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El Llanto de los Sueños (the Weeping of Dreams; for guitar, 11 mins.)

Goss, SM (2008) El Llanto de los Sueños (the Weeping of Dreams; for guitar, 11 mins.) [Composition]

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El Llanto de los Sueños (2007) (The Weeping of Dreams) Cantiga Madrugada Alborada El Llanto de los Sueños draws on ideas and images from the poetry of Federico Garcia Lorca. The music suggests a dream-like nostalgia for the Andalusia of the nineteen-twenties and early thirties, when Manuel de Falla and Lorca were revitalising flamenco and local culture. The title is taken from the first line of Lorca’s poem Las seis cuerdas (The Six Strings) – ‘La guitarra hace llorar a los sueños’ (‘The guitar makes dreams weep’). The music borrows the colours and harmonies that Debussy and Ravel blended in their Spanish music – a potent cocktail of Andalusian folk music, early jazz, 19th-century Romanticism, and French Impressionism. The sources for the brief song-like prelude, Cantiga, are Lorca’s Six Galician Poems of 1932 and the medieval Cantigas de Amigo (love songs written to be sung on the Pilgrimage to Santiago). The second movement takes its name from Lorca’s poem Madrugada (Before the Dawn), but evokes nocturnal images from many of his poems. The opening theme is a gentle serenade, but as the evening turns to night, the melody becomes lost in a confusion of moving shadows. Little by little the dawn bells begin to fracture the darkness and light gradually dissolves the night. When the serenade melody returns, it has been transformed; it has lost its innocence and is now imbued with melancholy. The piece ends with eight distant tolls of a morning bell. Alborada is based on Lorca’s poem Baile, which depicts an old and slightly unhinged Carmen dancing through the streets of Seville at dawn, frightening the inhabitants. She is a little deranged and only half-remembers the dances of her younger days – strains of her Habanera and Seguidilla struggle to be heard. Carmen’s attention flits quickly from one memory to another and the character of the music darts about from mood to mood. She tries to recall the Seguidilla one last time, but she cannot form it properly in her mind. She gives up and starts her final dance, which builds to a frenzied climax. El Llanto de los Sueños is dedicated to David and Maria Russell. The first performance was given by David Russell at Kings Place, London, on 30th October 2008. The score is published by Cadenza Music Stephen Goss © 2008 For guitar (11 mins). First performance, 30th October 2008, King's Place, London. Recorded on For David Telarc International © 2009.

Item Type: Composition
Divisions : Faculty of Arts and Social Sciences > Department of Music and Media
Authors :
Goss, SM
Date : 2008
Funders : David Russell
Related URLs :
Depositing User : Symplectic Elements
Date Deposited : 23 Aug 2012 11:08
Last Modified : 05 Mar 2019 10:14

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