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Items where Author is "Barham, J"

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Article

Barham, Jeremy (2016) 'The Ghost in the Machine’: Thomas Koschat and the volkstümlich in Mahler’s Fifth Symphony Nineteenth Century Music Review.

Barham, JM (2014) ‘Not Necessarily Mahler’: Remix, Samples and Borrowing in the Age of Wiki Contemporary Music Review, 33 (2). pp. 1-20.

Barham, JM (2012) Review of Seeing Mahler: Music and the Language of Antisemitism in Fin-de Siècle Vienna. By K. M. Knittel. pp. xiii + 201. (Ashgate, Farnham and Burlington, Vt., 2010, £55. ISBN 978-0-7546-6372-0.) Music & Letters, 93 (2). pp. 255-257.

Barham, JM (2011) Programming Mahler: Meaning, Redescription, and the Post-Adornian Counterlife Nineteenth-Century Music Review, 8 (2). pp. 255-271.

Barham, J (2011) Recurring dreams and moving images: The cinematic appropriation of Schumann's Op. 15, No. 7 Nineteenth Century Music, 34 (3). pp. 271-301.

Barham, JM (2010) Plundering Cultural Archives and Transcending Diegetics: Mahler’s Music as 'Overscore' Music and the Moving image, 3 (1). pp. 22-47.

Barham, JM (2009) Scoring Incredible Futures: Science Fiction Screen Music, and 'Post-Modernism' as Romantic Epiphany The Musical Quarterly, 91 (3-4). pp. 240-274.

Barham, JM (2009) Rhizomes and Plateaus: Rethinking Jazz Historiography and the Jazz-Classical Relationship Jazz Research Journal, 3 (2). pp. 171-202.

Barham, JM (2008) Mahler, Music and the Moving Image: Beyond Death in Venice Nachrichten zur Mahler-Forschung, 57 (Spring). pp. 26-46.

Barham, JM (2008) Review of the Internationale Gustav Mahler Gesellschaft’s Critical Edition of Mahler’s Fifth Symphony Nineteenth-Century Music Review, 5 (2). pp. 166-169.

Barham, JM (2006) Review of CD recording of Mahler songs (Stephan Genz & Roger Vignoles) Nineteenth-Century Music Review. pp. 144-147.

Barham, JM (2006) Review of Gustav Mahler: Briefe und Musikautographen aus den Moldenhauer-Archiven in der Bayerischen Staatsbibliothek (Munich: Bayerische Staatsbibliothek und Kulturstiftung der Länder, March 2003) Music & Letters, 87 (1). pp. 147-153.

Barham, JM (2004) Review of Bernd Schabbing, Gustav Mahler als Konzert- und Operndirigent in Hamburg (Berlin: Verlag Ernst Kuhn, 2002) Music & Letters, 85 (4). pp. 649-653.

Barham, JM (2002) Review of the Internationale Gustav Mahler Gesellschaft’s Critical Edition of Des Knaben Wunderhorn Music & Letters, 83 (2). pp. 330-333.

Barham, JM (2002) Review of the Internationale Gustav Mahler Gesellschaft’s Critical Edition of the original three-movement version of Mahler’s Das klagende Lied Music & Letters, 83 (1). pp. 177-180.

Barham, JM (2000) Review of Constantin Floros, Gustav Mahler, Visionär und Despot: Porträt einer Persönlichkeit (Hamburg & Zürich: Arche Verlag, 1998) Music & Letters, 81 (1). pp. 129-132.

Barham, JM (2000) Review of Donald Mitchell & Andrew Nicholson (eds.), The Mahler Companion (Oxford: Oxford University Press, 1999) Music & Letters, 81 (2). pp. 314-320.

Barham, JM (1999) Review of the Internationale Gustav Mahler Gesellschaft’s Critical Edition of Mahler’s Piano Quartet movement Music & Letters, 80 (1). pp. 163-165.

Book Section

Barham, JM (2016) Birth and Death of the Cool: The Glorious Afflictions of Jazz on Screen In: Routledge Companion to Screen Music and Sound. Routledge, New York.

Barham, JM (2016) Mahler and the Game of History In: Rethinking Mahler. Oxford University Press.

Barham, JM (2015) ‘Mit der Dummheit kämpfen Götter selbst vergebens’. Mahler, the Politics of Reason and the Metaphysics of Spiritualism In: Naturlauf: Scholarly Journeys Toward Gustav Mahler. Essays in Honour of Henry-Louis de La Grange at His Ninetieth Birthday. Peter Lang, New York, pp. 73-109. ISBN 9781454196525

Barham, JM (2014) Music and the Moving Image In: Aesthetics of music. Musicological Perspectives. Routledge, London, pp. 224-238.

