Plundering Cultural Archives: Mahler’s Music as 'Overscore'

Barham, Jeremy (2008) Plundering Cultural Archives: Mahler’s Music as 'Overscore' In: Music and the Moving Image, 2008-05 - ?, New York University Steinhardt.

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Abstract

The structural, aesthetic, historical, and cultural implications of the use of Gustav Mahler's music in scoring the moving image are examined. Recurrent topics of death, homosexuality, and war, as well as challenges to rigid diegetic distinctions are identified against the backcloth of a comprehensive survey of the screen appropriation of Mahler's music.

Item Type:	Conference or Workshop Item (Conference Paper)
Divisions :	Faculty of Arts and Social Sciences > Department of Music and Media
Authors :	Name Email ORCID Barham, Jeremy J.Barham@surrey.ac.uk
Date :	2008
Depositing User :	Symplectic Elements
Date Deposited :	27 Jul 2017 10:25
Last Modified :	05 Mar 2019 10:14
URI:	http://epubs.surrey.ac.uk/id/eprint/763145

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