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Items where Author is "Wiley, C"

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Article

Kinchin, Ian and Wiley, Christopher (2017) Tracing pedagogic frailty in arts and humanities education: An autoethnographic perspective Arts and Humanities in Higher Education: an international journal of theory, research and practice.

Wiley, C (2014) Academic Leadership in Learning and Teaching in Higher Education: A Personal Reflection on one Programme Director’s Professional Development Learning at City Journal, 4 (2). pp. 39-49.

Wiley, C (2014) Divided by a Common Language? Evaluating Students’ Understanding of the Vocabulary of Assessment and Feedback at a Single UK Higher Education Institution The International Journal of Assessment and Evaluation, 20 (3). pp. 1-11.

Wiley, C (2013) Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” The Musical Quarterly, 96 (2). pp. 263-295.

Wiley, C (2012) Review of Irving Godt, ed. John A. Rice, Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn Journal for Eighteenth-Century Studies, 35 (2). pp. 285-286.

Wiley, C (2008) Andrew Lloyd Webber at 60 Musical Stages: The World of Musical Theatre, 57. p. 7.

Wiley, C (2007) Review of Jolanta T. Pekacz (ed.), Musical Biography: Towards New Paradigms Biography: An Interdisciplinary Quarterly, 30 (2). pp. 215-219.

Wiley, C (2004) “A Relic of an Age Still Capable of a Romantic Outlook”: Musical Biography and The Master Musicians Series, 1899-1906 Comparative Criticism, 25 (Lives ). pp. 161-202.

Wiley, C (2004) “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography Music and Letters, 85 (3). pp. 388-414.

Book Section

Wiley, C (2017) The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners In: The Edinburgh Companion to Literature and Music. Edinburgh University Press, Edinburgh.

Wiley, C and Franklin, J (2017) Framed Autoethnography and Pedagogic Frailty - A Comparative Analysis of Mediated Concept Maps In: Pedagogic Frailty and Resilience in the University. Sense Publishers, Rotterdam, The Netherlands, pp. 17-32. ISBN 978-94-6300-983-6

Wiley, C (2015) Musical Biography and the Myth of the Muse In: Critical Music Historiography: Probing Canons, Ideologies and Institutions. Ashgate Publishing, Farnham, pp. 251-261. ISBN 978-1-4724-1419-9

Wiley, C (2015) Preface to Ethel Smyth, Variations on Bonny Sweet Robin (Ophelia’s Song) In: Ethel Smyth, Variations on Bonny Sweet Robin (Ophelia’s Song). Musikproduktion Jürgen Höflich, Munich.

Wiley, C (2014) Mythological Motifs in the Biographical Accounts of Haydn’s Later Life In: The Land of Opportunity: Joseph Haydn in Britain. The University of Chicago Press, London, pp. 195-211. ISBN 071235848X

Wiley, C (2012) Putting the Music Back into Michael Jackson Studies In: Michael Jackson: Grasping the Spectacle. Ashgate Popular and Folk Music Series (7). Farnham: Ashgate, pp. 101-116. ISBN 9781409446965

Wiley, C (2010) Theorizing Television Music as Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score In: Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Scarecrow Press, Lanham, MD, pp. 29-73. ISBN 0810869454

Wiley, C (2010) Biography and the New Musicology In: (Auto)Biography as a Musicological Discourse. Musicological Studies, 3 . Fakultet muzičke umetnosti / Belgrade : University of Arts, Department of Musicology, Belgrade, pp. 3-27. ISBN 8660510275

Wiley, C (2004) “A Relic of an Age Still Capable of a Romantic Outlook”: Musical Biography and The Master Musicians Series, 1899-1906 In: Comparative Criticism. Lives of the Disciplines: Comparative biography, 25 . Edinburgh University Press, Edinburgh, pp. 161-202. ISBN 9780748620364

Monograph

Wiley, C (2015) Using Electronic Voting Systems in the Arts and Humanities Project Report.

Conference or Workshop Item

Wiley, C (2013) BYOD, Mobile Technologies, and Social Media for Learning In: ELESIG Webinar Series 2013 (Evaluation of Learners’ Experiences of e-learning Special Interest Group), 2013-04-24 - ?.

Wiley, C (2013) Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” In: Invited Research Seminar, 2013-11-20 - ?, University of Surrey.

Wiley, C (2013) Increasing Instructional Interactivity with Turning Technologies Response Technology In: 2013 International Conference on Information Communication Technologies in Education (ICICTE), 2013-07-04 - 2013-07-06, Chania, Crete, Grece.

Wiley, C (2013) Using Electronic Voting Systems in the Arts and Humanities In: Turning Technologies User Conference 2013, 2013-06-03 - ?, Karlsruhe University of Applied Sciences and Karlsruhe Institute of Technology, Germany.

