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Items where Author is "Lavender, A"

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Article

Lavender, AM, Henderson, J, Kerry, D, Martinez, M and Hulls, M (2016) Training and Craft Theatre, Dance and Performance Training, 7 (1). pp. 112-113.

Lavender, AM (2015) ‘Capturer La Tempête? La pratique comme recherche (Practice-as-Research) pour une dramaturgie shakespearienne et des spectacles de théâtre multimedia’ Ligeia (dossiers sur l’Art) (No 137). pp. 184-194.

Lavender, A (2014) Modal transpositions toward theatres of encounter, or, in Praise of "media intermultimodality" Theatre Journal, 66 (4). pp. 499-518.

Lavender, AM (2013) Capturer La Tempête? L’intervention de la recherche dans les practiques et la production théâtrales multimedia avec l’exemple de la pièce de Shakespeare’ Confluent, 8. pp. 1-8.

Lavender, A (2013) The living statue: Performer, poseur, posthuman Studies in Theatre and Performance, 33 (2). pp. 119-131.

Lavender, AM (2012) Viewing and Acting (and points in between): the trouble with spectating after Rancière Contemporary Theatre Review, 22 (3). pp. 307-326.

Lavender, A (2012) Watch this (actual and virtual) space: Surveillance, dis/location and transit in Shakespeare's the tempest Studies in Theatre and Performance, 32 (2). pp. 139-150.

Lavender, A (2011) Performance Review of Zaia and The house of dancing water Theatre Journal, 63 (4). pp. 626-630.

Lavender, AM (2009) Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. By Steve Dixon with contributions by Barry Smith. Cambridge, MA and London: The MIT Press, 2007. Pp. xv + 809 + illus. Hb.MultiMedia: Video – Installation – Performance. By Nick Kaye. London and New York: Routledge, 2007. Pp. xxii + 249 + 20 illus. Theatre Research International, 34 (1). pp. 87-89.

Lavender, AM (2005) Review of Gabriella Giannachi, Virtual Theatres: an introduction (London and New York: Routledge, 2004) and John E. McGrath, Loving Big Brother: Performance, privacy and surveillance space (London and New York: Routledge 2004) Contemporary Theatre Review, 15.2. pp. 269-273.

Lavender, AM (2003) 2D/3D Performance/Technologies: A User's Guide.

Lavender, AM (2003) Pleasure, performance and the Big Brother experience Contemporary Theatre Review, 13.2.

Lavender, AM (1998) Sounds Good: The Work of the National's Sound Department National Theatre Programmes, August-October 1998.

Lavender, AM (1995) EYRE, Richard International Directory of Theatre, Volume 3: Actors, Directors and Designers, 3. pp. 271-272.

Lavender, AM (1989) Theatre in Crisis: Conference Report NTQ: New Theatre Quarterly, V (19). pp. 210-216.

Book Section

Lavender, A (2014) 'In the Mix: Intermedial Theatre and Hybridity’ In: Intermediality, Performance and the Public Sphere. International Collaboration Series . Collaborative Media International (CMI), Amherst (Massachusetts), Denver, Tangier, pp. 26-42. ISBN 0982440979

Lavender, AM (2010) The Builders Association: Super Vision (2005): digital dataflow and the synthesis of everything In: Making Contemporary Theatre: International rehearsal processes. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, pp. 17-38. ISBN 0719074924

Lavender, AM (2010) Digital Culture In: Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, pp. 125-134. ISBN 9089642552

Lavender, AM (2010) A digital paradigm for contemporary theatre performance In: Mapping Intemediality and Performance. Amsterdam University Press. ISBN 9789089642554

Lavender, AM (2006) Mise en scene, hypermediacy and the sensorium In: Intermediality in Theatre and Performance. Amsterdam and New York: Rodopi.

Lavender, AM (2006) Theatre and Technology In: A Companion to Modern British and Irish Drama. Oxford: Blackwell.

Lavender, AM (2002) The Moment of Realised Actuality In: Theatre in Crisis?: Performance Manifestos for a New Century. Manchester University Press.

Lavender, AM (1999) Turns and Transformations In: Theatre in a Cool Climate. Amber Lane Press, pp. 179-190.

Lavender, AM (1993) Edge of Darkness In: British Television Drama in the 1980s. Cambridge, Cambridge University Press, pp. 103-118.

Conference or Workshop Item

Lavender, AM (2017) Le jeu de scène inter-médias dans les environnements de performance hybride (Intermedial acting for hybrid performance environments) In: Corps en Scène: L’Acteur Face aux Écrans / Bodies on Stage: Acting Confronted by Technology, 2015-06-03 - 2015-06-05, La Sorbonne Nouvelle, Paris, France.

Lavender, AM (2012) Motion Capture for A Tempest: visual analysis of human movement, digital/corporeal interaction and performance In: Practice-based R&D workshop, 2012-07-12 - 2012-07-19, Ivy Arts Centre, University of Surrey. (Unpublished)

Book

Lavender, A (2016) Performance in the Twenty-First Century Theatres of Engagement Routledge. ISBN 113646719X

Kattenbelt, C, Bay-Cheng, S, Lavender, A and Nelson, R (2010) Mapping Intermediality and Performance Media Matters, 4 . Amsterdam University Press, Amsterdam. ISBN 9089642552

Harvie, J and Lavender, A (2010) Making Contemporary Theatre: international rehearsal processes Manchester University Press. ISBN 0719074924

Lavender, AM (2001) Hamlet in Pieces: Shakespeare reworked by Peter Brook, Robert Lepage and Robert Wilson London and New York: Nick Hern Books/Continuum.

Performance

Lavender, AM MyLife [Performance]

Lavender, AM Once I was dead [Performance]

Lavender, AM The Tempest [Performance]

Lavender, AM Acts Without Words [Performance]

Lavender, AM Back At You [Performance]

Lavender, AM Blavatsky [Performance]

Lavender, AM The Duchess of Malfi [Performance]

Lavender, AM Forget Me Not [Performance]

Lavender, AM Here's What I Did with My Body One Day [Performance]

Lavender, AM London/My Lover [Performance]

Lavender, AM The Man Outside [Performance]

Lavender, AM The Shift [Performance]

Lavender, AM The Singularity [Performance]

Other

Lavender, Andrew and Coates, J (2010) The Good Actor .

This list was generated on Sun Nov 19 01:40:35 2017 UTC.

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