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Items where Author is "Alston, A"

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Article

Alston, Adam (2019) Immersive theatre in austerity Britain: Les Enfants Terribles' riot in the Saatchi Gallery and the liquidation of differencEngine. Contemporary Theatre Review, 29 (3). pp. 238-255.

Alston, Adam (2017) Immersive theatre and the aesthetics of decadence: On the ruined worlds of Punchdrunk, SHUNT and Hammer Film Productions. Theatre and Performance Design, 3 (4). pp. 199-217.

Alston, Adam (2016) Making mistakes in immersive theatre: Spectatorship and errant immersion. Journal of Contemporary Drama in English, 4 (1). pp. 61-73.

Alston, Adam (2015) Performing Labour in Look Left Look Right’s Above and Beyond. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (1). pp. 50-61.

Alston, Adam (2013) Audience Participation and Neoliberal Value: Risk, Agency and Responsibility in Immersive Theatre. Performance Research, 18 (2). pp. 128-138.

Alston, Adam and Daker, R (2012) Contemporary Theatre "Philanthropy" and the Purchase of Participatory Privilege. Contemporary Theatre Review, 22 (3). pp. 433-439.

Alston, Adam (2012) Damocles and the Plucked: Audience Participation and Risk in Half Cut. Contemporary Theatre Review, 22 (3). pp. 344-354.

Alston, Adam (2012) Funding, Product Placement and Drunkenness in Punchdrunk's The Black Diamond. Studies in Theatre and Performance, 32 (2). pp. 193-208.

Alston, Adam (2012) Reflections on Intimacy and Narcissism in Ontroerend Goed's Personal Trilogy. Performing Ethos, 3 (2).

Book Section

Alston, Adam (2019) Holstein's hair: The Politics of Decadence in The Famous Lauren Barri Holstein's Splat! In: The Routledge Companion to Theatre and Politics. Routledge.

Alston, Adam and Welton, M (2017) Introduction: The dark draws in. In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Methuen Drama Engage (Introd). Bloomsbury Academic, London, pp. 1-34. ISBN 9781474251198

Alston, Adam (2017) Melting into air: Dining in the dark, reification and the aesthetics of darkness. In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Methuen Drama Engage (2). Bloomsbury Academic, London, pp. 64-87. ISBN 9781474251198

Alston, Adam (2016) The Promise of Experience: Immersive Theatre in the Experience Economy. In: Framing Immersive Theatre and Performance. Palgrave Macmillan, Basingstoke.

Alston, Adam (2016) 'Tell no-one': Secret Cinema and the Paradox of Secrecy. In: Performance and Participation: Practices, Audiences, Politics. Palgrave Macmillan, Basingstoke.

Alston, Adam (2013) Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl's Rotating in a Room of Images. In: Affective Performance and Cognitive Science: Body, Brain and Being. Methuen, London, pp. 217-228. ISBN 9781408183984

Book

Alston, A and Welton, M (2017) Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Methuen Drama Engage . Bloomsbury, London. ISBN 9781474251181

Alston, Adam (2016) Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation. Palgrave Macmillan, Basingstoke.

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