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Items where Author is "Alston, A"

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Article

Alston, A (2016) Making mistakes in immersive theatre: Spectatorship and errant immersion Journal of Contemporary Drama in English, 4 (1). pp. 61-73.

Alston, A (2015) Performing Labour in Look Left Look Right’s Above and Beyond Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (1). pp. 50-61.

Alston, A (2013) Audience Participation and Neoliberal Value: Risk, Agency and Responsibility in Immersive Theatre Performance Research, 18 (2). pp. 128-138.

Alston, A and Daker, R (2012) Contemporary Theatre “Philanthropy” and the Purchase of Participatory Privilege Contemporary Theatre Review, 22 (3). pp. 433-439.

Alston, A (2012) Damocles and the Plucked: Audience Participation and Risk in Half Cut Contemporary Theatre Review, 22 (3). pp. 344-354.

Alston, A (2012) Funding, Product Placement and Drunkenness in Punchdrunk's The Black Diamond Studies in Theatre and Performance, 32 (2). pp. 193-208.

Alston, A (2012) Reflections on Intimacy and Narcissism in Ontroerend Goed’s Personal Trilogy Performing Ethos, 3 (2).

Book Section

Alston, A and Welton, M (2017) Introduction: The dark draws in In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Methuen Drama Engage (Introd). Bloomsbury Academic, London. ISBN 9781474251198

Alston, A (2017) Melting into air: Dining in the dark, reification and the aesthetics of darkness In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Methuen Drama Engage (2). Bloomsbury Academic, London. ISBN 9781474251198

Alston, A (2016) The Promise of Experience: Immersive Theatre in the Experience Economy In: Framing Immersive Theatre and Performance. Palgrave Macmillan, Basingstoke.

Alston, A (2016) 'Tell no-one': Secret Cinema and the Paradox of Secrecy In: Performance and Participation: Practices, Audiences, Politics. Palgrave Macmillan, Basingstoke.

Alston, A (2013) Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl’s Rotating in a Room of Images In: Affective Performance and Cognitive Science: Body, Brain and Being. Methuen, London, pp. 217-228. ISBN 9781408183984

Book

Alston, A and Welton, M (2017) Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre Methuen Drama Engage . Bloomsbury, London. ISBN 9781474251181 (Submitted)

Alston, A (2016) Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation Palgrave Macmillan, Basingstoke.

This list was generated on Fri Nov 24 00:26:38 2017 UTC.

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