Plundering Cultural Archives: Mahler’s Music as 'Overscore'
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Barham, Jeremy (2008) Plundering Cultural Archives: Mahler’s Music as 'Overscore' In: Music and the Moving Image, 2008-05 - ?, New York University Steinhardt.
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Abstract
The structural, aesthetic, historical, and cultural implications of the use of Gustav Mahler's music in scoring the moving image are examined. Recurrent topics of death, homosexuality, and war, as well as challenges to rigid diegetic distinctions are identified against the backcloth of a comprehensive survey of the screen appropriation of Mahler's music.
| Item Type: | Conference or Workshop Item (Conference Paper) | ||||||
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| Divisions : | Faculty of Arts and Social Sciences > School of Arts > Music | ||||||
| Authors : |
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| Date : | 2008 | ||||||
| Depositing User : | Symplectic Elements | ||||||
| Date Deposited : | 27 Jul 2017 10:25 | ||||||
| Last Modified : | 27 Jul 2017 10:25 | ||||||
| URI: | http://epubs.surrey.ac.uk/id/eprint/763145 |
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