Barham, Jeremy (2011) 'Dismembering the Musical Voice: Mahler, Melodrama and Dracula from Stage to Screen' In: Melodramatic Voices: Understanding Music Drama. Ashgate Interdisciplinary Studies in Opera . Ashgate, Aldershot, pp. 237-262. ISBN 1409400824

Barham, JM (2011) "Made in Germany": Mahler, Musicological Imperialism and the Decentred Self In: Musik in der Moderne/Music and Modernism. Wiener Veröffentlichungen zur Musikgeschichte, 9 . Böhlau, Köln, Weimar und Wien, pp. 91-103. ISBN 978-3205774389

Barham, Jeremy (2011) 'Mahler and Socio-Cultural Nomadism: the Case of the Fifth Symphony' In: Gustav Mahler und die musikalische Moderne. Franz Steiner Verlag, Stuttgart, pp. 57-68. ISBN 978-3-515-09902-8

Barham, Jeremy (2011) 'Mahler and Socio-Cultural Nomadism: the Case of the Fifth Symphony' In: Gustav Mahler und die musikalische Moderne. Franz Steiner Verlag, Stuttgart, pp. 57-68. ISBN 978-3-515-09902-8

Barham, JM (2011) 'Mahler’s "verkehrte Welt". Fechner, "Learned Satire" and the Third Movement of Symphony No. 3 In: Mahler im Kontext / Contextualizing Mahler. Böhlau Verlag, Vienna, pp. 169-198. ISBN 9783205784968

Barham, JM (2011) ‘"A Time of Gifts": Mahler’s Eighth, Fassbinder’s Cinema, and Musical Politics' In: The Total Work of Art: Mahler’s Eighth Symphony in Context. Studien zur Wertungsforschung, 52 . Universal Edition, Vienna & London, pp. 61-80. ISBN 978-3-7024-7075-3

Barham, Jeremy (2010) 'Mahler, Heimat and Randkultur: Musical Politics of Centre and Periphery' In: Music and the Construction of National Identities in the 19th Century. Editions Valentin Koerner, Baden Baden & Bouxwiller, pp. 267-282. ISBN 387320598X

Barham, Jeremy (2010) 'Mahler, Heimat and Randkultur: Musical Politics of Centre and Periphery' In: Music and the Construction of National Identities in the 19th Century. Editions Valentin Koerner, Baden Baden & Bouxwiller, pp. 267-282. ISBN 387320598X

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, pp. 137-170. ISBN 1845532023

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, pp. 137-170. ISBN 1845532023

Barham, JM (2007) 'Chronology', 'Introduction' and 'Juvenilia and Early Works: From the First Song Fragments to "Das klagende Lied"' In: The Cambridge Companion to Mahler. UNSPECIFIED, xv, 1 & 51-xxiii, 4 & 71. ISBN 978-0-521-54033-9

Barham, J (2007) '"Made in Germany": Mahler, Identity and Musicological Imperialism' In: Gustav Mahler: New Insights into his Life, Times and Work. Guildhall Research Studies, 5 . Guildhall School of Music and Drama/Ashgate, London and Aldershot, pp. 9-22. ISBN 0754653536

Barham, J (2005) 'Introduction' and 'Mahler the Thinker: the Books of the Alma Mahler-Werfel Collection' In: Perspectives on Gustav Mahler. Ashgate, Aldershot, xxiii & 37-xxx & 151. ISBN 0754607097

Barham, J (2002) 'Mahler's First Compositions: Piano Quartet and Songs' In: The Mahler Companion, 2nd rev. edn. OUP, Oxford, pp. 597-607.

Monograph

Barham, JM (2010) What Mahler Says to Us Today http://issuu.com/londonphilharmonic/docs/mahler_introduction UNSPECIFIED.

Conference or Workshop Item

Barham, JM (2012) ‘From Montage to Moment: Extremes of Music’s Temporal Agency in Screen Media’ In: Theories of Time & Music Conference, 2012-04 - ?, The Ionian University, Corfu.

Barham, JM (2012) ‘“Laughter and Forgetting”: the Socio-Cultural Dynamics of March and Dance in Mahler’s Music' In: Seventeenth Biennial International Conference On Nineteenth-Century Music, 2012-06 - ?, Edinburgh University.

Barham, JM (2012) ‘“Not Necessarily Mahler”: Composed Artefacts, Samples, and the Philosophy of “Wiki”’ In: Annual Conference of the RMA Music and Philosophy Study Group (in association with the AMS Music and Philosophy Study Group), 2012-07 - ?, King's College London.

