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The establishment of the virtual performance space in rock

Moore, A and Dockwray, R (2008) The establishment of the virtual performance space in rock twentieth-century music, 5 (2). pp. 219-241.

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Abstract

This paper traces the gradual adoption of the 'diagonal mix' aesthetic in rock recordings on the late 1960s and early 1970s

Item Type: Article
Authors :
NameEmailORCID
Moore, Aallan.moore@surrey.ac.ukUNSPECIFIED
Dockwray, RUNSPECIFIEDUNSPECIFIED
Date : 2008
Identification Number : https://doi.org/10.1017/S1478572209990065
Depositing User : Symplectic Elements
Date Deposited : 16 May 2017 15:06
Last Modified : 17 May 2017 14:31
URI: http://epubs.surrey.ac.uk/id/eprint/817193

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