environmental Education Research, 17 (6). 735 - 749. ISSN 1350-4622

Hughes, HA (2012) Scrutiny and Documentary: Hubert Sauper’s documentary film, Darwin’s Nightmare Screen, 53 (3). 246 - 265. ISSN 0036-9543

Hughes, Helen (1994) The Bureaucratic Muse: On Thomas Bernhard's Exempel, Adalbert Stifter's Der Kuss von Sentze, Franz Kafka's In der Strafkolonie, and Oswald Wieners die verbesserung von mitteleuropa, roman Doctoral thesis, University of London.

Hunter, V (2005) Embodying the Site: the Here and Now in Site-Specific Dance Performance NTQ: New Theatre Quarterly, 21 (4). 367 - 381. ISSN 0266-464X

Hunter, V (2009) Experiencing Space: The Implications for Site-specific Choreography In: Contemporary Choreography: A Critical Reader. Routledge, London, 399 - 415. ISBN 0415490863

Hunter, V (2012) Moving Sites’: Transformation and Re-location in Site-specific Dance Performance Contemporary Theatre Review, 22 (2). 259 - 266. ISSN 1048-6801

Hunter, V (2011) Spatial Translation and ‘Present-ness’ in Site-Specific Dance Performance NTQ: New Theatre Quarterly, 27 (1). 28 - 40. ISSN 0266-464X

Hunter, V and Gladstone, P (2009) Dance and Social Inclusion: Facilitating the Process, Developing Graduate Employability. The International Journal of the Arts in Society, 4 (2). 149 - 160. ISSN 1833-1866

Jackson, J (2009) En Place: choreographic investigations of the dancer’s awareness of ballet form In: The World Dance Alliance Global Summit, 2008-07-13 - 2008-07-18, Brisbane, Australia.

Jackson, J Late Work [Performance]

Jackson, J (2005) My Dance and the Ideal Body: looking at ballet practice from the inside out Research in Dance Education, 6 (1-2). 25 - 40. ISSN 1464-7893

Johnson Jones, E. Jean (2007) The Nama Stap Dance: an analysis of continuity and change Journal for the Anthropological Study of Human Movement. (Submitted)

Johnson-Jones, E (2011) The Nama Stap Dance; an analysis of continuity and change among Nama Women South African Dance Journal, 1 (1). 80 - 92. ISSN 2223-8425

Jola, C, Ehrenberg, S and Reynolds, D (2012) The experience of watching dance: phenomenological-neuroscience duets Phenomenology and the Cognitive Sciences, 11 (1). 17 - 37. ISSN 1568-7759

Kane, Angela (2003) Through a Glass Darkly: The Many Sides of Paul Taylor's Choreography Dance Research, 21 (2). pp. 90-129. ISSN 0264-2875

Kattenbelt, C, Bay-Cheng, S, Lavender, A and Nelson, R (2010) Mapping Intermediality and Performance Media Matters, 4 . Amsterdam University Press, Amsterdam. ISBN 9089642552

Lansdale, Janet (2004) Ancestral and Authorial Voices in Lloyd Newson and DV8's 'Strange Fish' New Theatre Quarterly, 20 (2). pp. 117-126. ISSN 0266-464X

Lavender, A (2011) Performance Review of Zaia and The house of dancing water Theatre Journal, 63 (4). 626 - 630. ISSN 0192-2882

Lavender, A (2013) The living statue: Performer, poseur, posthuman Studies in Theatre and Performance, 33 (2). 119 - 131. ISSN 1468-2761

Lavender, AM (2010) The Builders Association: Super Vision (2005): digital dataflow and the synthesis of everything In: Making Contemporary Theatre: International rehearsal processes. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, 17 - 38. ISBN 0719074924

Lavender, AM (2010) Digital Culture In: Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, 125 - 134. ISBN 9089642552

Lavender, AM (2009) Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. By Steve Dixon with contributions by Barry Smith. Cambridge, MA and London: The MIT Press, 2007. Pp. xv + 809 + illus. Hb.MultiMedia: Video – Installation – Performance. By Nick Kaye. London and New York: Routledge, 2007. Pp. xxii + 249 + 20 illus. Theatre Research International, 34 (1). 87 - 89. ISSN 0307-8833

Lavender, AM (2012) Viewing and Acting (and points in between): the trouble with spectating after Rancière Contemporary Theatre Review, 22 (3). 307 - 326. ISSN 1048-6801

O'Shea, Janet (2003) At Home in the World? The Bharata Natyam Dancer as Transnational Interpreter TDR/The Drama Review, 47 (1). ISSN 1054-2043

O'Shea, Janet (2000) Technique and Theory in the Work of Kapila Vatsyayan Dance Research Journal, 32 (1). pp. 82-86.

