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'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"'

Barham, JM (2009) 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"' In: Terror Tracks. Music and Sound in Horror Cinema. Equinox Press, London, 137 - 170. ISBN 1845532023

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Abstract

Lively and accessible, Terror Tracks is an important contribution to study of Horror cinema. This chapter assesses in detail the use of music by Penderecki and Bartok in the scoring of Stanley Kubrick's seminal horror film 'The Shining'

Item Type: Book Section
Additional Information: This is an electronic version of a book chpater published as Barham, J. M. (2009, April). 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"'. In P. Hayward (Ed.), Terror Tracks. Music and Sound in Horror Cinema (pp. 137-170). London: Equinox Press. Available online at: http://www.equinoxpub.com/homemain.asp
Uncontrolled Keywords: Kubrick, The Shining, Horror film, Pre-existent music
Related URLs:
Divisions: Faculty of Arts and Human Sciences > School of Arts > Music
Depositing User: Mr Adam Field
Date Deposited: 20 Jun 2012 12:37
Last Modified: 09 Jun 2014 13:26
URI: http://epubs.surrey.ac.uk/id/eprint/678962

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