Barham, JM (2011) From Montage to Moment: Extremes of Music’s Temporal Agency in Screen Media In: Leeds Film Music Conference, 2011-09 - ?, University of Leeds.

Barham, JM (2011) The History Game: Three Modes of Mahler Historiography In: Gustav Mahler Centenary Conference: ‘Mahler Contemporary of the Past?’, 2011-07 - ?, University of Surrey.

Barham, JM (2011) Improper Historiography: Mahler, the Rhizome and Economies of Proliferation In: Radical Music History Symposium, 2011-12 - ?, Sibelius Academy, Helsinki, Finland.

Barham, JM (2011) Mahler on Screen: Truth, Translation, Travesty? In: After Mahler’s Death: International Gustav Mahler Symposium, 2011-05 - ?, Vienna (Konzerthaus).

Barham, JM (2011) Musical Temporality and the Moving Image: Culture, Kinesis and Chronology In: International Conference Time’s Excesses & Eccentricities: Music, Literature and Art, 2011-05 - ?, Université de Caen Basse-Normandie, France.

Barham, JM (2010) 'A Time of Gifts': Mahler’s Eighth, Fassbinder’s Cinema, and Musical Politics In: A Work of Art of Higher Artistic Order. Text and Context of Mahler's Eighth Symphony, 2010-06 - ?, Carleton University & National Arts Center, Ottawa, Canada.

Barham, JM (2009) Chronicling Motion: Music as Temporalizing Agency in Experimental and Mainstream Screen Media In: Music and the Moving Image, 2009-05 - ?, New York University Steinhardt.

Barham, JM (2009) Ricoeurian Narrative Structures, 19th-Century Cognitive Models, and the 'Anxiety of Decadence' in the First Movement of Mahler’s Third Symphony In: Music Theory and Analysis, Seventh Annual Conference, 2009-05 - ?, University of Arts, Belgrade.

Barham, JM (2009) Roots, Rhizomes and Plateaus: Rethinking Jazz Historiography and the Jazz-Classical Relationship In: Leeds International Jazz Conference, 2009-03 - ?, Leeds College of Music.

Barham, JM (2008) Differing Roots, Unpopular Histories: Radicalism as Meeting of Minds in Jazz-Classical Aesthetics In: New Jazz Histories Symposium, 2008-11 - ?, University of Salford.

Barham, JM (2008) Mahler, Dynamics and the 19th-Century Psychological Turn In: 15th Biennial International Conference on Nineteenth-Century Music, 2008-06 - ?, University College Dublin.

Barham, JM (2008) Mahler’s Apocalypse: Symphony 2 and Virtual Melodrama In: Music and the Melodramatic Aesthetic, 2008-09 - ?, Nottingham University.

Barham, Jeremy (2008) Plundering Cultural Archives: Mahler’s Music as 'Overscore' In: Music and the Moving Image, 2008-05 - ?, New York University Steinhardt.

Barham, JM The Cinematic in Gustav Mahler In: International Musicological Society, 17th International Congress, 2002-08 - ?, University of Leuven, Belgium.

Barham, JM Eternally Feminine. Cultural Representations of Womanhood in Leni Riefenstahl’s Das blaue Licht In: Hollywood’s Musical Contemporaries and Competitors in the Early Sound-Film Era, 2014-07-26 - 2014-07-28, University of Surrey.

Barham, JM Eternally Feminine: Cultural Representations of Womanhood in the Scoring of Early Sound Films from Weimar-Republic Germany In: RMA Annual Conference, 2014-09-19 - 2014-09-21, London.

Barham, JM 'Made in Germany': Mahler, Musicological Imperialism and the Decentred Self In: Music in der Moderne, 2004-07 - ?, University of Graz, Austria.

Barham, JM 'Made in Germany': Musicological Imperialism and a Recently Discovered Mahler Study by Alfred Mathis-Rosenzweig In: Third International Conference on Twentieth-Century Music, 2003-06 - ?, Nottingham university.

Barham, JM Madness and Dysfunctionality: Jazz’s Screen Burden In: Music and Screen Media, 2014-06-25 - 2014-06-26, University of Liverpool.

Barham, JM Mahler and the Melodramatic Imagination In: 13th International Conference on Nineteenth-Century Music, 2004-06 - ?, Durham University.

Barham, Jeremy Mahler, Heimat and Randkultur: Musical Politics of Centre and Periphery In: Music and the Construction of National Identities, 2007-10 - ?, University of Strasbourg, France.

Barham, JM Mahler’s Screen Persona: Music, Mythologies and the Moving Image In: Gustav Mahler. Interpretation and Reception, 2007-06 - ?, University of Saarbrücken, Germany.