Wiley, Christopher (2012) Divided by a Common Language? Evaluating Students’ Understanding of the Vocabulary of Assessment and Feedback at a Single UK Higher Education Institution In: 19th International Conference on Learning, 2012-08-14 - 2012-08-16, Institute of Education, London.

Wiley, C (2012) Standardized Module Evaluation for Teaching Excellence and Enhancement: Views of Students and Staff at a Single UK Higher Education Institution In: 17th Annual SEDA Conference (Staff and Educational Development Association), 2012-11-15 - 2012-11-16, Aston Business School, Birmingham.

Wiley, C (2011) Identifying Best Practices in Writing Handbooks for Postgraduate Research Degrees at City University London In: Third Annual Learning at City Conference, 2011-06-23 - ?, City University London.

Wiley, C (2011) Musical Biography and the Myth of the Muse In: Radical Music History Symposium 2011, 2011-12-08 - 2011-12-09, Sibelius Academy, Helsinki. (Unpublished)

Wiley, C (2011) Shout! Shout! Up With Your Song!

Wiley, C (2009) Late Victorian Appropriations in the Biographies of Handel, Haydn, and Mendelssohn In: ‘Purcell, Handel, Haydn, and Mendelssohn: Anniversary Reflections’, Royal Musical Association Conference, 2009-03-27 - 2009-03-29, New College, Oxford.

Wiley, C (2009) Musical Biography and the Intervention of the Work-Concept In: 2009 Joint Annual Conference of the Society for Musicology in Ireland and the Royal Musical Association, 2009-07-09 - 2009-07-12, Royal Irish Academy of Music, Dublin.

Wiley, Christopher (2009) Mythological Motifs in the Biographical Accounts of Haydn’s Later Life In: Joseph Haydn and the Business of Music, 2009-03-14 - 2009-03-15, The British Library Conference Centre.

Wiley, C (2009) The Personal Response System: A View From the Chalkface In: Learning and Teaching: Moving On, 2009-10-07 - ?, Ravensbourne College of Design and Communication.

Wiley, C (2007) Gender and the Perpetuation of the Beethoven/Schubert Mythology

Wiley, C (2007) Mozart’s Requiem, Musical Biography, and the Great Last Work In: ‘Words and Notes in the Nineteenth Century’, 2007-07-02 - 2007-07-03, Institute of Musical Research and Institute of Germanic and Romance Studies, School of Advanced Study, University of London.

Wiley, C (2004) Biography, Historiography, and the Beethoven/Schubert Mythology In: 2004 Joint Annual Meeting of the American Musicological Society and the Society for Music Theory, 2004-11-11 - 2004-11-14.

Wiley, C (2004) Music and Literature: Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” In: 14th Annual International Conference on Virginia Woolf, ‘Back to Bloomsbury’, 2004-06-23 - 2004-06-26, Institute of English Studies, London.

Wiley, C (2002) Abba and Gender Ideology in Popular Music In: ‘Love and Power’, 2002-06-20 - ?, Royal Holloway, University of London and The Bedford Centre for the History of Women.

Wiley, C (2002) “I Believe the Subtext Here is Rapidly Becoming Text”: Music, Gender, and Fantasy in Buffy the Vampire Slayer In: ‘Blood, Text, and Fears: Reading Around Buffy the Vampire Slayer’, 2002-10-19 - 2002-10-20, University of East Anglia.

Wiley, C (2002) “A Relic of an Age Still Capable of a Romantic Outlook”: The Master Musicians Series, 1899-1906 In: Music and Britain: A Social History Seminar, 2002-11-18 - ?, Institute of Historical Research, London.

Wiley, C (2002) “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography In: Graduate Students’ Colloquia, 2002-01-22 - ?, University of Oxford.

Thesis

Wiley, C (2008) Re-Writing Composers’ Lives: Critical Historiography and Musical Biography Doctoral thesis, University of London.

Other

Wiley, Christopher (2017) Foreword for Ethel Smyth, The Wreckers (re-release of 1994 Conifer Classics recording), Anne-Marie Owens, Justin Lavender, Peter Sidhom, David Wilson-Johnson, Judith Howarth, Anthony Roden, Brian Bannatyne-Scott, Annemarie Sand, Huddersfield Choral Society, BBC Philharmonic, cond. Odaline de la Martinez. Retrospect Opera RO004, 2017. Retrospect Opera.

Wiley, C (2016) ‘The Boatswain’s Mate in the context of Smyth’s life and works’ Retrospect Opera.

Wiley, C (2007) Review of Alexander S. Bermange, Odette: The Dark Side of Swan Lake .

Wiley, C (2003) Dictionnaire Berlioz Fayard, Paris.

This list was generated on Tue Sep 26 00:19:52 2017 UTC.

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