Orange Women, Female Spectators, and Roaring Girls: Women and Theater
Wynne-Davies, M (2009) Orange Women, Female Spectators, and Roaring Girls: Women and Theater Medieval and Renaissance Drama in England, 22. pp. 19-26.
Wynne-Davies 2009 Orange women.pdf
Available under License : See the attached licence file.
The author introduces articles in the symposium "Women and Theater" in "Medieval and Renaissance Drama," describing the primary types of women who attended the theater in early modern England and how they were represented on stage. Orange-women and others sold their wares to audiences. Mary Frith dressed as a man, moved among the audiences, and was represented in Thomas Dekker and Thomas Middleton's "The Roaring Girl." Female spectators were represented to be attending to experience illicit sexual encounters, as well as other reasons besides actually seeing the play. The convergence seems to lie in the middle and lower class status of all the women represented.
|Divisions :||Faculty of Arts and Social Sciences > School of English and Languages > English|
|Related URLs :|
|Additional Information :||This is an electornic version of an article published as Wynne-Davies M. (2009). Orange Women, Female Spectators, and Roaring Girls: Women and Theater Medieval and Renaissance Drama in England 22:19-26 . Available online at: http://inside.fdu.edu/fdupress/070819mardie.html|
|Depositing User :||Symplectic Elements|
|Date Deposited :||16 May 2012 09:38|
|Last Modified :||23 Sep 2013 19:13|
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