Scoring Incredible Futures: Science Fiction Screen Music, and 'Post-Modernism' as Romantic Epiphany
Barham, JM (2009) Scoring Incredible Futures: Science Fiction Screen Music, and 'Post-Modernism' as Romantic Epiphany The Musical Quarterly, 91 (3-4). pp. 240-274.
Scoring Incredible Futures .pdf
Available under License : See the attached licence file.
This is the only academic journal article devoted to the historical, stylistic and aesthetic understanding of the musical scoring of science fiction film. It combines a general overview of the repertoire with several specific case studies, in order to identify a number of hitherto uncharted creative issues and problems that characterize and beset the genre. Using science fiction film as a model which by nature combines the 'progressive' with the 'reactionary', the article also offers a diagnosis of the wider cultural issue of the sometimes spurious claims of postmodernism.
|Divisions :||Faculty of Arts and Social Sciences > School of Arts > Music|
|Date :||29 March 2009|
|Identification Number :||https://doi.org/10.1093/musqtl/gdp001|
|Uncontrolled Keywords :||Science fiction film, Pre-existent music, Music of the future, Bach on screen|
|Related URLs :|
|Additional Information :||This is a pre-copyedited, author-produced PDF of an article accepted for publication in The Musical Quarterly following peer review. The definitive publisher-authenticated version: Musical Quarterly (2008) 91 (3-4): 240-274. doi: 10.1093/musqtl/gdp001 is available online at: http://dx.doi.org/10.1093/musqtl/gdp001|
|Depositing User :||Symplectic Elements|
|Date Deposited :||03 Apr 2014 08:52|
|Last Modified :||09 Jun 2014 13:58|
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