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Items where Author is "Wiley, C"

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Article

Kinchin, Ian and Wiley, Christopher (2017) Tracing pedagogic frailty in arts and humanities education: An autoethnographic perspective Arts and Humanities in Higher Education: an international journal of theory, research and practice.

Wiley, C (2014) Academic Leadership in Learning and Teaching in Higher Education: A Personal Reflection on one Programme Director’s Professional Development Learning at City Journal, 4 (2). pp. 39-49.

Wiley, C (2014) Divided by a Common Language? Evaluating Students’ Understanding of the Vocabulary of Assessment and Feedback at a Single UK Higher Education Institution The International Journal of Assessment and Evaluation, 20 (3). pp. 1-11.

Wiley, C (2013) Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” The Musical Quarterly, 96 (2). pp. 263-295.

Wiley, C (2012) Review of Irving Godt, ed. John A. Rice, Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn Journal for Eighteenth-Century Studies, 35 (2). pp. 285-286.

Wiley, C (2008) Andrew Lloyd Webber at 60 Musical Stages: The World of Musical Theatre, 57. p. 7.

Wiley, C (2007) Review of Jolanta T. Pekacz (ed.), Musical Biography: Towards New Paradigms Biography: An Interdisciplinary Quarterly, 30 (2). pp. 215-219.

Wiley, C (2004) “A Relic of an Age Still Capable of a Romantic Outlook”: Musical Biography and The Master Musicians Series, 1899-1906 Comparative Criticism, 25 (Lives ). pp. 161-202.

Wiley, C (2004) “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography Music and Letters, 85 (3). pp. 388-414.

Book Section

Wiley, C (2017) The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners In: The Edinburgh Companion to Literature and Music. Edinburgh University Press, Edinburgh.

Wiley, C and Franklin, J (2017) Framed Autoethnography and Pedagogic Frailty - A Comparative Analysis of Mediated Concept Maps In: Pedagogic Frailty and Resilience in the University. Sense Publishers, Rotterdam, The Netherlands, pp. 17-32. ISBN 978-94-6300-983-6

Wiley, C (2015) Musical Biography and the Myth of the Muse In: Critical Music Historiography: Probing Canons, Ideologies and Institutions. Ashgate Publishing, Farnham, pp. 251-261. ISBN 978-1-4724-1419-9

Wiley, C (2015) Preface to Ethel Smyth, Variations on Bonny Sweet Robin (Ophelia’s Song) In: Ethel Smyth, Variations on Bonny Sweet Robin (Ophelia’s Song). Musikproduktion Jürgen Höflich, Munich.

Wiley, C (2014) Mythological Motifs in the Biographical Accounts of Haydn’s Later Life In: The Land of Opportunity: Joseph Haydn in Britain. The University of Chicago Press, London, pp. 195-211. ISBN 071235848X

Wiley, C (2012) Putting the Music Back into Michael Jackson Studies In: Michael Jackson: Grasping the Spectacle. Ashgate Popular and Folk Music Series (7). Farnham: Ashgate, pp. 101-116. ISBN 9781409446965

Wiley, C (2010) Theorizing Television Music as Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score In: Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Scarecrow Press, Lanham, MD, pp. 29-73. ISBN 0810869454

Wiley, C (2010) Biography and the New Musicology In: (Auto)Biography as a Musicological Discourse. Musicological Studies, 3 . Fakultet muzičke umetnosti / Belgrade : University of Arts, Department of Musicology, Belgrade, pp. 3-27. ISBN 8660510275

Wiley, C (2004) “A Relic of an Age Still Capable of a Romantic Outlook”: Musical Biography and The Master Musicians Series, 1899-1906 In: Comparative Criticism. Lives of the Disciplines: Comparative biography, 25 . Edinburgh University Press, Edinburgh, pp. 161-202. ISBN 9780748620364

Monograph

Wiley, C (2015) Using Electronic Voting Systems in the Arts and Humanities Project Report.

Conference or Workshop Item

Wiley, C (2013) BYOD, Mobile Technologies, and Social Media for Learning In: ELESIG Webinar Series 2013 (Evaluation of Learners’ Experiences of e-learning Special Interest Group), 2013-04-24 - ?.

Wiley, C (2013) Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” In: Invited Research Seminar, 2013-11-20 - ?, University of Surrey.

Wiley, C (2013) Increasing Instructional Interactivity with Turning Technologies Response Technology In: 2013 International Conference on Information Communication Technologies in Education (ICICTE), 2013-07-04 - 2013-07-06, Chania, Crete, Grece.

Wiley, C (2013) Using Electronic Voting Systems in the Arts and Humanities In: Turning Technologies User Conference 2013, 2013-06-03 - ?, Karlsruhe University of Applied Sciences and Karlsruhe Institute of Technology, Germany.