Barham, JM Music in Germany’s Earliest Sound Films: an Archival and Cultural Investigation In: Music and the Moving Image VIII, 2013-05-31 - 2014-06-02, New York University Steinhardt.

Barham, JM Music of the Future: the Appropriation of 19th-Century Repertoire in Paramount’s 'Star Trek: Voyager' In: Royal Musical Association 38th annual Conference, 2002-12 - ?, Glasgow University.

Barham, JM Postmodernism as Romantic Epiphany: the Bachian Intertext in Film Scoring In: International Conference: Sound, Music & the Moving Image, 2007-09 - ?, , Institute of Musical Research, University of London.

Barham, JM Temporal Relations in Music and Screen Media In: Royal Musical Association 42nd Annual Conference ‘Music and Visual Cultures’, 2006-06 - ?, Nottingham University.

Book

Barham, JM (2017) Rethinking Mahler Oxford University Press, New York. ISBN 0199316104

Barham, JM and Rogers, H (2016) The Music and Sound of Experimental Film Oxford University Press, New York.

Barham, JM (2016) Post-Centenary Mahler: Transvaluations of Musical Meaning Indiana University Press, Bloomington.

Barham, JM (2014) Music, Time and the Moving Image Cambridge University Press.

Barham, JM, Waters, K, Harker, B, Tackley, C, Elsdon, P and Solis, G (2011) Oxford Studies in Recorded Jazz Series: The Studio Recordings of the Miles Davis Quintet, 1965-68 (ISBN: 9780195393842) Louis Armstrong's Hot Five and Hot Seven Recordings (ISBN: 9780195388404) Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert (ISBN: 9780195398311) Keith Jarrett's The Koln Concert (ISBN: 9780199779260) Thelonious Monk Quartet with John Coltrane at Carnegie Hall (ISBN-10: 019974436X) Oxford Studies in Recorded Jazz . Oxford University Press, Oxford & New York.

Barham, JM (2007) The Cambridge Companion to Mahler Cambridge Companions . Cambridge University Press.

Barham, JM (2007) Gustav Mahler: New Insights into his Life, Time and Work Guildhall School of Music & Drama and Ashgate, London & Aldershot.

Barham, JM (2005) Perspectives on Gustav Mahler Ashgate, Aldershot. ISBN 0754607097

Other

Barham, JM (2014) Pre-concert talk at Usher Hall, Edinburgh, for performance of Mahler Symphony no 9 by the BBC Scottish Symphony Orchestra, on the influences on and of Mahler's music .

Barham, JM (2014) Pre-concert talk at City Halls, Glasgow, for performance of Mahler Symphony no 9 by the BBC Scottish Symphony Orchestra, on the influences on and of Mahler's music .

Barham, JM (2014) The organ in the movies .

Barham, JM (2013) Proms Plus Intro - Mahler's Resurrection Symphony. Available on BBC I-player at: http://www.bbc.co.uk/iplayer/episode/b037v4wn/BBC_Proms_2013_Season_Proms_Plus_Intro_Mahlers_Resurrection_Symphony/ .

Barham, JM (2012) Delusion, untimeliness, immemory? Fragments of improper music historiography from Mahler to Jazz and beyond .

Barham, JM (2011) Mahler and the Moving Image: Truth or Travesty? .

Barham, JM (2011) Pre-concert talk for Royal Philharmonic Orchestra performance of Mahler's Symphony no. 8 .

Barham, JM (2011) Study on Mahler's Symphony no. 3, Austrian Cultural Forum, London .

Barham, JM (2011) Radio 3 Discovering Music panel discussion on Mahler's Symphony no. 2 .

Barham, JM (2011) Mahler in the Marketplace: Cultural Capitalism and its Discontents .

Barham, JM (2011) Five London Philharmonic Orchestra pre-concert talks, 2010-11; available as online podcasts at: http://fp03130.web.dircon.net/newsletter/podcasts.html .

Barham, JM (2010) Mahler study day, Austrian Cultural Forum, London .

Barham, JM (2010) Introducing Mahler Symphony no. 5. DVD, and online excerpt, available at: http://www.euroarts.com/artikel/dvd/?id=005617_discovering_masterpieces_of_classical_music_mahler EuroArts, Berlin.

Barham, JM (2009) Barbican/LSO study day talk on Mahler's Wunderhorn songs .

Barham, JM (2009) Mahler Symphony no. 9: Proms Plus discussion .

Barham, JM (2006) Gustav Mahler: the Lost Rosenzweig Manuscript .

Barham, JM (2005) Technology, the Metropolis and Science-Fiction Film Music .

This list was generated on Wed Nov 22 13:23:38 2017 UTC.

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