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Items where Author is "Volioti, G"

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Volioti, Georgia and Williamon, Aaron (2019) Performers’ discourses on listening to recordings. Research Studies in Music Education.

Volioti, Georgia (2018) [Book review]: Michael Burden, Wendy Heller, Jonathan Hicks and Ellen Lockhart, eds, Staging History 1780 – 1840 (Oxford: Bodleian Library, 2017). 224 pp. $45.00. Nineteenth-Century Music Review.

Volioti, Georgia (2017) Expressive Gesture in Grieg’s Recordings of Two Op. 43 Lyric Pieces: An Exploratory Principal Components Analysis Music Performance Research.

Volioti, Georgia (2017) Re-imagining Operatic “Objects”: Commentary on Neumann’s Phenomena, Poiesis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera Empirical Musicology Review, 12 (3-4).

Volioti, Georgia (2017) Landscaping the gaze in Norwegian visual art and Grieg's Op. 66 folksong piano arrangement MUSIC & LETTERS, 98 (4). pp. 573-600.

Volioti, Georgia and Williamon, A (2016) Recordings as Learning and Practising Resources for Performance: Exploring Attitudes and Behaviours of Music Students and Professionals Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 21 (4). pp. 499-523.

Volioti, Georgia (2016) Book review of 'Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures' (2014) D. Fabian, R. Timmers and E. Schubert (eds.), Nineteenth-Century Music Review, 13 (2). pp. 335-340.

Volioti, G (2016) Recording review of 'Edvard Grieg, Lyric Pieces by Stephen Hough - Hyperion 68070, 2015' Nineteenth-Century Music Review.

Volioti, Georgia (2015) Reminiscing Grieg: A Study of Technostalgia and Modulating Identities The Musical Quarterly, 98 (3). pp. 179-211.

Volioti, G (2012) Reinventing grieg's folk modernism: An empirical investigation of the performance of the sltter, Op. 72, No. 2 Journal of Musicological Research, 31 (4). pp. 262-296.

Volioti, G (2010) Playing with tradition: weighing up similarity and the buoyancy of the game Musicae Scientiae, 14 (2). pp. 85-114.

Volioti, G (2007) Book review of Adam Ockelford, ‘Repetition in Music: Theoretical and Meta-theoretical Perspectives’ Musicae Scientiae, 11 (2). pp. 325-330.

Volioti, G (2007) Reflections on a Symposium: Review of 4th International CHARM Symposium, ‘Methods for Analysing Recordings’ CHARM Newsletter (3). pp. 5-8.

Book Section

Volioti, Georgia (2017) Musing on the Past: Historical Recordings as Creative Resources of Piano Performance In: New Thoughts on Piano Performance. London International Piano Symposium, pp. 65-84. ISBN 978-164007055-4

Conference or Workshop Item

Volioti, G (2013) Performing Norwegian National-Cultural Identity: Rhythmic Gesture as the Phenomenology of the Folk In: The National Element in Music - International Musicological Conference, 2013-01-18 - 2013-01-20, Athens, Greece.

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