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Coincident Microphone Techniques for Three-Channel Stereophonic Reproduction

McKinnie, Douglas and Rumsey, Francis (1997) Coincident Microphone Techniques for Three-Channel Stereophonic Reproduction In: 102nd AES Convention.


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Coincident stereo microphone techniques that can be used for three-channel frontal playback are analyzed and described, based on the three-channel psychoacoustic panning law devised by Gerzon. For each configuration giving rise to appropriate gain and phase relationships, the recording angle, angular distortion, and reverberation distribution is analyzed. Experimental recordings using some of the most successful arrays are discussed.

Item Type: Conference or Workshop Item (UNSPECIFIED)
Divisions : Faculty of Arts and Social Sciences > Department of Music and Media
Authors :
McKinnie, Douglas
Rumsey, Francis
Date : 10 March 1997
Additional Information : McKinnie D.J. & Rumsey F.J. (1998). Coincident microphone techniques for three channel stereophonic reproduction. Presented at 102nd AES Convention, Munich, Mar 1997. Preprint 4429. This convention paper has been reproduced from the author's advance manuscript, without editing, corrections, or consideration by the Review Board. The AES takes no responsibility for the contents. Additional papers may be obtained by sending request and remittance to the Audio Engineering Society. © 1997 AES. All rights reserved. Reproduction of this paper, or any portion thereof, is not permitted without direct permission from the Journal of the Audio Engineering Society.
Depositing User : Mr Adam Field
Date Deposited : 27 May 2010 14:10
Last Modified : 05 Mar 2019 10:35

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