University of Surrey

Test tubes in the lab Research in the ATI Dance Research

Musical Forms and Aesthetics in the Works of Virginia Woolf.

Crapoulet, Emilie. (2007) Musical Forms and Aesthetics in the Works of Virginia Woolf. Doctoral thesis, University of Surrey (United Kingdom)..

[img]
Preview
Text
11015140.pdf
Available under License Creative Commons Attribution Non-commercial Share Alike.

Download (18MB) | Preview

Abstract

At a moment when Modernist artists manifest a widespread concern with interdisciplinary aesthetic experiences, Virginia Woolf draws her inspiration from music as she seeks to transcend the boundaries of her own art in order to redefine and create new forms of literary expression. Even though a very small number of critics have recognized the fact that music in Virginia Woolf's works is more than just a detail or an occasional background element, no comprehensive study of her musical aesthetics has yet been attempted. After investigating in Chapter I the modalities of Woolf's life-long interest in music and the role of music in her aesthetics of literature, we examine in more detail Woolfs aesthetics of music in Chapters 2 and 3, by giving a close reading of one of her short stories, 'The String Quartet'. In an analysis which brings into play some of the more fundamental problems which many philosophers of music are currently concerned with, we show that in this text, Woolf explores with great lucidity and insight the entire spectrum of the ways music makes meaning, from the relation it bears to the consciousness, the imagination, language and literary expression, to its potential ontological, transcendental and paradigmatical function. This clears the ground for a study of the actual method of her musicalization of the novels themselves in Chapters 4 and 5. We focus in particular on the more experimental narrative strategies Woolf adopts in The Waves and Mrs Dalloway in order to show how music in Virginia Woolf's works is an essential dynamic, structural and aesthetic force which permeates the whole fabric of her art. Crossing the boundaries between literary scholarship and musicology, this dissertation also seeks to bring to light the many assumptions interdisciplinary scholars unwittingly make about the nature of musical expression and meaning in their analyses of musicalized fiction. In our reassessment of the established melopoetic typologies, we are finally led to propose an alternative approach to the study of Modernist musicalized fiction.

Item Type: Thesis (Doctoral)
Divisions : Theses
Authors : Crapoulet, Emilie.
Date : 2007
Additional Information : Thesis (Ph.D.)--University of Surrey (United Kingdom), 2007.
Depositing User : EPrints Services
Date Deposited : 30 Apr 2019 08:08
Last Modified : 20 Aug 2019 15:33
URI: http://epubs.surrey.ac.uk/id/eprint/851482

Actions (login required)

View Item View Item

Downloads

Downloads per month over past year


Information about this web site

© The University of Surrey, Guildford, Surrey, GU2 7XH, United Kingdom.
+44 (0)1483 300800