A Crafted Debut: Haywood’s Love in Excess and the Literary Marketplace
Luhning, HR (2009) A Crafted Debut: Haywood’s Love in Excess and the Literary Marketplace Lumen, 28. pp. 97-110.
luhning 2009 A crafted debut haywood.pdf
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Eliza Haywood's literary debut, Love in Excess (1719), gained a wide readership, was a commercial success, and established Haywood's notorious yet profitable reputation as a scandalous woman novelist. William Chet-wood, Haywood's publisher, introduced and subsequently marketed Love in Excess to the reading public in a deliberate manner. He used dedications, readers' responses, strategic prefatory material, and special editions not only to promote the sales of Love in Excess, but also to construct a glamorous and risqué authorial persona for Haywood that subsequently characterized her writing. This paper will examine this prefatory material and consider how and why Chetwood and Haywood achieved the construction of this effectively profitable persona. Through this commodification of her writing and persona Haywood publicized the authenticity and cultural relevance of her work. Her successful participation in the literary marketplace was instrumental in achieving a wide readership not only for herself, but also for other women novelists.
|Divisions :||Faculty of Arts and Social Sciences > School of English and Languages > English|
|Date :||6 June 2009|
|Identification Number :||10.7202/1012040ar|
|Uncontrolled Keywords :||Eliza Haywood, Love in Excess, Print Culture, Women Writers|
|Related URLs :|
|Additional Information :||This is an electronic version of an article published as Luhning HR (2009). A Crafted Debut: Haywood’s Love in Excess and the Literary Marketplace. Lumen 28:97-110 Available online at: http://www.erudit.org/revue/lumen/2009/v28/n/index.html|
|Depositing User :||Symplectic Elements|
|Date Deposited :||15 Jan 2013 13:54|
|Last Modified :||09 Jun 2014 13:21|
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