Wiley, Christopher (2012) Divided by a Common Language? Evaluating Students’ Understanding of the Vocabulary of Assessment and Feedback at a Single UK Higher Education Institution In: 19th International Conference on Learning, 2012-08-14 - 2012-08-16, Institute of Education, London.

Wiley, C (2012) Standardized Module Evaluation for Teaching Excellence and Enhancement: Views of Students and Staff at a Single UK Higher Education Institution In: 17th Annual SEDA Conference (Staff and Educational Development Association), 2012-11-15 - 2012-11-16, Aston Business School, Birmingham.

Wiley, C (2011) Identifying Best Practices in Writing Handbooks for Postgraduate Research Degrees at City University London In: Third Annual Learning at City Conference, 2011-06-23 - ?, City University London.

Wiley, C (2011) Musical Biography and the Myth of the Muse In: Radical Music History Symposium 2011, 2011-12-08 - 2011-12-09, Sibelius Academy, Helsinki. (Unpublished)

Wiley, C (2011) Shout! Shout! Up With Your Song!

Wiley, C (2009) Late Victorian Appropriations in the Biographies of Handel, Haydn, and Mendelssohn In: ‘Purcell, Handel, Haydn, and Mendelssohn: Anniversary Reflections’, Royal Musical Association Conference, 2009-03-27 - 2009-03-29, New College, Oxford.

Wiley, C (2009) Musical Biography and the Intervention of the Work-Concept In: 2009 Joint Annual Conference of the Society for Musicology in Ireland and the Royal Musical Association, 2009-07-09 - 2009-07-12, Royal Irish Academy of Music, Dublin.

Wiley, Christopher (2009) Mythological Motifs in the Biographical Accounts of Haydn’s Later Life In: Joseph Haydn and the Business of Music, 2009-03-14 - 2009-03-15, The British Library Conference Centre.

Wiley, C (2009) The Personal Response System: A View From the Chalkface In: Learning and Teaching: Moving On, 2009-10-07 - ?, Ravensbourne College of Design and Communication.

Wiley, C (2007) Gender and the Perpetuation of the Beethoven/Schubert Mythology

Wiley, C (2007) Mozart’s Requiem, Musical Biography, and the Great Last Work In: ‘Words and Notes in the Nineteenth Century’, 2007-07-02 - 2007-07-03, Institute of Musical Research and Institute of Germanic and Romance Studies, School of Advanced Study, University of London.

Wiley, C (2004) Biography, Historiography, and the Beethoven/Schubert Mythology In: 2004 Joint Annual Meeting of the American Musicological Society and the Society for Music Theory, 2004-11-11 - 2004-11-14.

Wiley, C (2004) Music and Literature: Ethel Smyth, Virginia Woolf, and “The First Woman to Write an Opera” In: 14th Annual International Conference on Virginia Woolf, ‘Back to Bloomsbury’, 2004-06-23 - 2004-06-26, Institute of English Studies, London.

Wiley, C (2002) Abba and Gender Ideology in Popular Music In: ‘Love and Power’, 2002-06-20 - ?, Royal Holloway, University of London and The Bedford Centre for the History of Women.

Wiley, C (2002) “I Believe the Subtext Here is Rapidly Becoming Text”: Music, Gender, and Fantasy in Buffy the Vampire Slayer In: ‘Blood, Text, and Fears: Reading Around Buffy the Vampire Slayer’, 2002-10-19 - 2002-10-20, University of East Anglia.

Wiley, C (2002) “A Relic of an Age Still Capable of a Romantic Outlook”: The Master Musicians Series, 1899-1906 In: Music and Britain: A Social History Seminar, 2002-11-18 - ?, Institute of Historical Research, London.

Wiley, C (2002) “When a Woman Speaks the Truth About Her Body”: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography In: Graduate Students’ Colloquia, 2002-01-22 - ?, University of Oxford.

Thesis

Wiley, C (2008) Re-Writing Composers’ Lives: Critical Historiography and Musical Biography Doctoral thesis, University of London.

Other

Wiley, Christopher (2017) Foreword for Ethel Smyth, The Wreckers (re-release of 1994 Conifer Classics recording), Anne-Marie Owens, Justin Lavender, Peter Sidhom, David Wilson-Johnson, Judith Howarth, Anthony Roden, Brian Bannatyne-Scott, Annemarie Sand, Huddersfield Choral Society, BBC Philharmonic, cond. Odaline de la Martinez. Retrospect Opera RO004, 2017. Retrospect Opera.

Wiley, Christopher (2016) ‘The Boatswain’s Mate in the context of Smyth’s life and works’ Retrospect Opera.

Wiley, C (2007) Review of Alexander S. Bermange, Odette: The Dark Side of Swan Lake .

Wiley, C (2003) Dictionnaire Berlioz Fayard, Paris.

This list was generated on Sun Nov 19 02:11:41 2017 UTC.

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