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Items where Author is "Powrie, P"

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Article

Powrie, Philip (2016) Toi, c’est moi (1936) and Prends la route (1937): mobilising desire in the operetta films of Jacques Pills and André Tabet Historical Journal of Film, Radio and Television, 37 (3). pp. 436-454.

Powrie, PP (2015) Money talks: the logorrheic masquerade in two films from 1934 Studies in French Cinema, 15 (3), 1. pp. 207-224.

Powrie, PP and Gabrysiak, D (2015) Money: now you see it, now you don’t Studies in French Cinema, 15 (3). pp. 197-206.

Powrie, PP and Heldt, G (2015) Introduction: Trailers, Titles, and End Credits Music, Sound, and the Moving Image, 8 (2). pp. 111-120.

Powrie, PP (2014) Luis Mariano et l’exotisme ordinaire Théorème, 20. pp. 19-29.

Powrie, P, Austin, G, Conway, K, Dobson, J, Hainge, G, Higbee, W, Leahy, S and Martin, F (2014) Editorial Studies in French Cinema, 14 (1). pp. 1-4.

Powrie, PP (2013) The French musical: swing and Big Bands in the cinema of the 1940s and 1950s Screen (Oxford), 54. pp. 152-173.

Powrie, P (2013) The Ecstatic Pan pp. 184-204.

Powrie, PP (2011) Algeria and Women in Two 1960s Film Adaptations of the Carmen Narrative French Cultural Studies, 22 (2). pp. 127-136.

Powrie, P (2011) Memory and the Moving Image: French Film in the Digital Era FR STUD, 65 (2). pp. 281-282.

Powrie, P and Reader, K (2011) Teaching and research in French cinema pp. 171-183.

Powrie, PP (2011) Heterotopic Spaces and Nomadic Gazes in Varda: From Cléo de 5 à 7 to Les Glaneurs et La Glaneuse L'Esprit créateur, 51 (1), 6. pp. 68-82.

Higbee, W, Leahy, S and Powrie, P (2010) Celebrating the first decade of Studies in French Cinema STUDIES IN FRENCH CINEMA, 10 (3). p. 197.

Hayward, Susan and Powrie, Phil (2009) Editorial: Studies in French Cinema STUDIES IN FRENCH CINEMA, 9 (1). pp. 3-4.

Hayward, S and Powrie, P (2009) Susan Hayward and Phil Powrie STUDIES IN FRENCH CINEMA, 9 (3). pp. 199-200.

Powrie, P (2009) Masculine singular: French New Wave cinema Journal of Gender Studies, 18 (4). pp. 426-427.

Powrie, P (2008) The haptic moment: Sparring with Paolo Conte in Ozon's 5×2 Paragraph, 31 (2). pp. 206-222.

Powrie, P (2008) The French New Wave: A New Look Modern and Contemporary France, 16 (3). pp. 357-358.

Powrie, Philip and Rebillard, E (2008) Josephine Baker and Pierre Batcheff in La Sirène des tropiques (1927) Studies in French Cinema, 8 (3). pp. 245-264.

Powrie, PP and Rebillard, E (2008) Pierre Batcheff, the Surrealist Star Studies in French Cinema, 8 (2). pp. 159-177.

Powrie, P (2007) The 'abject object': Avatars of the phallus in contemporary French theory, literature and film. FRENCH STUDIES, 61 (2). pp. 244-245.

Powrie, PP (2005) Unfamiliar places: “heterospection” and recent French films on children Screen (Oxford), 46 (3). pp. 341-352.

Powrie, PP (2004) Fifteen years of fifties cinema Studies in French Cinema, 4 (1). pp. 5-13.

Powrie, PP (2004) La Tragédie de Carmen (Peter Brook, 1983) and embodiment Studies in European Cinema, 1 (3). pp. 141-151.

Powrie, PP (2004) Politics and embodiment in Karmen Geï (2001) Quarterly Review of Film and Video, 21 (4). pp. 283-291.

Powrie, PP (2003) Thirty years of doctoral theses on French cinema Studies in French Cinema, 3 (3). pp. 199-203.

Powrie, PP (2003) The W/hole and the abject Paragraph: a journal of modern critical theory, 26 (1-2). pp. 232-244.

Powrie, PP (2003) The kiss-curl and the resisting eyes: reassessing Carmen (Feyder, 1926) Studies in French Cinema, 33:1 (1). pp. 15-23.