Orozco, L and Boenisch, PM (2010) Editorial: Border collisions - Contemporary Flemish theatre Contemporary Theatre Review, 20 (4). 397 - 404. ISSN 1048-6801

Poulaki, M (2011) Implanted time: The final cut and the reflexive loops of complex narratives New Review of Film and Television Studies, 9 (4). 415 - 434. ISSN 1740-0309

Poulaki, M (2012) ‘The Subject Trapped in Gomorrah: Undecidability and Choice in Network Cinema’ Film-Philosophy, 16 (1). 55 - 71. ISSN 1466-4615

Powrie, P (2008) The haptic moment: Sparring with Paolo Conte in Ozon's 5×2 Paragraph, 31 (2). 206 - 222. ISSN 0264-8334

Powrie, P and Rebillard, É (2009) Pierre Batcheff and stardom in 1920s French cinema Edinburgh University Press, Edinburgh. ISBN 0748621970

Powrie, PP (2011) Algeria and Women in Two 1960s Film Adaptations of the Carmen Narrative French Cultural Studies, 22 (2). 127 - 136. ISSN 0957-1558

Powrie, PP (2011) Four decades of teaching and research in French cinema In: Studies in French Cinema: UK Perspectives 1985-2010. Intellect Ltd, Bristol, 353 - 371. ISBN 1841503231

Powrie, PP (2011) Heterotopic Spaces and Nomadic Gazes in Varda: From Cléo de 5 à 7 to Les Glaneurs et La Glaneuse L'Esprit créateur, 51 (1). 68 - 82. ISSN 0014-0767

Powrie, PP (2009) Le gender et la musique dans les fictions patrimoniales depuis les années 1980 In: Fictions patrimoniales sur grand et petit écran. Presses Universitaires de Bordeaux, 123 - 137. ISBN 2867815592

Powrie, PP (2005) Unfamiliar places: “heterospection” and recent French films on children Screen (Oxford), 46 (3). 341 - 352. ISSN 0036-9543

Powrie, PP and Rebillard, E (2010) Josephine Baker and Pierre Batcheff in La Sirène des tropiques (1927) In: Not So Silent. Women in Cinema Before Sound. Acta Universitatis Stockholmiensis, series ‘Stockholm Cinema Studies’ . Stockholm University Press, Stockholm, 236 - 247. ISBN 9789186071400

Powrie, PP and Rebillard, E (2008) Josephine Baker and Pierre Batcheff in La Sirène des tropiques (1927) Studies in French Cinema, 8 (3). 245 - 264. ISSN 1471-5880

Powrie, PP and Rebillard, E (2008) Marcel L’Herbier au carrefour des avant-gardes: Feu Mathias Pascal et le dédoublement In: Marcel L'Herbier, l'art du cinéma. AFRHC: Association française de recherche sur l'histoire du cinéma, 79 - 90. ISBN 2913758738

Powrie, PP and Rebillard, E (2008) Pierre Batcheff, the Surrealist Star Studies in French Cinema, 8 (2). 159 - 177. ISSN 1471-5880

Salazar Sutil, N (2009) Antonin Artaud's decisive transfusion: from theatre to mathematics Performance Research: a journal of the performing arts, 14 (4). 119 - 124. ISSN 1352-8165

Salazar Sutil, N (2010) Body manifold: mathematics (mis)performed by Vitruvian and Acephalic Bodies Performance Research: a journal of the performing arts, 15 (2). 17 - 22. ISSN 1352-8165

Salazar Sutil, N (2008) Maradona Inc: performance politics off the pitch International Journal of Cultural Studies, 11 (4). ISSN 1367-8779

Salazar Sutil, N (2013) Rudolf Laban and topological movement: a videographic analysis Space and Culture: the journal, 16 (2). 173 - 193. ISSN 1206-3312

Services, EPrints Test - please ignore [Teaching Resource] (Unpublished)

Stilwell, RJ and Powrie, P (2008) Composing for the screen in Germany and the USSR. Cultural Politics and Propaganda. Indiana University Press. ISBN 025321954X

Wagner, M (2011) Shakespeare, Theatre, and Time Routledge, Taylor & Francis Group, Abingdon, Oxon, UK. ISBN 0415805872

Wagner, MD (2014) Wheresoever the Body Is -- Image, Matter and Corporeality on Shakespeare's Stage Early Modern Culture Online, 5 (1). 11 - 30. ISSN 1892-0888

Woolford, K and Dunn, S (2014) Micro Mobilities and affordances of Past Places In: Past Mobilities: Archaeological Approaches to Movement and Mobility. Ashgate, 113 - 128. ISBN 978-1-4094-6445-7

This list was generated on Mon Dec 22 02:21:04 2014 GMT.

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