Uncanny Indexes: Rotoshopped Interviews as Documentary
Honess Roe, A (2012) Uncanny Indexes: Rotoshopped Interviews as Documentary Animation, 7 (1). 25 - 37. ISSN 1746-8477
Available under License : See the attached licence file.
Official URL: http:/dx.doi.org/10.1177/1746847711428851
This article considers the several animated interviews made by Bob Sabiston between 1997 and 2007, and the implications of considering these films as documentaries. The author argues that the films are liminal, discursive texts that negotiate tensions between reality and make-believe, observation and interpretation, and presence and absence. Textual analysis of the short films in question demonstrates an aesthetic presentation that confirms their documentary status at the same time as exploiting the expressionistic potential of Rotoshop. The nature of Rotoshop also emphasizes the absence of the physical body of the interviewee, replacing it with an excessively present style of animation. Other conventional markers of documentary authenticity and evidence, such as the visual index, are also absent in these films. These absences, coupled with the presence of an aesthetically liminal style of animation infer a pleasurably complex and challenging epistemological and phenomenological viewing experience.
|Additional Information:||This is an electronic version of an article published as Honess Roe A (2012). Uncanny Indexes: Rotoshopped Interviews as Documentary. Animation 7(1):25-37. Available online at: http://anm.sagepub.com/content/7/1/25|
|Divisions:||Faculty of Arts and Human Sciences > School of Arts > Dance, Film and Theatre|
|Deposited By:||Symplectic Elements|
|Deposited On:||11 May 2012 13:06|
|Last Modified:||02 Apr 2013 14:33|
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