Powrie, PP (2002) Diva: A new psychoanalytical approach Studies in French Cinema, 2 (1). pp. 41-49.

Powrie, PP (2002) Towards an ethics of intermediality: text, intertext and identification in La Dentellière Literature/Film Quarterly, 30 (2). pp. 92-97.

Powrie, PP (2002) Transtitial woman: new representations of women in contemporary French cinema Esprit Créateur, 42 (3). pp. 81-91.

Powrie, PP (1998) Heritage, history and ‘new realism’: French cinema in the 1990s Modern & Contemporary France, 6 (6). pp. 479-491.

Book Section

Powrie, Phil (2018) « Losing the plot » : le loser français et les masculinités à l’écran" In: La figure du loser dans le film et la littérature d'expression française. Presses universitaires de Limoges, Limoges, France, pp. 31-52.

Powrie, PP (2017) L'Une chante, l'autre pas: music, movement and the utopian community In: Agnès Varda Unlimited: Image, Music, Media. Legenda, Cambridge. ISBN 978-1-909662-31-5

Barta, PI and Powrie, PP (2016) Introduction Being In-Between In: Bicultural Literature and Film in French and English. Routledge Studies in Comparative Literature . Routledge. ISBN 978-1-138-83286-2

Powrie, PP (2016) La chanson-cristal In: La chanson dans le film français et francophone depuis la Nouvelle Vague. Königshausen & Neumann, Würzburg, pp. 65-84. ISBN 978-3-8260-5640-6

Powrie, PP (2015) Soundscapes of loss: songs in contemporary French cinema In: A Companion to Contemporary French Cinema. Wiley-Blackwell, Chichester, pp. 527-546. ISBN 1444338994

Powrie, PP (2015) The location of the bicultural: the coast in three Maghrebi-French films In: Bicultural Literature and Film in French and English. Routledge Studies in Comparative Literature (3). Routledge, pp. 75-90. ISBN 9781138832862

Powrie, PP (2014) Les chansons préexistantes dans le cinéma français In: Musiques de films : nouveaux enjeux. Les Impressions nouvelles, pp. 46-59. ISBN 287449237X

Powrie, PP (2013) La musique dans les films de Beineix In: Studio Beineix. Fage, Lyon, pp. 95-103. ISBN 2849752878

Powrie, PP (2011) Four decades of teaching and research in French cinema In: Studies in French Cinema: UK Perspectives 1985-2010. Intellect Ltd, Bristol, pp. 353-371. ISBN 1841503231

Powrie, PP and Rebillard, E (2010) Josephine Baker and Pierre Batcheff in La Sirène des tropiques (1927) In: Not So Silent. Women in Cinema Before Sound. Acta Universitatis Stockholmiensis, series ‘Stockholm Cinema Studies’ . Stockholm University Press, Stockholm, pp. 236-247. ISBN 9789186071400

Powrie, PP (2009) Le gender et la musique dans les fictions patrimoniales depuis les années 1980 In: Fictions patrimoniales sur grand et petit écran. Presses Universitaires de Bordeaux, pp. 123-137. ISBN 2867815592

Powrie, PP and Rebillard, E (2008) Marcel L’Herbier au carrefour des avant-gardes: Feu Mathias Pascal et le dédoublement In: Marcel L'Herbier, l'art du cinéma. AFRHC: Association française de recherche sur l'histoire du cinéma, pp. 79-90. ISBN 2913758738

Book

Powrie, P and Rebillard, É (2009) Pierre Batcheff and stardom in 1920s French cinema Edinburgh University Press, Edinburgh. ISBN 0748621970

Stilwell, RJ and Powrie, P (2008) Composing for the screen in Germany and the USSR. Cultural Politics and Propaganda. Indiana University Press. ISBN 025321954X

Hayward, S and Powrie, P (2007) The films of Luc Besson Manchester Univ Pr. ISBN 0719070287

Powrie, P (2007) Carmen on film Indiana Univ Pr.

Powrie, P and Stilwell, RJ (2006) Changing tunes Ashgate Pub Co. ISBN 0754651371

Powrie, P (2006) The Cinema of France Wallflower Press. ISBN 1904764460

Powrie, P, Davies, A and Babington, B (2004) The Trouble With Men Wallflower Pr. ISBN 1904764088

Powrie, P (2001) Jean-Jacques Beineix UNSPECIFIED. ISBN 0719055334

Other

Powrie, PP and Sellier, G (2015) Bibliography for French cinema in the 1950s .

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